26 ideas
| 9307 | Modern Western culture suddenly appeared in Jena in the 1790s [Svendsen] |
| Full Idea: Foucault was right to say that Jena in the 1790s was the arena where the fundamental interests in modern Western culture suddenly had their breakthrough. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.2) | |
| A reaction: [Hölderlin, Novalis, Tieck, Schlegel, based on Kant and Fichte] Romanticism seems to have been born then. Is that the essence of modernism? Foucault and his pals are hoping to destroy the Enlightenment by ignoring it, but that is modern too. |
| 9297 | You can't understand love in terms of 'if and only if...' [Svendsen] |
| Full Idea: I once began reading a philosophical article on love. The following statement soon came up: 'Bob loves Kate if and only if...' At that point I stopped reading. Such a formalized approach was unsuitable, because the actual phenomenon would be lost. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Pref) | |
| A reaction: It is hard to disagree! However, if your best friend comes to you and says, 'I can't decide whether I am really in love with Kate; what do you think?', how are you going to respond. You offer 'if and only if..', but in a warm and sympathetic way! |
| 14064 | If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard] |
| Full Idea: Under certain conditions a clay statue is identical with the piece of clay of which it is made, and if this is so then the identity is contingent. | |
| From: Allan Gibbard (Contingent Identity [1975], Intro) | |
| A reaction: This initiated the modern debate about statues, and it is an attack on Kripke's claim that if two things are identical, then they are necessarily identical. Kripke seems right about Hesperus and Phosphorus, but not about the statue. |
| 14066 | A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard] |
| Full Idea: A 'piece' of clay is a portion of clay which comes into existence when all of its parts come to be stuck to each other, and cease to be stuck to any clay which is not a part of the portion. | |
| From: Allan Gibbard (Contingent Identity [1975], I) | |
| A reaction: The sort of gormlessly elementary things that philosophers find themselves having to say, but this is a good basic assertion for a discussion of statue and clay, and I can't think of an objection to it. |
| 14067 | Clay and statue are two objects, which can be named and reasoned about [Gibbard] |
| Full Idea: The piece of clay and the statue are 'objects' - that is to say, they can be designated with proper names, and the logic we ordinarily use will still apply. | |
| From: Allan Gibbard (Contingent Identity [1975], I) | |
| A reaction: An interesting indication of the way that 'object' is used in modern analytic philosophy, which may not be the way that it is used in ordinary English. The number 'seven', for example, seems to be an object by this criterion. |
| 14069 | We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard] |
| Full Idea: To ask meaningfully what that thing would be, we must designate it either as a statue or as a piece of clay. What that thing would be, apart from the way it is designated, is a question without meaning. | |
| From: Allan Gibbard (Contingent Identity [1975], III) | |
| A reaction: He obviously has a powerful point, but to suggest that we can only investigate a mysterious object once we have designated it as something sounds daft. It would ruin the fun of archaeology. |
| 14076 | Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard] |
| Full Idea: Essentialism for a class of entities is that for one entity and a condition which it fulfills, the question of whether it necessarily fulfills the condition has a definite answer apart from the way the entity is specified. | |
| From: Allan Gibbard (Contingent Identity [1975], VII) | |
| A reaction: Yet another definition of essentialism, but resting, as usual in modern discussions, entirely on the notion of necessity. Kit Fine's challenge is that if you investigate the source of the necessity, it turns out to be an essence. |
| 14077 | Essentialism for concreta is false, since they can come apart under two concepts [Gibbard] |
| Full Idea: Essentialism for the class of concrete things is false, since a statue necessarily fulfils a condition as 'Goliath', but only contingently fulfils it as 'lumpl'. On the other hand, essentialism for the class of individual concepts can be true. | |
| From: Allan Gibbard (Contingent Identity [1975], VII) | |
| A reaction: This rests on his definition of essentialism in Idea 14076. He rests his essentialism about concepts on an account given by Carnap ('Meaning and Necessity' §41). The essence of a statue and the essence of a lump of clay do seem distinct. |
| 14070 | A particular statue has sortal persistence conditions, so its origin defines it [Gibbard] |
| Full Idea: A proper name like 'Goliath' denotes a thing in the actual world, and invokes a sortal with certain persistence criteria. Hence its origin makes a statue the statue that it is, and if statues in different worlds have the same beginning, they are the same. | |
| From: Allan Gibbard (Contingent Identity [1975], III) | |
| A reaction: Too neat. There are vague, ambiguous and duplicated origins. Persistence criteria can shift during the existence of a thing (like a club which changes its own constitution). In replicated statues, what is the status of the mould? |
| 14073 | Claims on contingent identity seem to violate Leibniz's Law [Gibbard] |
| Full Idea: The most prominent objection to contingent identity (as in the case of the statue and its clay) is that it violates Leibniz's Law. | |
| From: Allan Gibbard (Contingent Identity [1975], V) | |
| A reaction: Depends what you mean by a property. The trickiest one would be that the statue has (right now) a disposition to be worth a lot, but the clay doesn't. But I don't think that is really a property of the statue. Properties are a muddle. |
| 14065 | Two identical things must share properties - including creation and destruction times [Gibbard] |
| Full Idea: For two things to be strictly identical, they must have all properties in common. That means, among other things, that they must start to exist at the same time and cease to exist at the same time. | |
| From: Allan Gibbard (Contingent Identity [1975], I) | |
| A reaction: I don't accept that coming into existence at time t is a 'property' of a thing. Coincident objects give you the notion of 'existing as' something, which complicates the whole story. |
| 14074 | Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard] |
| Full Idea: As a general law of substitutivity of identicals, Leibniz's Law is false. It is a law about properties and relations, that if two things are identical, they have the same properties and relations. It only works in contexts which attribute those. | |
| From: Allan Gibbard (Contingent Identity [1975], V) | |
| A reaction: I'm not convinced about relations, which are not intrinsic properties. Under different descriptions, the relations to human minds might differ. |
| 14072 | Possible worlds identity needs a sortal [Gibbard] |
| Full Idea: Identity across possible worlds makes sense only with respect to a sortal | |
| From: Allan Gibbard (Contingent Identity [1975], IV) | |
| A reaction: See Gibbard's other ideas from this paper. I fear that the sortal invoked is too uncertain and slippery to do any useful job, and I can't see any principled difficulty with naming something before you can think of a sortal for it. |
| 14078 | Only concepts, not individuals, can be the same across possible worlds [Gibbard] |
| Full Idea: It is meaningless to talk of the same concrete thing in different possible worlds, ...but it makes sense to speak of the same individual concept, which is just a function which assigns to each possible world in a set an individual in that world. | |
| From: Allan Gibbard (Contingent Identity [1975], VII) | |
| A reaction: A lovely bold response to the problem of transworld identity, but one which needs investigation. It sounds very promising to me. 'Aristotle' is a cocept, not a name. There is no separate category of 'names'. Wow. (Attach dispositions to concepts?). |
| 14079 | Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard] |
| Full Idea: To use Kripke's semantics, one needs extensive intuitions that certain properties are essential and others accidental. | |
| From: Allan Gibbard (Contingent Identity [1975], X) | |
| A reaction: As usual, we could substitute the word 'necessary' for 'essential' without changing his meaning. If we are always referring to 'our' Hubert Humphrey is speculations about him, then nearly all of his properties will be necessary ones. |
| 9308 | If subjective and objective begin to merge, then so do primary and secondary qualities [Svendsen] |
| Full Idea: It is doubtful whether the traditional dichotomy between the strictly subjective and the strictly objective can still be maintained; if not, we must also revise the distinction between primary and secondary qualities. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.3) | |
| A reaction: Very perceptive. The reason why I am so keen to hang onto the primary/secondary distinction is because I want to preserve objectivity (and realism). I much prefer Locke to Hume, as empiricist spokesmen. |
| 3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
