Combining Philosophers

All the ideas for Anaxarchus, Lamargue,P/Olson,SH and Friedrich Schiller

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6 ideas

13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
     Full Idea: Anaxarchus said that he was not even sure that he knew nothing.
     From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Beauty motivates morality, by harmonising feeling and reason [Schiller, by Pinkard]
     Full Idea: On Schiller's view, only beauty could shape or evince the necessary harmony between sensibility and reason (between inclination and duty) which provides the crucial motivation for the moral life.
     From: report of Friedrich Schiller (works [1794]) by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: Maybe. Reason should probably be drawn towards feelings which seem inspiring.
25. Social Practice / A. Freedoms / 5. Freedom of lifestyle
Schiller speaks obsessively of freedom throughout his works [Schiller, by Berlin]
     Full Idea: Schiller constantly speaks of spiritual freedom: freedom of reason, the kingdom of freedom, our free self, inner freedom, freedom of mind, moral freedom, the free intelligence - a very favourite phrase - holy freedom, the impregnable citadel of freedom.
     From: report of Friedrich Schiller (works [1794]) by Isaiah Berlin - The Roots of Romanticism
     A reaction: Kant's philosophy and his Kingdom of Ends are an obvious source for this, but I trace the sentiment back to 'Freeborn John' Lilburne during the English Civil War. The English, thanks to Voltaire, embodied freedom in the Enlightenment.