32 ideas
| 18405 | A 'teepee' argument has several mutually supporting planks to it [Cappelen/Dever] |
| Full Idea: In a 'teepee' argument, a number of argumentative planks intersupport each other. No plank is sufficiently strong to establish the position, but each lends credibility to the others because there is the appearance of a unified phenomenon. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 01.5) | |
| A reaction: To attack it, they say, you have to identify the separate planks of the argument. It is a moot point whether the teepee might be so imprecise that it is better described as 'coherence'. There is a background support, as well as the planks. |
| 19542 | It is nonsense that understanding does not involve knowledge; to understand, you must know [Dougherty/Rysiew] |
| Full Idea: The proposition that understanding does not involve knowledge is widespread (for example, in discussions of what philosophy aims at), but hardly withstands scrutiny. If you do not know how a jet engine works, you do not understand how it works. | |
| From: Dougherty,T/Rysiew,P (Experience First (and reply) [2014], p.24) | |
| A reaction: This seems a bit disingenuous. As in 'Theaetetus', knowing the million parts of a jet engine is not to understand it. More strongly - how could knowledge of an infinity of separate propositional truths amount to understanding on their own? |
| 19543 | To grasp understanding, we should be more explicit about what needs to be known [Dougherty/Rysiew] |
| Full Idea: An essential prerequisite for useful discussion of the relation between knowledge and understanding is systematic explicitness about what is to be known or understood. | |
| From: Dougherty,T/Rysiew,P (Experience First (and reply) [2014], p.25) | |
| A reaction: This is better. I say what needs to be known for understanding is the essence of the item under discussion (my PhD thesis!). Obviously understanding needs some knowledge, but I take it that epistemology should be understanding-first. That is the main aim. |
| 19541 | Rather than knowledge, our epistemic aim may be mere true belief, or else understanding and wisdom [Dougherty/Rysiew] |
| Full Idea: If we say our cognitive aim is to get knowledge, the opposing views are the naturalistic view that what matters is just true belief (or just 'getting by'), or that there are rival epistemic goods such as understanding and wisdom. | |
| From: Dougherty,T/Rysiew,P (Experience First (and reply) [2014], p.17) | |
| A reaction: [compressed summary] I'm a fan of understanding. The accumulation of propositional knowledge would relish knowing the mass of every grain of sand on a beach. If you say the propositions should be 'important', other values are invoked. |
| 19540 | Don't confuse justified belief with justified believers [Dougherty/Rysiew] |
| Full Idea: Much theorizing about justification conflates issues of justified belief with issues of justified/blameless believers. | |
| From: Dougherty,T/Rysiew,P (What is Knowledge-First Epistemology? [2014], p.12) | |
| A reaction: [They cite Kent Bach 1985] Presumably the only thing that really justifies a belief is the truth, or the actual facts. You could then say 'p is a justified belief, though no one actually believes it'. E.g. the number of stars is odd. |
| 19539 | If knowledge is unanalysable, that makes justification more important [Dougherty/Rysiew] |
| Full Idea: If knowledge is indeed unanalyzable, that could be seen as a liberation of justification to assume importance in its own right. | |
| From: Dougherty,T/Rysiew,P (What is Knowledge-First Epistemology? [2014], p.11) | |
| A reaction: [They cite Kvanvig 2003:192 and Greco 2010:9-] See Scruton's Idea 3897. I suspect that we should just give up discussing 'knowledge', which is a woolly and uninformative term, and focus on where the real epistemological action is. |
| 18422 | Prioprioception focuses on your body parts, not on your self, or indexicality [Cappelen/Dever] |
| Full Idea: Proprioception is not focused single-mindedly on the self, but is focused on a number of objects - the component bodily parts that belong to the self. There is no obvious need for a concept of the self, or of indexicality. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 07.2) |
| 18425 | We can acquire self-knowledge with mirrors, not just with proprioception and introspection [Cappelen/Dever] |
| Full Idea: Imagine a being that learns everything about itself by watching itself in mirrors, rather than by proprioception and introspection. Surely it can get wet in a storm, even though allegedly distinctive routes of self-knowledge are not available to it? | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 09.3) | |
| A reaction: [compressed] |
| 18421 | Proprioception is only immune from error if you are certain that it represents the agent [Cappelen/Dever] |
| Full Idea: The guarantee of immunity from error in prioprioception is only as strong as the guarantee that proprioception only ever represents the proprioceiving agent. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 07.1) | |
| A reaction: This is part of an interesting and sustained attack on the idea that self-knowledge is immune from error. They are thinking of science-fictiony situations where I am wired up to experience your leg movement. My experiences usually track me, that's all. |
| 18419 | Folk Functionalism is a Ramsification of our folk psychology [Cappelen/Dever] |
| Full Idea: According to Folk Functionalism, mental states are theoretically defined by Ramsifying on our folk-psychological theory. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 06.2) |
