18 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 21110 | An understanding of the most basic physics should explain all of the subject's mysteries [Krauss] |
| Full Idea: Once we understood the fundamental laws that govern forces of nature at its smallest scales, all of these current mysteries would be revealed as natural consequences of these laws. | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 08) | |
| A reaction: This expresses the reductionist view within physics itself. Krauss says the discovery that empty space itself contains energy has led to a revision of this view (because that is not part of the forces and particles studied in basic physics). |
| 21105 | In 1676 it was discovered that water is teeming with life [Krauss] |
| Full Idea: Van Leeuwenhoek first stared at a drop of seemingly empty water with a microscope in 1676 and discovered in was teeming with life. | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 04) | |
| A reaction: I am convinced that this had a huge influence on Leibniz's concept of monads. He immediately became convinced that it was some sort of life all the way down. He would be have been disappointed by the subsequent chemical reduction of life. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 7907 | Human killing is worse if the victim is virtuous [Buddhaghosa] |
| Full Idea: In the case of humans killing is the more blameworthy the more virtuous the victim is. | |
| From: Buddhaghosa (Papancasudani [c.400], 9.7-10) | |
| A reaction: This sentiment has almost become a taboo in western society, and yet it is present all the time. The greatest outcry is about murders of really good citizens. Occasionally the murder of a villain causes little regret. |
| 21109 | Space itself can expand (and separate its contents) at faster than light speeds [Krauss] |
| Full Idea: Special Relativity says nothing can travel 'through space' faster than the speed of light. But space itself can do whatever the heck it wants, at least in general relativity. And it can carry distant objects apart from one another at superluminal speeds | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 06) | |
| A reaction: Another of my misunderstandings corrected. I assumed that the event horizon (limit of observability) was defined by the stuff retreating at (max) light speed. But beyond that it retreats even faster! What about the photons in space? |
| 21104 | General Relativity: the density of energy and matter determines curvature and gravity [Krauss] |
| Full Idea: The left-hand side of the general relativity equations descrbe the curvature of the universe, and the strength of gravitational forces acting on matter and radiation. The right-hand sides reflect the total density of all kinds of energy and matter. | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 04) | |
| A reaction: I had assumed that the equations just described the geometry. In fact the matter determines the nature of the universe in which it exists. Presumably only things with mass get a vote. |
| 21107 | Uncertainty says that energy can be very high over very short time periods [Krauss] |
| Full Idea: The Heisenberg Uncertainty Principle says that the uncertainty in the measured energy of a system is inversely proportional to the length of time over which you observe it. (This allow near infinite energy over very short times). | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 04) | |
| A reaction: Apparently this brief energy is 'borrowed', and must be quickly repaid. |
| 21106 | Most of the mass of a proton is the energy in virtual particles (rather than the quarks) [Krauss] |
| Full Idea: The quarks provide very little of the total mass of a proton, and the fields created by the virtual particles contribute most of the energy that goes into the proton's rest energy and, hence, its mass. | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 04) | |
| A reaction: He gives an artist's impression of the interior of a proton, which looks like a ship's engine room. |
| 21112 | Empty space contains a continual flux of brief virtual particles [Krauss] |
| Full Idea: Empty space is complicated. It is a boiling brew of virtual particles that pop in and out of existence in a time so short we cannot see them directly. | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 10) | |
| A reaction: Apparently the interior of a proton is also like this. This fact gives a foot in the door for explanations of how the Big Bang got started, from these virtual particles. And yet surely space itself only arrives with the Big Bang? |
| 21108 | The universe is precisely 13.72 billion years old [Krauss] |
| Full Idea: We now know the age of the universe to four significant figures. It is 13.72 billion years old! | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 05) | |
| A reaction: It amazes me how many people, especially in philosophy, would be reluctant to accept that this is a know fact. I'm not accepting its certainty, but an assertion like this from a leading figure is good enough for me, and it should be for you. |
| 21111 | It seems likely that cosmic inflation is eternal, and this would make a multiverse inevitable [Krauss] |
| Full Idea: A multiverse is inevitable if inflation is eternal, and eternal inflation is by far the most likely possibility in most, if not all, inflationary scenarios. | |
| From: Lawrence M. Krauss (A Universe from Nothing [2012], 08) |