40 ideas
| 6814 | Instead of prayer and charity, sinners pursue vain disputes and want their own personal scripture [Mohammed] |
| Full Idea: The sinners will say 'we never prayed or fed the hungry. We engaged in vain disputes and denied the Day of Reckoning'. Indeed, each one of them demands a scripture of his own to be unrolled before him. | |
| From: Mohammed (The Koran [c.622], Ch.74) | |
| A reaction: The implication seems to be that most disputes are 'vain'. The charge that everyone wants a 'scripture of his own' is a nice challenge to the world of liberal education, where we are all enjoined to pursue our personalised routes to our own truth. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
| Full Idea: Anaxarchus said that he was not even sure that he knew nothing. | |
| From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1 |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 6828 | You may break off a treaty if you fear treachery from your ally [Mohammed] |
| Full Idea: If you fear treachery from any of your allies, you may retaliate by breaking off your treaty with them; Allah does not love the treacherous. | |
| From: Mohammed (The Koran [c.622], Ch.8) | |
| A reaction: I do not think this is good advice. Everybody fears treachery, but if we all acted on that fear human relationships and society would immediately collapse. If anyone thought this was good advice, I would not want to make a treaty with them. |
| 6823 | Repay evil with good and your enemies will become friends (though this is hard) [Mohammed] |
| Full Idea: Requite evil with good, and he who is your enemy will become your dearest friend; but none will attain this save those who endure with fortitude and are greatly favoured by Allah. | |
| From: Mohammed (The Koran [c.622], Ch.41) | |
| A reaction: This seems opposed to some of the more vengeful remarks in the Koran. It strikes me as good common sense, since vengeance only seems to breed counter-vengeance. It doesn't carry the full altruistic commitment, though, of unrewarded love. |
| 6826 | Allah rewards those who are devout, sincere, patient, humble, charitable, chaste, and who fast [Mohammed] |
| Full Idea: Allah will bestow forgiveness and a rich reward on those, both men and women, who are devout, sincere, patient, humble, charitable and chaste; who fast and are ever mindful of Allah. | |
| From: Mohammed (The Koran [c.622], Ch.33) | |
| A reaction: Most people would still agree that all of these are virtues, though other lists will show interesting virtues that are not mentioned here, and many on this list seem overrated in the modern pantheon of virtues. |
| 6822 | Those who avenge themselves when wronged incur no guilt [Mohammed] |
| Full Idea: Those who avenge themselves when wronged incur no guilt. | |
| From: Mohammed (The Koran [c.622], Ch.42) | |
| A reaction: Compare Ideas 1659 (Protagoras), 346 (Socrates), 6288 (Jesus), and 4286 (Scruton!). In the light of those ideas, this comment in the Koran strikes me as coming from an older and less civilized world. |
| 6833 | Punish theft in men or women by cutting off their hands [Mohammed] |
| Full Idea: As for the man or woman who is guilty of theft, cut off their hands to punish them for their crimes. | |
| From: Mohammed (The Koran [c.622], Ch.5) | |
| A reaction: I find this shocking because it is irrevocable and offers no hope of redemption. It is particularly shocking that the text does not enjoin any caution about inflicting the punishment on the young, most of whom reform from thieving in later life. |
| 6832 | Killing a human, except as just punishment, is like killing all mankind [Mohammed] |
| Full Idea: We laid it down for the Israelites that whoever killed a human being, except as a punishment for murder or other wicked crimes, should be looked upon as though he had killed all mankind. | |
| From: Mohammed (The Koran [c.622], Ch.5) | |
| A reaction: It seems inconceivable that the Koran could be used to justify indiscriminate terrorism, in the light of remarks such as this. |
| 6825 | Do not kill except for a just cause [Mohammed] |
| Full Idea: Do not kill except for a just cause. | |
| From: Mohammed (The Koran [c.622], Ch.25) | |
| A reaction: Slippery slope! I can see that pleasure would not be a just cause, and ensuring the entry of all humanity to paradise might be one, but I find the area in between a little unclear. The Koran seems to allow you to decide for yourself. |
| 6811 | Allah is lord of creation, compassionate, merciful, king of judgement-day [Mohammed] |
| Full Idea: Praise be to Allah, Lord of Creation, The Compassionate, the Merciful, King of Judgement-day! | |
| From: Mohammed (The Koran [c.622], Exord) | |
| A reaction: The Muslim concept of God confronts directly a clear theological difficulty, a difficulty faced by any judge: the conflict between mercy and justice. Christianity seems to emphasise mercy, and Islam emphasises justice. |
| 6819 | True believers see that Allah made the night for rest and the day to give light [Mohammed] |
| Full Idea: Do they not see how We have made the night for them to rest in and the day to give them light? Surely there are signs in this for true believers. | |
| From: Mohammed (The Koran [c.622], Ch.27) | |
| A reaction: The main traditional argument for God implied in the Koran is the design argument. It is clear from this that Islam will not be comfortable with Darwinian evolution, which implies we are 'designed' for the Earth, not the Earth for us. |
| 6818 | Allah cannot have begotten a son, as He is self-sufficient [Mohammed] |
| Full Idea: They say: 'Allah has begotten a son.' Allah forbid! Self-sufficient is He. | |
| From: Mohammed (The Koran [c.622], Ch.10) | |
| A reaction: This is quite persuasive, except that the point of Jesus is that he suffers a cruel death, and we are required to identify with God's parental feelings here, His involvement, which would not occur with the death of one of His prophets. |
