display all the ideas for this combination of philosophers
9 ideas
| 3879 | Philosophy aims to provide a theory of everything [Scruton] |
| Full Idea: Philosophy studies everything: it tries to provide a theory of the whole of things. | |
| From: Roger Scruton (Modern Philosophy:introduction and survey [1994], 1.2) | |
| A reaction: Good, but you can't avoid value-judgements about which things are important; philosophers place more value on moral theories than on theories about glacier movement. There is a tension in philosophy between human and eternal concerns. |
| 12170 | Amusement rests on superiority, or relief, or incongruity [Scruton] |
| Full Idea: There are three common accounts of amusement: superiority theories (Hobbes's 'sudden glory'), 'relief from restraint' (Freud on jokes), and 'incongruity' theories (Schopenhauer). | |
| From: Roger Scruton (Laughter [1982], §5) | |
| A reaction: All three contain some truth. But one need not feel superior to laugh, and one may already be in a state of unrestraint. Schopenhauer seems closest to a good general account. |
| 12172 | Objects of amusement do not have to be real [Scruton] |
| Full Idea: It is a matter of indifference whether the object of amusement be thought to be real. | |
| From: Roger Scruton (Laughter [1982], §7) | |
| A reaction: Sort of. If I say 'wouldn't it be funny if someone did x?', it is probably much less funny than if I say 'apparently he really did x'. The fantasy case has to be much funnier to evoke the laughter. |
| 12169 | Since only men laugh, it seems to be an attribute of reason [Scruton] |
| Full Idea: Man is the only animal that laughs, so a starting point for all enquiries into laughter must be the hypothesis that it is an attribute of reason (though that gets us no further than our definition of reason). | |
| From: Roger Scruton (Laughter [1982], §1) | |
| A reaction: I would be inclined to say that both our capacity for reason and our capacity for laughter (and, indeed, our capacity for language) are a consequence of our evolved capacity for meta-thought. |
| 12173 | The central object of amusement is the human [Scruton] |
| Full Idea: There are amusing buildings, but not amusing rocks and cliffs. If I were to propose a candidate for the formal object of amusement, then the human would be my choice, ...or at least emphasise its centrality. | |
| From: Roger Scruton (Laughter [1982], §9) | |
| A reaction: Sounds good. Animal behaviour only seems to amuse if it evokes something human. Plants would have to look a bit human to be funny. |
| 3891 | If p entails q, then p is sufficient for q, and q is necessary for p [Scruton] |
| Full Idea: If p entails q, then p is sufficient for q, and q is necessary for p. | |
| From: Roger Scruton (Modern Philosophy:introduction and survey [1994], 15.7) |
| 8988 | Two marxist ideas have dominated in France: base and superstructure, and ideology [Scruton] |
| Full Idea: Two tenets of classical Marxism have played a decisive role in French culture during our century: the theory of base and superstructure, and the concept of ideology. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.7) | |
| A reaction: It is striking how marxist attitudes permeate even the least political of French philosophical writings, to the point where you wonder if they are even aware of it any more. They largely have marxism and reaction, with liberalism passing them by. |
| 8987 | On the surface of deconstructive writing, technicalities float and then drift away [Scruton] |
| Full Idea: Deconstructive writing has a peculiar surface, in which technicalities float on the syntactic flood and vanish unexplained downstream. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.2) | |
| A reaction: Not even the greatest fans of deconstruction can deny this, and Derrida more or less admits it. At first glance it certainly looks more like the ancient idea of rhetoric than it looks anything like dialectic. |
| 8992 | Deconstruction is the last spasm of romanticism, now become hopeless and destructive [Scruton] |
| Full Idea: The subversive patterns of thought in deconstruction are a last spasm of romanticism: one that has given up hope of an otherworldly redemption, and set out instead to destroy the illusions in which other still believe, the source of their power. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.29) | |
| A reaction: It seems to be strongly connected with the failure of marxism in Europe, but it also seems to inherit all the values of the Dada movement. |