39 ideas
| 18450 | Philosophy has its own mode of death, by separating soul from body [Porphyry] |
| Full Idea: There is a double death. One, known by all men, consists in the separation of the body with the soul; the other, characteristic of philosophers, results in the separation of the soul from the body. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn9 3) |
| 18451 | The presence of the incorporeal is only known by certain kinds of disposition [Porphyry] |
| Full Idea: Being everywhere and nowhere, the incorporeal, wherever it happens to be, betrays its presence only by a certain kind of disposition. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 4Enn3 21(20)) | |
| A reaction: There is a mystical or dualist view of fundamental powers, as the spiritual engine which drives passive physical nature. It's rubbish of course, but if powers are primitive in a naturalistic theory, it is not a view which can be refuted. |
| 15034 | Are genera and species real or conceptual? bodies or incorporeal? in sensibles or separate from them? [Porphyry] |
| Full Idea: I shall beg off talking of a) whether genera and species are real or situated in bare thoughts alone, b) whether as real they are bodies or incorporeals, and c) whether they are separated or in sensibles and have their reality in connection with them. | |
| From: Porphyry (Isagoge ('Introduction') [c.295], (2)) | |
| A reaction: This passage, picking up on Aristotle, seems to be the original source that grew into the medievel debate about universals. It seems to rather neatly lay out the agenda for the universals debate which is still with us. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 18459 | Diversity arises from the power of unity [Porphyry] |
| Full Idea: Diversity is born of the development of the power of unity. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn5 42) | |
| A reaction: I doubt whether even Porphyry understood this, but we might say that once the principle of unification enters into nature, it will inevitably result in diversity. One all-embracing unity would be indiscernible. |
| 18452 | Memory is not conserved images, but reproduction of previous thought [Porphyry] |
| Full Idea: Memory does not consist in preserving images. It is a faculty of reproducing the conceptions with which our soul has been occupied. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 5Enn6 25(2)) |
| 3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
| Full Idea: Anaxarchus said that he was not even sure that he knew nothing. | |
| From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1 |
| 18453 | Intelligence is aware of itself, so the intelligence is both the thinker and the thought [Porphyry] |
| Full Idea: Since intelligence is intelligible for intelligence, intelligence is its own object. ...Intelligence, therefore, is simultaneously thinker and thought, all that thinks and all that is thought. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 5Enn3 32(5-7)) | |
| A reaction: This is a bit of a problem for Descartes, if the Cogito is taken as offering evidence (thought) for the existence of a thinker ('I'). Porphyry implies that the separation Descartes requires is impossible. |
| 18462 | The soul is everywhere and nowhere in the body, and must be its cause [Porphyry] |
| Full Idea: The soul is neither a body, nor in the body, but is only the cause of the body, because she is simultaneously everywhere and nowhere in the body. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn5 43) | |
| A reaction: This is the rather bewildering phenomenology of consciousness which persuaded Descartes of dualism. |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 18463 | Successful introspection reveals the substrate along with the object of thought [Porphyry] |
| Full Idea: He who by thought can penetrate within his own substance, and can thus acquire knowledge of it, finds himself in this actualisation of knowledge and consciousness, where the substrate that knows is identical with the object that is known. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn5 44) | |
| A reaction: It seems remarkably that this ability is confidently asserted by Porphyry, and flatly denied by Hume. Were they just different people, or were they looking for different things, or was one of them deluded? |
| 18458 | The soul is bound to matter by the force of its own disposition [Porphyry] |
| Full Idea: The individual soul, which declines towards matter, is bound to the matter by the form which her disposition has made her choose. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn4 39) | |
| A reaction: This sounds like the soul is boss over the matter, and yet the soul is 'made' to choose union with matter. The Universal Soul is seen by Porphyr as the controller of the situation. |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 18464 | Justice is each person fulfilling his function [Porphyry] |
| Full Idea: Justice, as has been rightly said, consists in each one fulfilling his [authentic and proper] function. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn5 44) | |
| A reaction: This is presumably a direct reference to the theory in Plato's 'Republic'. It makes the connection between virtue and function which I take to be basic to virtue theory, giving it a naturalistic advantaged over other theories. |
| 18448 | We should avoid the pleasures of love, or at least, should not enact our dreams [Porphyry] |
| Full Idea: The pleasures of love will not even involuntarily be tasted, at least, she will not allow herself to be drawn beyond the lights of fancy that occur in dreams. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn2 I.4) | |
| A reaction: Presumably erotic dreams are only tolerated because not much can be done about them. This brings out the puritanism of neo-platonism. |
| 18444 | Civil virtues make us behave benevolently, and thereby unite citizens [Porphyry] |
| Full Idea: The object of the civil virtues is to make us benevolent in our dealings with our fellow-human beings, and are so-called because they unite citizens. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn2 I.1) | |
| A reaction: Modern commentators underestimate the close link between ancient virtue and citizenship. It is hard for one person to have much of a notion of virtue if they live on a desert island, beyond caring for personal health. |
| 18445 | Civil virtues control the passions, and make us conform to our nature [Porphyry] |
| Full Idea: The civil virtues moderate the passions; their object is to teach us to live in conformity with the laws of human nature. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn2 I.2) | |
| A reaction: The link with human nature is basic to virtue theory, but this proposal is rather too vague. Are passions not part of the laws of human nature? |
| 18446 | Purificatory virtues detach the soul completely from the passions [Porphyry] |
| Full Idea: The object of the 'purificatory' virtues is to detach the soul completely from the passions. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn2 I.4) | |
| A reaction: This is an aspect of virtue theory which doesn't appear in Aristotle. He is in favour of rational control of the passions, but not of totally abandoning them. The neo-platonists are much more puritanical. They seem to go against human nature. |
| 18447 | There are practical, purificatory, contemplative, and exemplary virtues [Porphyry] |
| Full Idea: The practical virtues make man virtuous; the purificatory virtues make man divine....; the contemplative virtues defiy; while the exemplary virtues make a man the parent of divinities. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn2 I.4) | |
| A reaction: I like the idea of the 'exemplary' virtues. I think an entire theory of morality could be built on the notion that we are all role-models for one another. |
| 18456 | Unified real existence is neither great nor small, though greatness and smallness participate in it [Porphyry] |
| Full Idea: By its identity and numerical unity, real existence is neither great nor small, neither very large nor very small, though it causes even greatest and smallest to participate in its nature. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn4 37(5)) | |
| A reaction: Note the platonic word 'participate' [metechein], suggesting that he is talking about the Form of Existence here. Note also that we have 'real' existence here, implying a lesser type of existence that participates in it. |
| 18454 | Time is the circular movement of the soul [Porphyry] |
| Full Idea: It is the circular movement of the soul that constitutes time, just as the permanence of intelligence in itself constitutes eternity. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 5Enn3 32(5-7)) | |
| A reaction: Plato loved circles. If you think time is subjective, this is trying to express your intuition. Personally I think it is nonsense |
| 18455 | Some think time is seen at rest, as well as in movement [Porphyry] |
| Full Idea: Some have believed that time manifested in rest as well as in movement. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 5Enn3 32(5-7)) | |
| A reaction: If you like this idea, you should see Shoemaker's lovely three-worlds thought experiment. |
| 18460 | God is nowhere, and hence everywhere [Porphyry] |
| Full Idea: The divinity is everywhere because it is nowhere. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn5 43) |
| 18461 | Everything existing proceeds from divinity, and is within divinity [Porphyry] |
| Full Idea: All things that possess or do not possess existence proceed from divinity, and are within divinity. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn5 43) | |
| A reaction: Nice to see Porphyry endorsing Meinongian objects. I doubt whether he counts as a pantheist, but this is a very pantheistic remark. |
| 18449 | Nature binds or detaches body to soul, but soul itself joins and detaches soul from body [Porphyry] |
| Full Idea: Nature binds the body to the soul, but it is the soul herself that has bound herself to the body. It, therefore, belongs to nature to detach the body from the soul, while it is the soul herself that detaches herself from the body. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 1Enn9 2) | |
| A reaction: Baffling. What happens if there is a conflict? I suppose either party can cancel the bargain, but who wins when they disagree? |
| 18457 | Individual souls are all connected, though distinct, and without dividing universal Soul [Porphyry] |
| Full Idea: Individual souls are distinct without being separated from each other, and without dividing the universal Soul into a number of parts; they are united to each other without becoming confused. | |
| From: Porphyry (Launching Points to the Realm of the Mind [c.280], 6Enn4 39) | |
| A reaction: This sounds like Jung's theory that there is a universal subconscious which links us all together. Taken literally, I assume it is nonsense. As an invitation to acknowledge how much we all have in common, it is a nice corrective to liberal individualism. |