Combining Philosophers

All the ideas for Anaxarchus, Eileen John and Antisthenes (Ath)

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10 ideas

2. Reason / B. Laws of Thought / 3. Non-Contradiction
Contradiction is impossible [Antisthenes (I), by Aristotle]
     Full Idea: Antisthenes said that contradiction is impossible.
     From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by Aristotle - Topics 104b21
     A reaction: Aristotle is giving an example of a 'thesis'. It should be taken seriously if a philosopher proposes it, but dismissed as rubbish if anyone else proposes it! No context is given for the remark.
2. Reason / D. Definition / 13. Against Definition
Some fools think you cannot define anything, but only say what it is like [Antisthenes (I), by Aristotle]
     Full Idea: There is an application of that old chestnut of the cynic Antisthenes' followers (and other buffoons of that kind). Their claim was that a definition of what something is is impossible. You cannot define silver, though you can say it is like tin.
     From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by Aristotle - Metaphysics 1043b
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
     Full Idea: Anaxarchus said that he was not even sure that he knew nothing.
     From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]
     Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr)
     A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world.
The works we value most are in sympathy with our own moral views [John,E]
     Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro)
     A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art.
We should understand what is morally important in a story, without having to endorse it [John,E]
     Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating')
     A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me.
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
     Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency')
     A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics.
22. Metaethics / C. The Good / 3. Pleasure / f. Dangers of pleasure
I would rather go mad than experience pleasure [Antisthenes (I)]
     Full Idea: I would rather go mad than experience pleasure.
     From: Antisthenes (Ath) (fragments/reports [c.405 BCE]), quoted by Diogenes Laertius - Lives of Eminent Philosophers 06.3
     A reaction: Did he actually prefer pain? If both experiences would drive him mad, it seems like a desire for death. I cannot understand why anyone is opposed to harmless pleasures.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / d. Teaching virtue
Antisthenes said virtue is teachable and permanent, is life's goal, and is like universal wealth [Antisthenes (I), by Long]
     Full Idea: The moral propositions of Antisthenes foreshadowed the Stoics: virtue can be taught and once acquired cannot be lost (fr.69,71); virtue is the goal of life (22); the sage is self-sufficient, since he has (by being wise) the wealth of all men (8o).
     From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by A.A. Long - Hellenistic Philosophy 1
     A reaction: [He cites Caizzi for the fragments] The distinctive idea here is (I think) that once acquired virtue can never be lost. It sounds plausible, but I'm wondering why it should be true. Is it like riding a bicycle, or like learning to speak Russian?
28. God / C. Attitudes to God / 2. Pantheism
Antisthenes says there is only one god, which is nature [Antisthenes (I), by Cicero]
     Full Idea: Antisthenes says there is only one god, which is nature.
     From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by M. Tullius Cicero - On the Nature of the Gods ('De natura deorum') I.32