25 ideas
| 5988 | Anaximander produced the first philosophy book (and maybe the first book) [Anaximander, by Bodnár] |
| Full Idea: Anaximander was the first to produce a philosophical book (later conventionally titled 'On Nature'), if not the first to produce a book at all. | |
| From: report of Anaximander (fragments/reports [c.570 BCE]) by István Bodnár - Anaximander | |
| A reaction: Wow! Presumably there were Egyptian 'books', but this still sounds like a stupendous claim to fame. |
| 1496 | The earth is stationary, because it is in the centre, and has no more reason to move one way than another [Anaximander, by Aristotle] |
| Full Idea: Something which is established in the centre and has equality in relation to the extremes has no more reason to move up than it has down or to the sides (so the earth is stationary) | |
| From: report of Anaximander (fragments/reports [c.570 BCE], A26) by Aristotle - On the Heavens 295b11 |
| 14874 | Anaximander saw the contradiction in the world - that its own qualities destroy it [Anaximander, by Nietzsche] |
| Full Idea: Anaximander discovers the contradictory character of our world: it perishes from its own qualities. | |
| From: report of Anaximander (fragments/reports [c.570 BCE]) by Friedrich Nietzsche - Unpublished Notebooks 1872-74 19 [239] | |
| A reaction: A lovely gloss on Anaximander, though I am not sure that I understand what Nietzsche means. |
| 22076 | Being is only perceptible to itself as becoming [Schelling] |
| Full Idea: Being is only perceptible to itself in the state of becoming. | |
| From: Friedrich Schelling (Of Human Freedom [1809], p.403), quoted by Jean-François Courtine - Schelling p.90 | |
| A reaction: Is the Enlightenment the era of Being, and the Romantic era that of Becoming? They like process, fluidity, even chaos. |
| 22072 | Schelling always affirmed the absolute status of freedom [Schelling, by Courtine] |
| Full Idea: Throughout Schelling's work we find the affirmation of absolute freedom or of the absolute as freedom. | |
| From: report of Friedrich Schelling (Philosophy of Revelation [1843], Vol.13 p.359) by Jean-François Courtine - Schelling p.83 | |
| A reaction: Of all of the German idealists, Schelling may be the closest to modern existentialism. |
| 21925 | For Schelling the Absolute spirit manifests as nature in which self-consciousness evolves [Schelling, by Lewis,PB] |
| Full Idea: (Like Schopenhauer) Schelling understood the Absolute - spirit rather than will - to manifest itself as nature in which man evolves with self-consciousness. | |
| From: report of Friedrich Schelling (Outline of a System of the Philosophy of Nature [1799]) by Peter B. Lewis - Schopenhauer 4 | |
| A reaction: The influence of Spinoza seems strong here. Is his Absolute just Spinoza's 'God'? |
| 22045 | Metaphysics aims at the Absolute, which goes beyond subjective and objective viewpoints [Schelling, by Pinkard] |
| Full Idea: Schelling never lost his youthful conviction that any metaphysics had to be an explication of the 'absolute' as something that went beyond both subjective and objective points of view. | |
| From: report of Friedrich Schelling (Outline of a System of the Philosophy of Nature [1799]) by Terry Pinkard - German Philosophy 1760-1860 12 | |
| A reaction: Even for a scientific and analytic modern philosopher there must be a target of an ideal account that includes human subjectivity within an objective view of the world. Even Mysterians like McGinn would like that. |
| 22074 | We must show that the whole of nature, because it is effective, is grounded in freedom [Schelling] |
| Full Idea: What is required is to show that everything that is effective (nature, the world of things) is grounded in activity, life, freedom. | |
| From: Friedrich Schelling (Of Human Freedom [1809], p.351), quoted by Jean-François Courtine - Schelling | |
| A reaction: I take the ancestor of this view of nature to be the monads of Leibniz, as the active principle in nature. Because this is an idealist view, it starts with the absolute freedom of the Self, and presumably sees nature in its own image. |
| 22073 | The basis of philosophy is the Self prior to experience, where it is the essence of freedom [Schelling] |
| Full Idea: The highest principle of all philosophy is the Self insofar as it is purely and simply Self, not yet conditioned by an object, but where it is formulated by freedom. The alpha and omega of all philosophy is freedom. | |
| From: Friedrich Schelling (Letters to Hegel [1795], 1795 02 04), quoted by Jean-François Courtine - Schelling p.83 | |
| A reaction: A common later response to this (e.g. in Schopenhauer) is that there is no concept of the Self prior to experience. The idealists seem to adore free will, while offering no reply to Spinoza on the matter, with whom they were very familiar. |
| 22075 | Only idealism has given us the genuine concept of freedom [Schelling] |
| Full Idea: Until the discovery of idealism, the genuine concept of freedom has been missing from every modern system, whether it be that of Leibniz or of Spinoza. | |
| From: Friedrich Schelling (Of Human Freedom [1809], p.345), quoted by Jean-François Courtine - Schelling p.87 | |
| A reaction: Spinoza denied free will, and Leibniz fudged it. Evidently more medieval theological accounts were not good enough. I presume Fichte is Schelling's hero, and he seems to see freedom as axiomatic about the Self. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 20956 | Ultimately, all being is willing. The nature of primal being is the same as the nature of willing [Schelling] |
| Full Idea: In the last and highest instance there is no other being but willing. Willing is primal being, and all the predicates of primal being only fit willing: groundlessness, eternity, being independent of time, self-affirmation. | |
| From: Friedrich Schelling (On the Essence of Human Freedom [1809], I.7.350), quoted by Andrew Bowie - Introduction to German Philosophy 5 'Reason' | |
| A reaction: Insofar as this says that 'primal being' must be active in character, I love this idea. Not the rest of the idea though! Bowie says this essay clearly influenced Schopenhauer. It looks as if Nietzsche must be read it too. |
| 20957 | We don't choose our characters, yet we still claim credit for the actions our characters perform [Schelling] |
| Full Idea: Nobody has chosen their character; and yet this does not stop anybody attributing the action which follows from his character to themself as a free action. | |
| From: Friedrich Schelling (The Ages of the World [1810], I.93) | |
| A reaction: This pinpoints a very nice ambivalence about our attitudes to our own characters. We all have some pride and shame about who we are, without having chosed who we are. At least when we are young. But we make the bed we lie in. |
| 22057 | Schelling sought a union between the productivities of nature and of the mind [Schelling, by Bowie] |
| Full Idea: Schelling's philosophy of nature aims to connect nature's 'unconscious productivity' with the mind's 'conscious productivity'. | |
| From: report of Friedrich Schelling (Outline of a System of the Philosophy of Nature [1799]) by Andrew Bowie - German Philosophy: a very short introduction 3 | |
| A reaction: If you have a fairly active view of nature (as Leibniz did), then this is a promising line. I like the unpopular view that the modern idea of spontaneous 'powers' in nature is applicable to explanations of mind. |
| 22031 | Schelling made organisms central to nature, because mere mechanism could never produce them [Schelling, by Pinkard] |
| Full Idea: Schelling made the image of the 'organism' central to his conception of nature, arguing that merely mechanical processes could never produce 'life' (as a self-producing, self-sustaining, self-directing process). | |
| From: report of Friedrich Schelling (Outline of a System of the Philosophy of Nature [1799]) by Terry Pinkard - German Philosophy 1760-1860 08 | |
| A reaction: At that date this seems a reasonable claim, but subsequent biochemistry has undermined it. |
| 13222 | The Boundless cannot exist on its own, and must have something contrary to it [Aristotle on Anaximander] |
| Full Idea: Those thinkers are in error who postulate ...a single matter, for this cannot exist without some 'perceptible contrariety': this Boundless, which they identify with the 'original real', must be either light or heavy, either hot or cold. | |
| From: comment on Anaximander (fragments/reports [c.570 BCE]) by Aristotle - Coming-to-be and Passing-away (Gen/Corr) 329a10 | |
| A reaction: A dubious objection, I would say. If there has to be a contrasting cold thing to any hot thing, what happens when the cold thing is removed? |
| 404 | Things begin and end in the Unlimited, and are balanced over time according to justice [Anaximander] |
| Full Idea: The non-limited is the original material of existing things; their source is also that to which they return after destruction, according to necessity; they give justice and make reparation to each other for injustice, according to the arrangement of Time. | |
| From: Anaximander (fragments/reports [c.570 BCE], B1), quoted by Simplicius - On Aristotle's 'Physics' 24.13- | |
| A reaction: Simplicius is quoting Theophrastus |
| 405 | The essential nature, whatever it is, of the non-limited is everlasting and ageless [Anaximander] |
| Full Idea: The essential nature, whatever it is, of the non-limited is everlasting and ageless. | |
| From: Anaximander (fragments/reports [c.570 BCE], B2), quoted by (who?) - where? |
| 1495 | Anaximander introduced the idea that the first principle and element of things was the Boundless [Anaximander, by Simplicius] |
| Full Idea: Anaximander said that the first principle and element of existing things was the boundless; it was he who originally introduced this name for the first principle. | |
| From: report of Anaximander (fragments/reports [c.570 BCE], A09) by Simplicius - On Aristotle's 'Physics' 9.24.14- | |
| A reaction: Simplicius is quoting Theophrastus |
| 1746 | The parts of all things are susceptible to change, but the whole is unchangeable [Anaximander, by Diog. Laertius] |
| Full Idea: The parts of all things are susceptible to change, but the whole is unchangeable. | |
| From: report of Anaximander (fragments/reports [c.570 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.An.2 |