| 6831 | He that kills a believer by design shall burn in Hell for ever [Mohammed] |
| Full Idea: He that kills a believer by design shall burn in Hell for ever. | |
| From: Mohammed (The Koran [c.622], Ch.4) | |
| A reaction: This would appear to make modern indiscriminate urban terrorism a damning sin for a Muslim. |
| 6827 | Make war on the unbelievers until Allah's religion reigns supreme [Mohammed] |
| Full Idea: Make war on the unbelievers until idolatry is no more and Allah's religion reigns supreme. | |
| From: Mohammed (The Koran [c.622], Ch.8) | |
| A reaction: This should presumably be seen in context, as a war speech written during a conflict, like Churchill 'fighting them on the beaches', which does not apply to modern German tourists. However, one worries about how fundamentalists might read it. |
| 6821 | I created mankind that it might worship Me [Mohammed] |
| Full Idea: I created mankind and the jinn in order that they might worship Me. | |
| From: Mohammed (The Koran [c.622], Ch.51) | |
| A reaction: This seems to be a view common to all the monotheistic religions, with monasticism as its clearest (and most logical) outcome. Nietzsche is the most obvious opponent of this idea that the abasement of mankind is its highest ideal. |
| 6815 | Be patient with unbelievers, and leave them to the judgement of Allah [Mohammed] |
| Full Idea: Bear patiently with what the unbelievers say, and leave their company without recrimination; leave to Me those that deny the truth. | |
| From: Mohammed (The Koran [c.622], Ch.73) | |
| A reaction: This explicitly says Muslims should not attack infidels simply for their unbelief in Allah. |
| 6834 | Unbelievers try to interpret the ambiguous parts of the Koran, simply to create dissension [Mohammed] |
| Full Idea: Some of the verses of the Koran are precise in meaning - they are the foundations of the Book - and others are ambiguous. Disbelievers follow the ambiguous part, to create dissension by seeking to explain it. No one knows its meaning except Allah. | |
| From: Mohammed (The Koran [c.622], Ch.3) | |
| A reaction: It is tempting to ask why some of the verses are ambiguous. The implication here is that they are a deliberate test for believers, like the apple in the garden of Eden. |
| 6817 | The Koran is certainly composed by Allah; no one could compose a chapter like it [Mohammed] |
| Full Idea: This Koran could not have been composed by any but Allah. It is beyond doubt from the Lord of the Creation. If they say: 'It is your own invention', say: 'Compose one chapter like it. Call on your false gods to help you!' | |
| From: Mohammed (The Koran [c.622], Ch.10) | |
| A reaction: I find this unpersuasive, firstly because I couldn't imitate the sonnets of Shakespeare either, and secondly because the authority of a text must be asserted outside the text, not within it. Scribble "this is a ten pound note" on a scrap of paper. |
| 6829 | There shall be no compulsion in religion [Mohammed] |
| Full Idea: There shall be no compulsion in religion. | |
| From: Mohammed (The Koran [c.622], Ch.2) | |
| A reaction: This seems to contradict some of the more aggressive remarks in the Koran, such as Idea 6827. As I read it, the three non-compelling ideas that lead to true religion in the Koran are desire for paradise, fear of punishment, and worship of divine design. |
| 6824 | Do not split into sects, exulting in separate beliefs [Mohammed] |
| Full Idea: Do not split up your religion into sects, each exulting in its own beliefs. | |
| From: Mohammed (The Koran [c.622], Ch.30) | |
| A reaction: This seems like good advice to a religion, but it is very difficult to retrace steps and reunite once it has happened. Which sect should make the greatest concessions? Must they both admit to being somewhat wrong? |
| 6820 | The righteous shall dwell on couches in gardens, wedded to dark-eyed houris [Mohammed] |
| Full Idea: In fair gardens the righteous shall dwell in bliss, rejoicing in what their Lord will give them. They shall recline on couches ranged in rows. To dark-eyed houris We shall wed them. | |
| From: Mohammed (The Koran [c.622], Ch.52) | |
| A reaction: What I find distressing about this is that we have gradually worked out how young men can recline on couches in gardens with dark-eyed houris before death, and the Koran seems to depict it as the highest form of living. |
| 6812 | Heaven will be reclining on couches, eating fruit, attended by virgins [Mohammed] |
| Full Idea: All who dwell in heaven shall recline on couches lined with thick brocade, and within their reach will hang the fruits of gardens; they shall dwell with bashful virgins whom neither men nor jinnee will have touched before. | |
| From: Mohammed (The Koran [c.622], Ch.55) | |
| A reaction: In the seventh century this was more impressive than it seems now. I still find it sad (though understandable) that paradise must always be depicted in terms of physical pleasure. Aristotle wouldn't have yearned for such an immortality. |
| 6830 | Unbelievers will have their skin repeatedly burned off in hell [Mohammed] |
| Full Idea: Those that deny Our revelations We will burn in Hell-fire. No sooner will their skins be consumed that We shall give them other skins, so that they may truly taste Our scourge. Allah is mighty and wise. | |
| From: Mohammed (The Koran [c.622], Ch.4) | |
| A reaction: Of all the accounts of hell in the Koran, this strikes me as the most alarming. I cannot think of a worse infliction, because here every nerve which can experience pain will suffer it (though the drinking of boiling water, Idea 6816, will make it worse). |
| 6816 | The unbelievers shall drink boiling water [Mohammed] |
| Full Idea: As for the unbelievers, they shall drink boiling water. | |
| From: Mohammed (The Koran [c.622], Ch.10) | |
| A reaction: This seems to be presented not only as a threat to unbelievers, but also as a satisfaction to believers. |