32 ideas
| 13939 | No possible evidence could decide the reality of numbers, so it is a pseudo-question [Carnap] |
| Full Idea: I cannot think of any possible evidence that would be regarded as relevant by both nominalists and realists about numbers, and would decide the controversy, or make one side more probable. Hence I regard the external questions as pseudo-questions. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 4) |
| 16252 | Metaphysics uses empty words, or just produces pseudo-statements [Carnap] |
| Full Idea: Since metaphysics doesn't want to assert analytic propositions, nor fall within the domain of physical science, it is compelled to employ words for which no criteria of application are specified, ..or else combine meaningful words..into pseudo-statements. | |
| From: Rudolph Carnap (Elimination of Metaphysics by Analysis of Language [1959]), quoted by Tim Maudlin - The Metaphysics within Physics 2.4 | |
| A reaction: A classic summary of the logical positivist rejection of metaphysics. I incline to treat metaphysics as within the domain of science, but at a level of generality so high that practising scientists become bewildered and give up. |
| 13342 | Carnap defined consequence by contradiction, but this is unintuitive and changes with substitution [Tarski on Carnap] |
| Full Idea: Carnap proposed to define consequence as 'sentence X follows from the sentences K iff the sentences K and the negation of X are contradictory', but 1) this is intuitively impossible, and 2) consequence would be changed by substituting objects. | |
| From: comment on Rudolph Carnap (The Logical Syntax of Language [1934], p.88-) by Alfred Tarski - The Concept of Logical Consequence p.414 | |
| A reaction: This seems to be the first step in the ongoing explicit discussion of the nature of logical consequence, which is now seen by many as the central concept of logic. Tarski brings his new tool of 'satisfaction' to bear. |
| 13251 | Each person is free to build their own logic, just by specifying a syntax [Carnap] |
| Full Idea: In logic, there are no morals. Everyone is at liberty to build his own logic, i.e. his own form of language. All that is required is that he must state his methods clearly, and give syntactical rules instead of philosophical arguments. | |
| From: Rudolph Carnap (The Logical Syntax of Language [1934], §17), quoted by JC Beall / G Restall - Logical Pluralism 7.3 | |
| A reaction: This is understandable, but strikes me as close to daft relativism. If I specify a silly logic, I presume its silliness will be obvious. By what criteria? I say the world dictates the true logic, but this is a minority view. |
| 13936 | Questions about numbers are answered by analysis, and are analytic, and hence logically true [Carnap] |
| Full Idea: For the internal question like 'is there a prime number greater than a hundred?' the answers are found by logical analysis based on the rules for the new expressions. The answers here are analytic, i.e., logically true. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 2) |
| 8748 | Logical positivists incorporated geometry into logicism, saying axioms are just definitions [Carnap, by Shapiro] |
| Full Idea: The logical positivists brought geometry into the fold of logicism. The axioms of, say, Euclidean geometry are simply definitions of primitive terms like 'point' and 'line'. | |
| From: report of Rudolph Carnap (Empiricism, Semantics and Ontology [1950]) by Stewart Shapiro - Thinking About Mathematics 5.3 | |
| A reaction: If the concept of 'line' is actually created by its definition, then we need to know exactly what (say) 'shortest' means. If we are merely describing a line, then our definition can be 'impredicative', using other accepted concepts. |
| 8960 | Internal questions about abstractions are trivial, and external ones deeply problematic [Carnap, by Szabó] |
| Full Idea: Carnap's verdict is that questions regarding the existence of abstracta tend to be trivial when taken as internal and deeply problematic when taken as external. | |
| From: report of Rudolph Carnap (Empiricism, Semantics and Ontology [1950]) by Zoltán Gendler Szabó - Nominalism 6 | |
| A reaction: If the internal aspect of the problem is 'trivial', this would put Carnap in league with fictionalists, who are only committed to entities while playing the current game. What is the status of the theory? Carnap wanted flowers to bloom. |
| 13933 | Existence questions are 'internal' (within a framework) or 'external' (concerning the whole framework) [Carnap] |
| Full Idea: We distinguish two kinds of existence questions: first, entities of a new kind within the framework; we call them 'internal questions'. Second, 'external questions', concerning the existence or reality of the system of entities as a whole. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 2) | |
| A reaction: This nicely disposes of many ontological difficulties, but at the price of labelling most external questions as meaningless, so that the internal answers have very little commitment, and the external (big) questions are now banned. Not for me. |
| 13934 | To be 'real' is to be an element of a system, so we cannot ask reality questions about the system itself [Carnap] |
| Full Idea: To be real in the scientific sense means to be an element of the system; hence this concept cannot be meaningfully applied to the system itself. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 2) |
| 13938 | A linguistic framework involves commitment to entities, so only commitment to the framework is in question [Carnap] |
| Full Idea: If someone accepts a framework for a kind of entities, then he must admit the entities as possible designata. Thus the question of the admissibility of entities is reduced to the question of the acceptability of the linguistic framework for the entities. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 4) | |
| A reaction: Despite the many differences of opinion between Quine and Carnap, this appears to be a straight endorsement by Carnap of the Quinean conception of ontological commitment. |
| 13935 | We only accept 'things' within a language with formation, testing and acceptance rules [Carnap] |
| Full Idea: To accept the thing world means nothing more than to accept a certain form of language, in other words, to accept rules for forming statements and for testing, accepting, or rejecting them. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 2) | |
| A reaction: If you derive your metaphysics from your language, then objects are linguistic conventions. But why do we accept conventions about objects? |
| 14305 | In the truth-functional account a burnt-up match was soluble because it never entered water [Carnap] |
| Full Idea: If a wooden match was completely burned up yesterday, and never placed in water at any time, is it not the case, therefore, that the match is soluble (in the truth-functional view). This follows just from the antecedent being false. | |
| From: Rudolph Carnap (Testability and Meaning [1937], I.440), quoted by Stephen Mumford - Dispositions | |
| A reaction: This, along with Edgington's nice example of the conditional command (Idea ) seems conclusive against the truth-functional account. The only defence possible is some sort of pragmatic account about implicature. |
| 13932 | Empiricists tend to reject abstract entities, and to feel sympathy with nominalism [Carnap] |
| Full Idea: Empiricists are in general rather suspicious with respect to any kind of abstract entities like properties, classes, relations, numbers, propositions etc. They usually feel more sympathy with nominalists than with realists (in the medieval sense). | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 1) | |
| A reaction: The obvious reason is that you can't have sense experiences of abstract entities. I like the question 'what are they made of?' rather than the question 'how can I experience them?'. |
| 13937 | New linguistic claims about entities are not true or false, but just expedient, fruitful or successful [Carnap] |
| Full Idea: The acceptance of new linguistic forms about entities cannot be judged as being either true or false because it is not an assertion. It can only be judged as being more or less expedient, fruitful, conducive to the aim for which the language is intended. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 3) | |
| A reaction: The obvious problem seems to be that a complete pack of lies might be successful for a very long time, if it plugged a critical hole in a major theory. Is success judged financially? How do we judge success without mentioning truth? |
| 3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
| Full Idea: Anaxarchus said that he was not even sure that he knew nothing. | |
| From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1 |
| 18699 | Carnap tried to define all scientific predicates in terms of primitive relations, using type theory [Carnap, by Button] |
| Full Idea: Carnap's ultimate ambition in the Aufbau is to provide a constitution-system within which any predicate of any scientific vocabulary can be explicitly defined in terms of primitive relations holding among basic elements, using type theory. | |
| From: report of Rudolph Carnap (The Logical Structure of the World (Aufbau) [1928]) by Tim Button - The Limits of Reason 05.2 | |
| A reaction: David Chalmers has a modern shot at the same project in 'Constructing the World'. Ramsey sentences seem to be part of the same game. |
| 13940 | All linguistic forms in science are merely judged by their efficiency as instruments [Carnap] |
| Full Idea: The acceptance or rejection of abstract (or any other) linguistic forms in any branch of science will finally be decided by their efficiency as instruments. | |
| From: Rudolph Carnap (Empiricism, Semantics and Ontology [1950], 5) |
| 13048 | Good explications are exact, fruitful, simple and similar to the explicandum [Carnap, by Salmon] |
| Full Idea: Carnap's four criteria for giving a good explication are similarity to the explicandum, exactness, fruitfulness and simplicity. | |
| From: report of Rudolph Carnap (Logical Foundations of Probability [1950], Ch.1) by Wesley Salmon - Four Decades of Scientific Explanation 0.1 | |
| A reaction: [compressed] Salmon's view is that this represents the old attitude, that the contribution of philosophy to explanation is the clarification of the key concepts. Carnap is, of course, a logical empiricist. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 12131 | All concepts can be derived from a few basics, making possible one science of everything [Carnap, by Brody] |
| Full Idea: In the 'Aufbau', Carnap tried to show how all of our concepts can be derived from a few basic concepts. ..Consequently there can be one science which studied all that existed, the science of the objects corresponding to the basic concepts. | |
| From: report of Rudolph Carnap (The Logical Structure of the World (Aufbau) [1928]) by Baruch Brody - Identity and Essence 2.2 | |
| A reaction: This is Carnap's Constructionist programme. |
| 11968 | The intension of a sentence is the set of all possible worlds in which it is true [Carnap, by Kaplan] |
| Full Idea: Carnap's proposal is to understand the category of intensions appropriate to sentences (his 'propositions') as sets of possible worlds. The intension of the sentence is taken as the set of all possible worlds in which the sentence is true. | |
| From: report of Rudolph Carnap (Meaning and Necessity [1947]) by David Kaplan - Transworld Heir Lines p.90 | |
| A reaction: [reference?] This extension of the truth-conditions view of meaning strikes me as being very attractive. Except that whole worlds hardly seem to be relevant to my remark about how lunch might have been improved. |
| 18285 | All translation loses some content (but language does not create reality) [Carnap] |
| Full Idea: I do not believe in translatability without loss of content, and therefore I think that the content of a world description is influenced to a certain degree by choice of a language form. But that does not mean that reality is created through language. | |
| From: Rudolph Carnap (Letters to Schlick [1935], 1935.12.04), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 19 'Truth' | |
| A reaction: It is a mistake to think Quine was the first to spot the interest of translation in philosophy of language. 'Does translation always lose content?' is a very nice question for focusing the problem. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |