24 ideas
| 3035 | Dialectic involves conversations with short questions and brief answers [Diog. Laertius] |
| Full Idea: Dialectic is when men converse by putting short questions and giving brief answers to those who question them. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 3.1.52) |
| 1816 | Sceptics say demonstration depends on self-demonstrating things, or indemonstrable things [Diog. Laertius] |
| Full Idea: Sceptics say that every demonstration depends on things which demonstrates themselves, or on things which can't be demonstrated. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 9.Py.11) | |
| A reaction: This refers to two parts of Agrippa's Trilemma (the third being that demonstration could go on forever). He makes the first option sound very rationalist, rather than experiential. |
| 1819 | Scepticism has two dogmas: that nothing is definable, and every argument has an opposite argument [Diog. Laertius] |
| Full Idea: Sceptics actually assert two dogmas: that nothing should be defined, and that every argument has an opposite argument. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 9.Py.11) |
| 3064 | When sceptics say that nothing is definable, or all arguments have an opposite, they are being dogmatic [Diog. Laertius] |
| Full Idea: When sceptics say that they define nothing, and that every argument has an opposite argument, they here give a positive definition, and assert a positive dogma. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 9.11.11) |
| 3033 | Induction moves from some truths to similar ones, by contraries or consequents [Diog. Laertius] |
| Full Idea: Induction is an argument which by means of some admitted truths establishes naturally other truths which resemble them; there are two kinds, one proceeding from contraries, the other from consequents. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 3.1.23) |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 2854 | Prescriptivism says 'ought' without commitment to act is insincere, or weakly used [Hooker,B] |
| Full Idea: Prescriptivism holds that if you think one 'ought' to do a certain kind of act, and yet you are not committed to doing that act in the relevant circumstances, then you either spoke insincerely, or are using the word 'ought' in a weak sense. | |
| From: Brad W. Hooker (Prescriptivism [1995], p.640) | |
| A reaction: So that's an 'ought', but not a 'genuine ought', then? (No True Scotsman move). Someone ought to rescue that drowning child, but I can't be bothered. |
| 1838 | Cyrenaic pleasure is a motion, but Epicurean pleasure is a condition [Diog. Laertius] |
| Full Idea: Cyrenaics place pleasure wholly in motion, whereas Epicurus admits it as a condition. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 10.28) | |
| A reaction: Not a distinction we meet in modern discussions. Do events within the mind count as 'motion'? If so, these two agree. If not, I'd vote for Epicurus. |
| 1769 | Cynics believe that when a man wishes for nothing he is like the gods [Diog. Laertius] |
| Full Idea: Cynics believe that when a man wishes for nothing he is like the gods. | |
| From: Diogenes Laertius (Lives of Eminent Philosophers [c.250], 6.Men.3) |
| 2856 | Universal moral judgements imply the Golden Rule ('do as you would be done by') [Hooker,B] |
| Full Idea: Prescriptivity is especially important if moral judgements are universalizable, for then we can employ golden rule-style reasoning ('do as you would be done by'). | |
| From: Brad W. Hooker (Prescriptivism [1995], p.640) |
| 20883 | Modern utilitarians value knowledge, friendship, autonomy, and achievement, as well as pleasure [Hooker,B] |
| Full Idea: Most utilitarians now think that pleasure, even if construed widely, is not the only thing desirable in itself. ...Goods also include important knowledge, friendship, autonomy, achievement and so on. | |
| From: Brad W. Hooker (Rule Utilitarianism and Euthanasia [1997], 2) | |
| A reaction: That pleasure is desired is empirically verifiable, which certainly motivated Bentham. A string of other desirables each needs to be justified - but how? What would be the value of a 'friendship' if neither party got pleasure from it? |
| 20884 | Rule-utilitarians prevent things like torture, even on rare occasions when it seems best [Hooker,B] |
| Full Idea: For rule-utilitarians acts of murder, torture and so on, can be impermissible even in rare cases where they really would produce better consequences than any alternative act. | |
| From: Brad W. Hooker (Rule Utilitarianism and Euthanasia [1997], 4) | |
| A reaction: It is basic to rule-utilitarianism that it trumps act-ulitilarianism, even when a particular act wins the utilitarian calculation. But that is hard to understand. Only long-term benefit could justify the rule - but that should win the calculation. |
| 20885 | Euthanasia is active or passive, and voluntary, non-voluntary or involuntary [Hooker,B] |
| Full Idea: Six types of euthanasia: 1) Active voluntary (knowing my wishes), 2) Active non-voluntary (not knowing my wishes), 3) Active involuntary (against my wishes), 4) Passive voluntary, 5) Passive non-voluntary, 6) Passive involuntary. | |
| From: Brad W. Hooker (Rule Utilitarianism and Euthanasia [1997], 5) | |
| A reaction: 'Active' is intervening, and 'passive' is not intervening. A helpful framework. |
| 20882 | Euthanasia may not involve killing, so it is 'killing or not saving, out of concern for that person' [Hooker,B] |
| Full Idea: Passive euthanasia is arguably not killing, and the death involved is often painful, so let us take the term 'euthanasia' to mean 'either killing or passing up opportunities to save someone, out of concern for that person'. | |
| From: Brad W. Hooker (Rule Utilitarianism and Euthanasia [1997], 1) | |
| A reaction: This sounds good, and easily settled, until you think concern for that person could have two different outcomes, depending on whether the criteria are those of the decider or of the patient. Think of religious decider and atheist patient, or vice versa. |