47 ideas
10455 | Free logic at least allows empty names, but struggles to express non-existence [Bach] |
15375 | If terms change their designations in different states, they are functions from states to objects [Fitting] |
15376 | Intensional logic adds a second type of quantification, over intensional objects, or individual concepts [Fitting] |
15378 | Awareness logic adds the restriction of an awareness function to epistemic logic [Fitting] |
15379 | Justication logics make explicit the reasons for mathematical truth in proofs [Fitting] |
11026 | Classical logic is deliberately extensional, in order to model mathematics [Fitting] |
10454 | In first-order we can't just assert existence, and it is very hard to deny something's existence [Bach] |
10453 | In logic constants play the role of proper names [Bach] |
10452 | Proper names can be non-referential - even predicate as well as attributive uses [Bach] |
10456 | Millian names struggle with existence, empty names, identities and attitude ascription [Bach] |
10440 | An object can be described without being referred to [Bach] |
10444 | Definite descriptions can be used to refer, but are not semantically referential [Bach] |
11028 | λ-abstraction disambiguates the scope of modal operators [Fitting] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
15377 | Definite descriptions pick out different objects in different possible worlds [Fitting] |
12900 | How could 'S knows he has hands' not have a fixed content? [Bach] |
12901 | If contextualism is right, knowledge sentences are baffling out of their context [Bach] |
12902 | Sceptics aren't changing the meaning of 'know', but claiming knowing is tougher than we think [Bach] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
10446 | Fictional reference is different inside and outside the fiction [Bach] |
10447 | We can refer to fictional entities if they are abstract objects [Bach] |
10443 | You 'allude to', not 'refer to', an individual if you keep their identity vague [Bach] |
10439 | What refers: indefinite or definite or demonstrative descriptions, names, indexicals, demonstratives? [Bach] |
10441 | If we can refer to things which change, we can't be obliged to single out their properties [Bach] |
10442 | We can think of an individual without have a uniquely characterizing description [Bach] |
10445 | It can't be real reference if it could refer to some other thing that satisfies the description [Bach] |
10457 | Since most expressions can be used non-referentially, none of them are inherently referential [Bach] |
10463 | Just alluding to or describing an object is not the same as referring to it [Bach] |
10459 | Context does not create reference; it is just something speakers can exploit [Bach] |
10460 | 'That duck' may not refer to the most obvious one in the group [Bach] |
10461 | What a pronoun like 'he' refers back to is usually a matter of speaker's intentions [Bach] |
10462 | Information comes from knowing who is speaking, not just from interpretation of the utterance [Bach] |
10458 | People slide from contextual variability all the way to contextual determination [Bach] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |