18 ideas
| 21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
| Full Idea: Hamann, Herder and Jacobi are central figues in the reaction against Enlightenment. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 'immediate') | |
| A reaction: From a British perspective I would see Hume as the leading such figure. Hamann emphasised the neglect of the role of language. Jacobi was a Christian. |
| 21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
| Full Idea: Kant's Critique swiftly brought rationalism to a halt, and after Kant empiricism has displayed a nervousness regarding its foundations, and been forced to assume more sophisticated forms. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 Intro) | |
| A reaction: See the ideas of Laurence Bonjour for a modern revival of rationalism. After Kant philosophers either went existential, or stared gloomily into the obscure depths. Formal logic was seen as a possible rope ladder down. |
| 21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
| Full Idea: Apart from Hegel, no later philosophical system equals in stature Kant's attempt to weld together the diverse fields of natural science, morality, politics, aesthetics and religion into a systematic overarching epistemological and metaphysical unity. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10) | |
| A reaction: Earlier candidate are Plato and Aristotle. Earlier Enlightenment figures say little about morality or aesthetics. Hobbes ranges widely. Aquinas covered most things. |
| 21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
| Full Idea: A transcendental proof converts a possibility into a necessity: by saying under what conditions experience of objects is possible, transcendental proofs show those conditions to be necessary for us to the extent that we have any experience of objects. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 02 'Transc') | |
| A reaction: They appear to be hypothetical necessities, rather than true metaphysical necessities. Gardner is discussing Kant, but seems to be generalising. Hypothetical necessities are easy: if it is flying, it is necessarily above the ground. |
| 10245 | One geometry cannot be more true than another [Poincaré] |
| Full Idea: One geometry cannot be more true than another; it can only be more convenient. | |
| From: Henri Poincaré (Science and Method [1908], p.65), quoted by Stewart Shapiro - Philosophy of Mathematics | |
| A reaction: This is the culminating view after new geometries were developed by tinkering with Euclid's parallels postulate. |
| 21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
| Full Idea: There is now 'pure' geometry, consisting of formal systems based on axioms for which truth is not claimed, and which are consequently not synthetic; and 'applied', a branch of physics, the truth of which is empirical, and therefore not a priori. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 03 'Maths') | |
| A reaction: His point is that there is no longer any room for a priori geometry. Might the same division be asserted of arithmetic, or analysis, or set theory? |
| 15923 | Poincaré rejected the actual infinite, claiming definitions gave apparent infinity to finite objects [Poincaré, by Lavine] |
| Full Idea: Poincaré rejected the actual infinite. He viewed mathematics that is apparently concerned with the actual infinite as actually concerning the finite linguistic definitions the putatively describe actually infinite objects. | |
| From: report of Henri Poincaré (On the Nature of Mathematical Reasoning [1894]) by Shaughan Lavine - Understanding the Infinite |
| 10180 | Mathematicians do not study objects, but relations between objects [Poincaré] |
| Full Idea: Mathematicians do not study objects, but relations between objects; it is a matter of indifference if the objects are replaced by others, provided the relations do not change. They are interested in form alone, not matter. | |
| From: Henri Poincaré (Science and Hypothesis [1902], p.20), quoted by E Reck / M Price - Structures and Structuralism in Phil of Maths §6 | |
| A reaction: This connects modern structuralism with Aritotle's interest in the 'form' of things. Contrary to the views of the likes of Frege, it is hard to see that the number '7' has any properties at all, apart from its relations. A daffodil would do just as well. |
| 9916 | Convention, yes! Arbitrary, no! [Poincaré, by Putnam] |
| Full Idea: Poincaré once exclaimed, 'Convention, yes! Arbitrary, no!'. | |
| From: report of Henri Poincaré (talk [1901]) by Hilary Putnam - Models and Reality | |
| A reaction: An interesting view. It mustn't be assumed that conventions are not rooted in something. Maybe a sort of pragmatism is implied. |
| 18203 | Avoid non-predicative classifications and definitions [Poincaré] |
| Full Idea: Never consider any objects but those capable of being defined in a finite number of word ...Avoid non-predicative classifications and definitions. | |
| From: Henri Poincaré (The Logic of Infinity [1909], p.63), quoted by Penelope Maddy - Naturalism in Mathematics II.4 |
| 21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
| Full Idea: Leibnizian monads clearly satisfy Kant's definition of noumena. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 06 'Noumena') | |
| A reaction: This needs qualifying, because Leibniz clearly specifies the main attributes of monads, where Kant is adamant that we can saying virtually nothing about noumena. |
| 8836 | Must all justification be inferential? [Ginet] |
| Full Idea: The infinitist view of justification holds that every justification must be inferential: no other kind of justification is possible. | |
| From: Carl Ginet (Infinitism not solution to regress problem [2005], p.141) | |
| A reaction: This is the key question in discussing whether justification is foundational. I'm not sure whether 'inference' is the best word when something is evidence for something else. I am inclined to think that only propositions can be reasons. |
| 8837 | Inference cannot originate justification, it can only transfer it from premises to conclusion [Ginet] |
| Full Idea: Inference cannot originate justification, it can only transfer it from premises to conclusion. And so it cannot be that, if there actually occurs justification, it is all inferential. | |
| From: Carl Ginet (Infinitism not solution to regress problem [2005], p.148) | |
| A reaction: The idea that justification must have an 'origin' seems to beg the question. I take Klein's inifinitism to be a version of coherence, where the accumulation of good reasons adds up to justification. It is not purely inferential. |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 15877 | The aim of science is just to create a comprehensive, elegant language to describe brute facts [Poincaré, by Harré] |
| Full Idea: In Poincaré's view, we try to construct a language within which the brute facts of experience are expressed as comprehensively and as elegantly as possible. The job of science is the forging of a language precisely suited to that purpose. | |
| From: report of Henri Poincaré (The Value of Science [1906], Pt III) by Rom Harré - Laws of Nature 2 | |
| A reaction: I'm often struck by how obscure and difficult our accounts of self-evident facts can be. Chairs are easy, and the metaphysics of chairs is hideous. Why is that? I'm a robust realist, but I like Poincaré's idea. He permits facts. |