display all the ideas for this combination of philosophers
5 ideas
| 24013 | An emotion and its object form a unity, so emotion is a mode of apprehension [Sartre] |
| Full Idea: Emotion returns to its object every moment, and feeds upon it. …The emotional subject and the object of the emotion are united in an indissoluble synthesis. Emotion is a specific manner of apprehending the world. …[39] It is a transformation of the world. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: The last sentence is the essence (or existence?) of Sartre's core theory of the emotions. They are, it seems, a mode of perception, like a colour filter added to a camera. I don't think I agree. I see them as a response to perceptions, not part of them. |
| 24017 | Emotion is one of our modes of understanding our Being-in-the-World [Sartre] |
| Full Idea: Emotion is not an accident, it is a mode of our conscious existence, one of the ways in which consciousness understands (in Heidegger's sense of verstehen) its Being-in-the-World. …It has a meaning. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: Calling emotions a 'mode' suggests that this way of understanding is intermittent, which seems wrong. Even performing arithmetical calculations is coloured by emotions, so they go deeper than a 'mode'. |
| 24014 | Emotions are a sort of bodily incantation which brings a magic to the world [Sartre] |
| Full Idea: Joy is the magical behaviour which tries, by incantation, to realise the possession of the desired object as an instantaneous totality. [47] Emotions are all reducible to the constitution of a magic world by using our bodies as instruments of incantation. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: I can't pretend to understand this, but I am reminded of the fact that the so-called primary qualities of perception are innately boring, and it is only the secondary qualities (like colour and smell) which make the world interesting. |
| 24015 | Emotions makes us believe in and live in a new world [Sartre] |
| Full Idea: Emotion is a phenomenon of belief. Consciousness does not limit itself to the projection of affective meanings upon the world around it; it lives the new world it has thereby constituted. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: There seems to be an implied anti-realism in this, since the emotions prevent us from relating more objectively to the world. The 'magic' seems to be compulsory. |
| 6164 | Sartre rejects mental content, and the idea that the mind has hidden inner features [Sartre, by Rowlands] |
| Full Idea: Sartre's attack on the idea that consciousness has contents is an attack on the idea that the mental possesses features that are hidden, inner and constituted or revealed by the individual's inwardly directed awareness. | |
| From: report of Jean-Paul Sartre (Being and Nothingness [1943]) by Mark Rowlands - Externalism Ch.5 | |
| A reaction: This is part of the move towards 'externalism' about the mind. The notion of 'content' implies a container. It seems slightly ridiculous, though, to try to say that the mind just 'is the world'. How is reasoning possible, and the relation of ideas? |