display all the ideas for this combination of philosophers
17 ideas
| 4026 | Beauty is harmony with what is divine, and ugliness is lack of such harmony [Plato] |
| Full Idea: Ugliness is out of harmony with everything that is godly; beauty, however, is in harmony with the divine. | |
| From: Plato (The Symposium [c.384 BCE], 206d) | |
| A reaction: This remark shows how the concept of 'harmony' is at the centre of Greek thought (and is a potential bridge of the is/ought gap). |
| 390 | If goodness involves moderation and proportion, then it seems to be found in beauty [Plato] |
| Full Idea: Moderation and proportion seem, in effect, to be beauty and excellence. So now this property we're looking for, goodness, has taken refuge in beauty. | |
| From: Plato (Philebus [c.353 BCE], 64e) |
| 299 | What is fine is always difficult [Plato] |
| Full Idea: The proverb says 'Anything fine is difficult'. | |
| From: Plato (Hippias Major [c.392 BCE], 304e) | |
| A reaction: attributed (as usual) to Solon |
| 172 | Love of ugliness is impossible [Plato] |
| Full Idea: There cannot be such a thing as love of ugliness. | |
| From: Plato (The Symposium [c.384 BCE], 201a) |
| 173 | Beauty and goodness are the same [Plato] |
| Full Idea: What is good is the same as what is beautiful. | |
| From: Plato (The Symposium [c.384 BCE], 201c) |
| 155 | Beauty is the clearest and most lovely of the Forms [Plato] |
| Full Idea: Only beauty has the privilege of being the most clearly discerned and the most lovely of the forms. | |
| From: Plato (Phaedrus [c.366 BCE], 250e) | |
| A reaction: the motivation in Plato's theory |
| 249 | People who value beauty above virtue insult the soul by placing the body above it [Plato] |
| Full Idea: When a man values beauty above virtue, the disrespect he shows his soul is total and fundamental, because he argues that the body is more to be honoured than the soul. | |
| From: Plato (The Laws [c.348 BCE], 727e) |
| 183 | Stage two is the realisation that beauty of soul is of more value than beauty of body [Plato] |
| Full Idea: The second stage of progress is to realise that beauty of soul is more valuable than beauty of body. | |
| From: Plato (The Symposium [c.384 BCE], 210b) |
| 184 | Progress goes from physical beauty, to moral beauty, to the beauty of knowledge, and reaches absolute beauty [Plato] |
| Full Idea: One should step up from physical beauty, to moral beauty, to the beauty of knowledge, until at last one knows what absolute beauty is. | |
| From: Plato (The Symposium [c.384 BCE], 211c) | |
| A reaction: Presumably this is why Socrates refused sexual favours to Alcibiades. The idea is inspiring, and yet it is a rejection of humanity. |
| 282 | Non-physical beauty can only be shown clearly by speech [Plato] |
| Full Idea: The bodiless things, being the most beautiful and the greatest, are only shown with clarity by speech and nothing else. | |
| From: Plato (The Statesman [c.356 BCE], 286a) | |
| A reaction: Unfortunately this will be true of warped and ugly ideas as well. |
| 171 | Music is a knowledge of love in the realm of harmony and rhythm [Plato] |
| Full Idea: Music may be called a knowledge of the principles of love in the realm of harmony and rhythm. | |
| From: Plato (The Symposium [c.384 BCE], 187c) |
| 316 | Music has harmony like the soul, and serves to reorder disharmony within us [Plato] |
| Full Idea: Music has harmonic motions like the orbits of the soul, and is not for irrational pleasure, but to reduce to order any disharmony in the revolutions within us. | |
| From: Plato (Timaeus [c.349 BCE], 47d) |
| 16565 | Without the surface decoration, poetry shows only appearances and nothing of what is real [Plato] |
| Full Idea: If you strip a poet's works of their musical colorings and take them by themselves, I think you know what they look like. …We say that a maker of an image - an imitator - knows nothing about that which is but only about its appearance. | |
| From: Plato (The Republic [c.374 BCE], 601a) | |
| A reaction: Knowing the appearances well is more than most people can manage, and aspirations to know the true reality may be an idle dream. Poets are, I presume, welcome in the Cave. |
| 2160 | Representation is two steps removed from the truth [Plato] |
| Full Idea: The province of representation is indeed two steps removed from the truth. | |
| From: Plato (The Republic [c.374 BCE], 602c) |
| 2163 | Artists should be excluded from a law-abiding community, because they destroy the rational mind [Plato] |
| Full Idea: We are right to refuse admission to artists in any community which is going to respect convention, because he destroys the rational mind and feeds the irrational - it is like destroying good citizens by giving ruffians power. | |
| From: Plato (The Republic [c.374 BCE], 605b) |
| 2135 | Truth is closely related to proportion [Plato] |
| Full Idea: Truth is closely related to proportion. | |
| From: Plato (The Republic [c.374 BCE], 486d) |
| 297 | What is fine is the parent of goodness [Plato] |
| Full Idea: Fineness is the father of goodness. | |
| From: Plato (Hippias Major [c.392 BCE], 297b) |