12 ideas
| 7544 | Many people imagine that to experience is to understand [Goethe] |
| Full Idea: There are many people who imagine that what they experience they also understand. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 889) | |
| A reaction: This should be posted over the arrivals gate of every international airport, for returning holiday-makers. It seems to place Goethe on the rationalist side of the debate with empiricism. It is hard to explain 'understanding' in Humean terms. |
| 3061 | Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius] |
| Full Idea: Anaxarchus said that he was not even sure that he knew nothing. | |
| From: report of Anaxarchus (fragments/reports [c.340 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 09.10.1 |
| 7541 | Man never understands how anthropomorphic he is [Goethe] |
| Full Idea: Man never understands how anthropomorphic he is. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 203) | |
| A reaction: Nice. It is true, even when it is pointed out to us. No matter how hard we try to realise how very different animals are from us, we can't help identifying with them. Religious people even do it with inanimate creation. |
| 7543 | We gain self-knowledge through action, not thought - especially when doing our duty [Goethe] |
| Full Idea: How can we learn self-knowledge? Never by taking thought, but rather by action. Try to do your duty and you'll soon discover what you're like. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 442) | |
| A reaction: Good! I even like the unfashionable bit about duty. If you just do what you want, you will discover your interests, but not so much about your capacities. However, when you have to do something less comfortable, it is very revealing. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 7540 | Beauty is a manifestation of secret natural laws [Goethe] |
| Full Idea: Beauty is a manifestation of secret natural laws which without this appearance would have remained eternally hidden from us. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 183) | |
| A reaction: An interesting defence of beauty as an objective feature of the world. I'm not sure. Much beauty is indeed the result of growth or erosion expressing underlying laws, but then I have always thought there was a sexual component to visual beauty. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 7538 | The happiest people link the beginning and end of life [Goethe] |
| Full Idea: The happiest man is one who can link the end of his life with its beginning. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 140) | |
| A reaction: [from 'Art and Antiquity']. A nice thought, which chimes in with the idea that a good life is like a complete story or a work of art (Idea 7501), or that it is 'eudaimon'. |
| 7542 | The best form of government teaches us to govern ourselves [Goethe] |
| Full Idea: You ask which form of government is the best? Whichever teaches us to govern ourselves. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 353) | |
| A reaction: Not a fashionable view, since the rise of freedom as the highest political ideal, but I identify with the idea that a good government should educate, and should try to facilitate virtue as well as pleasure. |
| 7539 | To get duties from people without rights, you must pay them well [Goethe] |
| Full Idea: If you demand duties from people and will not concede them rights, you have to pay them well. | |
| From: Wolfgang von Goethe (Maxims and Reflections [1825], 180) | |
| A reaction: [from 'Art and Antiquity']. ...or have great power over them. Goethe gives the optimistic liberal view, rather than the Marxist view. |