Combining Philosophers

Ideas for Hermarchus, Simone Weil and Xenophon

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4 ideas

21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The aesthete's treatment of beauty as amusement is sacreligious; beauty should nourish [Weil]
     Full Idea: The aesthete's point of view is sacreligious, not only in matters of religion but even in those of art. It consists in amusing oneself with beauty by handling it and looking at it. Beauty is something to be eaten: it is a food.
     From: Simone Weil (The Need for Roots [1943], II 'Country')
     A reaction: She is endorsing the 'food' view against the 'handling' view. Beauty should nourish, she says.
The secret of art is that beauty is a just blend of unity and its opposite [Weil]
     Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art.
     From: Simone Weil (The Scientific Image [1941], p.169)
     A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples.
We both desire what is beautiful, and want it to remain as it is [Weil]
     Full Idea: Everything beautiful is the object of desire but one desires that it be not otherwise, that it be unchanged, that it be exactly what it is.
     From: Simone Weil (Prerequisite to Dignity of Labour [1941], p.268)
     A reaction: This seems to be mostly true, though I don't think it reveals the essence of beauty. I might love a particular landscape, but want to plant a carefully place tree within it. Or change one or two words in a great poem.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Beauty is an attractive mystery, leaving nothing to be desired [Weil]
     Full Idea: Beauty is the supreme mystery of the world. It is a gleam which attracts the attention and yet does nothing to sustain it. …While exciting desire, it makes clear that there is nothing in it to be desired, because what we want is that it should not change.
     From: Simone Weil (Human Personality [1943], p.92)
     A reaction: She attributes beauty to a supernatural source. I catalogue this idea under 'the sublime', rather than 'beauty'. It may be better to say that beauty inspires love, rather than desire.