14 ideas
| 5988 | Anaximander produced the first philosophy book (and maybe the first book) [Anaximander, by Bodnár] |
| Full Idea: Anaximander was the first to produce a philosophical book (later conventionally titled 'On Nature'), if not the first to produce a book at all. | |
| From: report of Anaximander (fragments/reports [c.570 BCE]) by István Bodnár - Anaximander | |
| A reaction: Wow! Presumably there were Egyptian 'books', but this still sounds like a stupendous claim to fame. |
| 2764 | Full coherence might involve consistency and mutual entailment of all propositions [Blanshard, by Dancy,J] |
| Full Idea: Blanshard says that in a fully coherent system there would not only be consistency, but every proposition would be entailed by the others, and no proposition would stand outside the system. | |
| From: report of Brand Blanshard (The Nature of Thought [1939], 2:265) by Jonathan Dancy - Intro to Contemporary Epistemology 8.1 | |
| A reaction: Hm. If a proposition is entailed by the others, then it is a necessary truth (given the others) which sounds deterministic. You could predict all the truths you had never encountered. See 1578:178 for quote. |
| 1496 | The earth is stationary, because it is in the centre, and has no more reason to move one way than another [Anaximander, by Aristotle] |
| Full Idea: Something which is established in the centre and has equality in relation to the extremes has no more reason to move up than it has down or to the sides (so the earth is stationary) | |
| From: report of Anaximander (fragments/reports [c.570 BCE], A26) by Aristotle - On the Heavens 295b11 |
| 19080 | Coherence tests for truth without implying correspondence, so truth is not correspondence [Blanshard, by Young,JO] |
| Full Idea: Blanshard said that coherent justification leads to coherence truth. It might be said that coherence is a test for truth, but truth is correspondence. But coherence doesn't guarantee correspondence, and coherence is a test, so truth is not correspondence. | |
| From: report of Brand Blanshard (The Nature of Thought [1939], Ch.26) by James O. Young - The Coherence Theory of Truth §2.2 | |
| A reaction: [compression of Young's summary] Rescher (1973) says that Blanshard's argument depends on coherence being an infallible test for truth, which it isn't. |
| 14874 | Anaximander saw the contradiction in the world - that its own qualities destroy it [Anaximander, by Nietzsche] |
| Full Idea: Anaximander discovers the contradictory character of our world: it perishes from its own qualities. | |
| From: report of Anaximander (fragments/reports [c.570 BCE]) by Friedrich Nietzsche - Unpublished Notebooks 1872-74 19 [239] | |
| A reaction: A lovely gloss on Anaximander, though I am not sure that I understand what Nietzsche means. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 1495 | Anaximander introduced the idea that the first principle and element of things was the Boundless [Anaximander, by Simplicius] |
| Full Idea: Anaximander said that the first principle and element of existing things was the boundless; it was he who originally introduced this name for the first principle. | |
| From: report of Anaximander (fragments/reports [c.570 BCE], A09) by Simplicius - On Aristotle's 'Physics' 9.24.14- | |
| A reaction: Simplicius is quoting Theophrastus |
| 405 | The essential nature, whatever it is, of the non-limited is everlasting and ageless [Anaximander] |
| Full Idea: The essential nature, whatever it is, of the non-limited is everlasting and ageless. | |
| From: Anaximander (fragments/reports [c.570 BCE], B2), quoted by (who?) - where? |
| 13222 | The Boundless cannot exist on its own, and must have something contrary to it [Aristotle on Anaximander] |
| Full Idea: Those thinkers are in error who postulate ...a single matter, for this cannot exist without some 'perceptible contrariety': this Boundless, which they identify with the 'original real', must be either light or heavy, either hot or cold. | |
| From: comment on Anaximander (fragments/reports [c.570 BCE]) by Aristotle - Coming-to-be and Passing-away (Gen/Corr) 329a10 | |
| A reaction: A dubious objection, I would say. If there has to be a contrasting cold thing to any hot thing, what happens when the cold thing is removed? |
| 404 | Things begin and end in the Unlimited, and are balanced over time according to justice [Anaximander] |
| Full Idea: The non-limited is the original material of existing things; their source is also that to which they return after destruction, according to necessity; they give justice and make reparation to each other for injustice, according to the arrangement of Time. | |
| From: Anaximander (fragments/reports [c.570 BCE], B1), quoted by Simplicius - On Aristotle's 'Physics' 24.13- | |
| A reaction: Simplicius is quoting Theophrastus |
| 1746 | The parts of all things are susceptible to change, but the whole is unchangeable [Anaximander, by Diog. Laertius] |
| Full Idea: The parts of all things are susceptible to change, but the whole is unchangeable. | |
| From: report of Anaximander (fragments/reports [c.570 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.An.2 |