Combining Philosophers

Ideas for Herodotus, Oscar Wilde and Ludwig Wittgenstein

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4 ideas

21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Consider: "Imagine this butterfly exactly as it is, but ugly instead of beautiful" [Wittgenstein]
     Full Idea: Suppose someone were to say: "Imagine this butterfly exactly as it is, but ugly instead of beautiful"?!
     From: Ludwig Wittgenstein (Philosophical Grammar [1932], §127), quoted by Robert Fogelin - Walking the Tightrope of Reason
     A reaction: This reminds us that the concept of supervenience was originally introduced in aesthetics. Beauty is supervenient on physical form. But "Imagine how someone else might look at this butterfly and think it was ugly".
21. Aesthetics / C. Artistic Issues / 6. Value of Art
All art is quite useless [Wilde]
     Full Idea: All art is quite useless.
     From: Oscar Wilde (Preface to 'Dorian Gray' [1891])
     A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Books are only well or badly written, not moral or immoral [Wilde]
     Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
     From: Oscar Wilde (Preface to 'Dorian Gray' [1891])
     A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels.
Having ethical sympathies is a bad mannerism of style in an artist [Wilde]
     Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.
     From: Oscar Wilde (Preface to 'Dorian Gray' [1891])
     A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully.