6 ideas
| 16285 | A possible world can be seen as a complete and consistent novel [Jeffrey] |
| Full Idea: A novel describes a possible world in as much detail as is possible without exceeding the resources of the agent's language. But if talk of possible worlds seems dangerously metaphysical, focus on the novels themselves, when complete and consistent. | |
| From: Richard Jeffrey (The Logic of Decision [1965], 12.8), quoted by David Lewis - On the Plurality of Worlds | |
| A reaction: Lewis seems to cite this remark from Jeffrey as the source of the idea that ersatz linguistic worlds are like novels. Why won't a novel with one tiny inconsistency count as a possible world? People seem to live in it. |
| 3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
| Full Idea: Anaxarchus said that he was not even sure that he knew nothing. | |
| From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1 |
| 19155 | Instead of gambling, Jeffrey made the objects of Bayesian preference to be propositions [Jeffrey, by Davidson] |
| Full Idea: Jeffrey produced a version of Bayesianism that made no direct use of gambling (as Ramsey had), but treats the objects of preference ...as propositions. | |
| From: report of Richard Jeffrey (The Logic of Decision [1965]) by Donald Davidson - Truth and Predication 3 | |
| A reaction: I'm guessing that Jeffreys launched modern Bayesian theory with this idea. It suggest that one can consider degrees of truth, rather than mere winning or losing. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |