Combining Philosophers

Ideas for Rahulabhadra, Celsus and Gottfried Leibniz

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4 ideas

21. Aesthetics / A. Aesthetic Experience / 3. Taste
If would be absurd not to disagree with someone's taste if it was a taste for poisons [Leibniz]
     Full Idea: If someone acquired a taste for poisons which would kill him or make him wretched, it would be absurd to say that we ought not to argue with him about his tastes.
     From: Gottfried Leibniz (New Essays on Human Understanding [1704], 2.21)
     A reaction: This seems to be a first step in any discussion of taste on which you would hope that sensible persons would agree. 'It is just a matter of taste' is definitely not the end of discussion. Aesthetic taste is important, just as values are important.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Beauty increases with familiarity [Leibniz]
     Full Idea: The more one is familiar with things, the more beautiful one finds them.
     From: Gottfried Leibniz (Letters to Antoine Arnauld [1686], 1688.01.4/14)
     A reaction: This is always the reply given to those who say that science kills our sense of beauty. The first step in aesthetic life is certainly to really really pay attention to things.
Leibniz identified beauty with intellectual perfection [Leibniz, by Gardner]
     Full Idea: Leibniz identified beauty with intellectual perfection.
     From: report of Gottfried Leibniz (works [1690]) by Sebastian Gardner - Aesthetics 1.2.1
     A reaction: Well he would, wouldn't he? Swots like Leibniz are inclined to value things which only they can fully appreciate. There may be intellectual subject matter in the study of a rose, but I do not believe that it is needed to appreciate the beauty.
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music charms, although its beauty is the harmony of numbers [Leibniz]
     Full Idea: Music charms us although its beauty only consists in the harmony of numbers.
     From: Gottfried Leibniz (Principles of Nature and Grace based on Reason [1714], §17)
     A reaction: 'Only'! This is a super-pythagorean view of music, as you might expect from a great mathematician. Did he understand the horrible compromises that had just been made to achieve even-tempered tuning? Patterns are the key, as always.