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6007
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If you know your father, but don't recognise your father veiled, you know and don't know the same person [Eubulides, by Dancy,R]
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Full Idea:
The 'undetected' or 'veiled' paradox of Eubulides says: if you know your father, and don't know the veiled person before you, but that person is your father, you both know and don't know the same person.
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From:
report of Eubulides (fragments/reports [c.390 BCE]) by R.M. Dancy - Megarian School
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A reaction:
Essentially an uninteresting equivocation on two senses of "know", but this paradox comes into its own when we try to give an account of how linguistic reference works. Frege's distinction of sense and reference tried to sort it out (Idea 4976).
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6008
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Removing one grain doesn't destroy a heap, so a heap can't be destroyed [Eubulides, by Dancy,R]
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Full Idea:
The 'sorites' paradox of Eubulides says: if you take one grain of sand from a heap (soros), what is left is still a heap; so no matter how many grains of sand you take one by one, the result is always a heap.
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From:
report of Eubulides (fragments/reports [c.390 BCE]) by R.M. Dancy - Megarian School
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A reaction:
(also Cic. Acad. 2.49) This is a very nice paradox, which goes to the heart of our bewilderment when we try to fully understand reality. It homes in on problems of identity, as best exemplified in the Ship of Theseus (Ideas 1212 + 1213).
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8119
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Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy]
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Full Idea:
According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present).
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From:
report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3
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A reaction:
This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked.
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