7 ideas
| 21943 | Since Kant, self-criticism has been part of philosophy [Gutting] |
| Full Idea: Philosophy after Kant has involved a continuing critique of its own project. | |
| From: Gary Gutting (Foucault: a very short introduction [2005], 6) | |
| A reaction: I'm struck by many modern philosophers in the analytic tradition who write as if Kant had never existed. I don't know if that is a conscious decision, but it may be a good one. |
| 21944 | Structuralism describes human phenomena in terms of unconscious structures [Gutting] |
| Full Idea: Structuralism in the 1960s was a set of theories which explained human phenomena in terms of underlying unconscious structures, rather than the lived experience described by Phenomenology. | |
| From: Gary Gutting (Foucault: a very short introduction [2005], 6) | |
| A reaction: Hence the interest in Freud and Marx, and Foucault's interest in history, each offering to unmask what is hidden in consciousness. The unmasking is a basically Kantian project. Cf. Frege's hatred of 'psychologism'. |
| 20443 | The aesthetic attitude is nothing more than paying close attention [Dickie, by Giovannelli] |
| Full Idea: Once analysed, Dickie claimed, the so-called aesthetic attitude is not special at all, but is rather just a matter of close attention and focus on the subject. | |
| From: report of George Dickie (The Myth of the Aesthetic Attitude [1964]) by Alessandro Giovannelli - Some contemporary developments (aesthetics) 1 | |
| A reaction: Sounds wrong. If a paint specialist gives close attention to a painting, they do not necessarily have an aesthetic view of it. You need to know the aim of the activity, just as when you watch a game. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 8114 | The institutional theory says only a competent expert can decree something to be an art work [Dickie, by Gardner] |
| Full Idea: Dickie's institutional theory of art says that something is a work of art if and only if it has had that status conferred on it by a competent member of the artworld. | |
| From: report of George Dickie (Introduction to Aesthetics [1997], Ch.8) by Sebastian Gardner - Aesthetics 3.1 | |
| A reaction: The idea that a single 'competent' person can do this sounds daft, and probably circular. A consensus in the artworld sounds more plausible, but this still leaves the revolutionary genius, who - in retrospect - produced unrecognised 'art'. |
| 8326 | Science has shown that causal relations are just transfers of energy or momentum [Fair, by Sosa/Tooley] |
| Full Idea: Basic causal relations can, as a consequence of our scientific knowledge, be identified with certain physicalistic [sic] relations between objects that can be characterized in terms of transference of either energy or momentum between objects. | |
| From: report of David Fair (Causation and the Flow of Energy [1979]) by E Sosa / M Tooley - Introduction to 'Causation' §1 | |
| A reaction: Presumably a transfer of momentum is a transfer of energy. If only anyone had the foggiest idea what energy actually is, we'd be doing well. What is energy made of? 'No identity without substance', I say. I like Fair's idea. |
| 10379 | Fair shifted his view to talk of counterfactuals about energy flow [Fair, by Schaffer,J] |
| Full Idea: Fair, who originated the energy flow view of causation, moved to a view that understands connection in terms of counterfactuals about energy flow. | |
| From: report of David Fair (Causation and the Flow of Energy [1979]) by Jonathan Schaffer - The Metaphysics of Causation 2.1.2 | |
| A reaction: David Fair was a pupil of David Lewis, the king of the counterfactual view. To me that sounds like a disappointing move, but it is hard to think that a mere flow of energy through space would amount to causation. Cause must work back from an effect. |