| Full Idea: Anaxarchus said that he was not even sure that he knew nothing. | |
| From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1 |
| 9309 | Emotions have intentional objects, while a mood is objectless [Svendsen] |
| Full Idea: An emotion normally has an intentional object, while a mood is objectless. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.3) | |
| A reaction: It doesn't follow that the object of the emotion is clearly understood, or even that it is conscious. One may experience rising anger while struggling to see what its object is. Artistic symbolism seems to involve objects that create moods. |
| 14071 | Naming a thing in the actual world also invokes some persistence criteria [Gibbard] |
| Full Idea: The reference of a name in the actual world is fixed partly by invoking a set of persistence criteria which determine what thing it names. | |
| From: Allan Gibbard (Contingent Identity [1975], III) | |
| A reaction: This is offered as a modification to Kripke, to deal with the statue and clay. I fear that the 'persistence criteria' may be too vague, and too subject to possible change after the origin, to do the job required. |
| 9304 | Death appears to be more frightening the less one has lived [Svendsen] |
| Full Idea: Death appears to be more frightening the less one has lived. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.2) | |
| A reaction: [He credits Adorno with this] A good thought, which should be immediately emailed to Epicurus for comment. Which is worse - to die when you have barely started your great work (Ramsey), or dying in full flow (Schubert)? |
| 9298 | We can be unaware that we are bored [Svendsen] |
| Full Idea: It is perfectly possible to be bored without being aware of the fact. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.1) | |
| A reaction: True. Also, I sometimes mistake indecision for boredom. It becomes very hard to say for certain whether you are bored. I am certain that I am bored if I am forced to do something which has no interest for me. The big one is free-but-bored. |
| 9301 | Boredom is so radical that suicide could not overcome it; only never having existed would do it [Svendsen] |
| Full Idea: Boredom is so radical that it cannot even be overcome by suicide, only by something completely impossible - not to have existed at all. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.1) | |
| A reaction: [he cites Fernando Pessoa for this] The actor George Sanders left a suicide note saying that he was just bored. A cloud of boredom is left hanging in the air where he was. |
| 9302 | We are bored because everything comes to us fully encoded, and we want personal meaning [Svendsen] |
| Full Idea: Boredom results from a lack of personal meaning, which is due to the fact that all objects and actions come to us fully encoded, while we (as descendants of Romanticism) insist on a personal meaning. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.2) | |
| A reaction: This idea justifies me categorising Boredom under Existentialism. This is an excellent idea, and perfectly captures the experience of most teenagers, for whom it is impossible to impose a personal meaning on such a vast cultural reality. |
| 9310 | The profoundest boredom is boredom with boredom [Svendsen] |
| Full Idea: In the profound form of boredom, I am bored by boredom itself. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.3) | |
| A reaction: Boredom is boring, which is why I try to avoid it. Third-level boredom is a rather enchanting idea. It sounds remarkably similar to the Buddha experiencing enlightenment. |
| 9311 | We have achieved a sort of utopia, and it is boring, so that is the end of utopias [Svendsen] |
| Full Idea: There can hardly be any new utopias. To the extent that we can imagine a utopia, it must already have been realised. A utopia cannot, by definition, include boredom, but the 'utopia' we are living in is boring. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.4) | |
| A reaction: Compare Idea 8989. Lots of people (including me) think that we have achieved a kind of liberal, democratic, individualistic 'utopia', but the community needs of people are not being met, so we still have a way to go. |
| 9303 | The concept of 'alienation' seems no longer applicable [Svendsen] |
| Full Idea: I do not believe that the concept of 'alienation' is all that applicable any more. | |
| From: Lars Svendsen (A Philosophy of Boredom [2005], Ch.1) | |
| A reaction: Interesting but puzzling. If alienation is the key existential phenomenon of a capitalist society, why should it fade away if we remain capitalist? He is proposing that it has metamorphosed into boredom, which may be a different sort of alienation. |