7 ideas
| 16643 | Accidents always remain suited to a subject [Bonaventura] |
| Full Idea: An accident's aptitudinal relationship to a subject is essential, and this is never taken away from accidents….for it is true to say that they are suited to a subject. | |
| From: Bonaventura (Commentary on Sentences [1252], IV.12.1.1.1c) | |
| A reaction: This is the compromise view that allows accidents to be separated, for Transubstantiation, while acknowledging that we identify them with their subjects. |
| 16696 | Successive things reduce to permanent things [Bonaventura] |
| Full Idea: Everything successive reduces to something permanent. | |
| From: Bonaventura (Commentary on Sentences [1252], II.2.1.1.3 ad 5), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 18.2 | |
| A reaction: Avicenna first took successive entities seriously, but Bonaventure and Aquinas seem to have rejected them, or given reductive accounts of them. It resembles modern actualists versus modal realists. |
| 20443 | The aesthetic attitude is nothing more than paying close attention [Dickie, by Giovannelli] |
| Full Idea: Once analysed, Dickie claimed, the so-called aesthetic attitude is not special at all, but is rather just a matter of close attention and focus on the subject. | |
| From: report of George Dickie (The Myth of the Aesthetic Attitude [1964]) by Alessandro Giovannelli - Some contemporary developments (aesthetics) 1 | |
| A reaction: Sounds wrong. If a paint specialist gives close attention to a painting, they do not necessarily have an aesthetic view of it. You need to know the aim of the activity, just as when you watch a game. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 8114 | The institutional theory says only a competent expert can decree something to be an art work [Dickie, by Gardner] |
| Full Idea: Dickie's institutional theory of art says that something is a work of art if and only if it has had that status conferred on it by a competent member of the artworld. | |
| From: report of George Dickie (Introduction to Aesthetics [1997], Ch.8) by Sebastian Gardner - Aesthetics 3.1 | |
| A reaction: The idea that a single 'competent' person can do this sounds daft, and probably circular. A consensus in the artworld sounds more plausible, but this still leaves the revolutionary genius, who - in retrospect - produced unrecognised 'art'. |
| 4050 | We only allow voluntary euthanasia to someone who is both sane and crazed by pain [Kamisar] |
| Full Idea: It seems that voluntary euthanasia can only be carried out by someone who is both sane, and crazed by pain. | |
| From: Yale Kamisar (Against Euthanasia [1958], p.77) | |
| A reaction: A fair point, despite its obvious exaggeration. How much pain must someone experience before we permit them to choose euthanasia? |
| 4051 | People will volunteer for euthanasia because they think other people want them dead [Kamisar] |
| Full Idea: In the process of voluntary euthanasia we will sweep up some who are not really tired of life, but think others are tired of them. | |
| From: Yale Kamisar (Against Euthanasia [1958], p.78) | |
| A reaction: We could permit such choices. Or set up systems to eliminate such cases. |