18 ideas
| 21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
| Full Idea: Hamann, Herder and Jacobi are central figues in the reaction against Enlightenment. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 'immediate') | |
| A reaction: From a British perspective I would see Hume as the leading such figure. Hamann emphasised the neglect of the role of language. Jacobi was a Christian. |
| 21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
| Full Idea: Kant's Critique swiftly brought rationalism to a halt, and after Kant empiricism has displayed a nervousness regarding its foundations, and been forced to assume more sophisticated forms. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 Intro) | |
| A reaction: See the ideas of Laurence Bonjour for a modern revival of rationalism. After Kant philosophers either went existential, or stared gloomily into the obscure depths. Formal logic was seen as a possible rope ladder down. |
| 21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
| Full Idea: Apart from Hegel, no later philosophical system equals in stature Kant's attempt to weld together the diverse fields of natural science, morality, politics, aesthetics and religion into a systematic overarching epistemological and metaphysical unity. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10) | |
| A reaction: Earlier candidate are Plato and Aristotle. Earlier Enlightenment figures say little about morality or aesthetics. Hobbes ranges widely. Aquinas covered most things. |
| 21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
| Full Idea: A transcendental proof converts a possibility into a necessity: by saying under what conditions experience of objects is possible, transcendental proofs show those conditions to be necessary for us to the extent that we have any experience of objects. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 02 'Transc') | |
| A reaction: They appear to be hypothetical necessities, rather than true metaphysical necessities. Gardner is discussing Kant, but seems to be generalising. Hypothetical necessities are easy: if it is flying, it is necessarily above the ground. |
| 21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
| Full Idea: There is now 'pure' geometry, consisting of formal systems based on axioms for which truth is not claimed, and which are consequently not synthetic; and 'applied', a branch of physics, the truth of which is empirical, and therefore not a priori. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 03 'Maths') | |
| A reaction: His point is that there is no longer any room for a priori geometry. Might the same division be asserted of arithmetic, or analysis, or set theory? |
| 21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
| Full Idea: Leibnizian monads clearly satisfy Kant's definition of noumena. | |
| From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 06 'Noumena') | |
| A reaction: This needs qualifying, because Leibniz clearly specifies the main attributes of monads, where Kant is adamant that we can saying virtually nothing about noumena. |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 20937 | The state should produce higher civilisations for all, in tune with the economic apparatus [Gramsci] |
| Full Idea: The role of the State is always that of creating new and higher types of civilisation; of adapting the 'civilisation' and the morality of the broades popular masses to the necessities of the continuous development of the economic apparatus of production. | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'Collective') | |
| A reaction: This makes education virtually the prime role of the state. Reminiscent of Sir John Reith's original dream, in the 1930s, for the BBC. Many marxists feel that the economy is in direct conflict with morality and civilisation. |
| 20935 | Eventually political parties lose touch with the class they represent, which is dangerous [Gramsci] |
| Full Idea: At a certain point in their lives, social classes become detached from their traditional parties. In that particular form ...the parties are no longer recognised by their class as its exopression. ...The field is then open for violent solutions. | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'Parties') | |
| A reaction: Left wing parties pursue ideologies that don't connect with the actual current interests of the working class, and righ wing parties are taken over by rich elites who don't value safe traditonal communities. (This thought is resonant in the 2018 UK). |
| 20936 | Caesarism emerges when two forces in society are paralysed in conflict [Gramsci] |
| Full Idea: Caesarism (as the emergence of a 'heroic' personality) expresses a situation in which the forces in conflict balance each other in a catastrophic manner ...which can only terminate in their reciprocal destruction. | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'Caesarism') | |
| A reaction: He goes on to distinguish progressive and reactionary versions of Caesarism. Gramsci's interest is in the circumstances that throw up such people. Marx had identified 'Bonapartism'. |
| 20941 | Totalitarian parties cut their members off from other cultural organisations [Gramsci] |
| Full Idea: A totalitarian party ensures that members find in that particular party all the satisfactions that they formerly found in a multiplicity of organisations. They break the threads that bind them to extraneous cultural organisms. | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'Organisation') | |
| A reaction: British parties traditionally had a 'club house', where you could do most of your socialising. Presumably Nazis left the church, and various interest groups. |
| 20939 | What is the function of a parliament? Does it even constitute a part of the State structure? [Gramsci] |
| Full Idea: The question has to be asked: do parliaments, even in fact constitute a part of the State structure? In other words, what is the real function? | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'Parliament') | |
| A reaction: Nice question. In the UK it is only the cabinet which has active power. Backbench MPs are usually very frustrated, especially if their party has a comfortable majority, and their vote is not precious. They are privileged lobbyists. |
| 20938 | Liberalism's weakness is its powerful rigid bureaucracy [Gramsci] |
| Full Idea: Liberalism's weakness is the bureacracy - the crystallisation of the leading personnel - which exercises power, and at a certain point it becomes a caste. | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'Hegemony') | |
| A reaction: This sounds more like what is called 'the Establishment' in Britain, which is the hidden controllers of power, rather than the administrators (whose role is only despised by right-wingers). |
| 20940 | Perfect political equality requires economic equality [Gramsci] |
| Full Idea: The idea that complete and perfect political equality cannot exist without economic equality ...remains correct. | |
| From: Antonio Gramsci (Selections from Prison Notebooks [1971], 2 'The State') | |
| A reaction: In the west we are living in a period (2018) when the top 0.1% of the wealthy are racing away, creating huge inequality. Their wealth controls the media, and it seems unrestrainable. The belief that we live in a 'democracy' is an illusion. |