| 18404 | It is assumed that indexical content is needed to represent the perspective of perception [Cappelen/Dever] |
| Full Idea: Because our perceptual states typically represent the world as seen from a perspective, it is sometimes thought that some distinctively indexical kind of content is needed to characterise those states. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 01.4) | |
| A reaction: They are summarising this view precisely so that they can oppose it, and I think they are right. |
| 18426 | All information is objective, and purely indexical information is not much use [Cappelen/Dever] |
| Full Idea: Fundamentally, all information is objective information. ...[176] What we want is fully portable information, and information that co-ordinates on the world, rather than on us, is best suited for the task. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 10) | |
| A reaction: I agree entirely with their thesis. We just pick up information about ourselves, such as who and where we are, which is just like equivalent information about other people. It is isn't a special type of information. |
| 18427 | If some of our thought is tied to its context, it will be hard to communicate it [Cappelen/Dever] |
| Full Idea: It is bad news if some of our contents are essentially tied to particular contexts. ...If information needs to be assessed relative to some ur-context, later recipients won't know what to do with it. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 10) |
| 18428 | You don't remember your house interior just from an experienced viewpoint [Cappelen/Dever] |
| Full Idea: When you recall the look of the inside of your house ....where things are relative to one another is what persists in memory, not where they were relative to you when seen. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 10) | |
| A reaction: This seems to be a very telling example, though you could postulate some system which converts perspectival input into objective information. But why bother? We seek objective information, not perspectives. |
| 18429 | Our beliefs and desires are not organised around ourselves, but around the world [Cappelen/Dever] |
| Full Idea: Our view on the world is not primarily a view from a perspective. Our beliefs and desires are not organized around us. They are instead organized around the world itself. Our view is a view from everywhere. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 10) | |
| A reaction: Slipping in the claim that our desires are also organised around the world is not quite as persuasive as the claim about beliefs. If you want to draw a freehand straight line, focus on the far end of it. The world will guide your hand. |
| 18407 | Indexicality is not significantly connected to agency [Cappelen/Dever] |
| Full Idea: There are no interesting or distinctive explanatory connections between indexicality and agency. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 01.8) |
| 19538 | Entailment is modelled in formal semantics as set inclusion (where 'mammals' contains 'cats') [Dougherty/Rysiew] |
| Full Idea: Entailment is modelled in formal semantics as set inclusion. 'Cat' entails 'mammal' because the cats are a subset of the mammals. | |
| From: Dougherty,T/Rysiew,P (What is Knowledge-First Epistemology? [2014], p.10) | |
| A reaction: I would have thought that this was only one type of entailment. 'Travelling to Iceland entails flying'. Travelling includes flying, the reverse of cats/mammals, to a very complex set-theoretic account is needed. Interesting. |
| 18413 | Fregeans can't agree on what 'senses' are [Cappelen/Dever] |
| Full Idea: There is little agreement among Fregeans about what senses are. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 04.5) | |
| A reaction: I don't take this to be sufficient grounds for dismissing Fregean senses. When we look into the workings of the linguistic mind, there seems little prospect of clarity or agreement. |
| 18417 | Possible worlds accounts of content are notoriously coarse-grained [Cappelen/Dever] |
| Full Idea: Possible worlds accounts of content are notoriously coarse-grained. They fail to distinguish between logical or mathematical truths, ..between metaphysical equivalences, ..between coreferentials, ..and between indexicals and non-indexicals. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 05.5) | |
| A reaction: [A nice summary, very compressed] |
| 18408 | Indexicals are just non-constant in meaning, and don't involve any special concepts [Cappelen/Dever] |
| Full Idea: Once the non-constant characters of expressions has been characterised, there is no further need for additional devices like 'first-person concepts' or 'demonstrative concepts'. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 01.7) | |
| A reaction: This seems to me to be a wonderfully liberating attack on this issue. There is a kind of creepy mysticism that has been allowed to accrue around indexicals, and it's nonsense. |
| 18414 | Fregeans say 'I' differs in reference, so it must also differ in sense [Cappelen/Dever] |
| Full Idea: Fregeans tend to treat as a fundamental tenet that sense determines reference; same sense, same reference. From that it follow trivially that indexicals don't have the same sense: different uses of 'I' have different referents, so sense must differ. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 04.6) | |
| A reaction: Interesting. Since it seems implausible that 'I' is profoundly different when two people use it, this seems to be a strong argument against Frege's distinction. But I rather like Frege's distinction, while being sceptical about 'I', so I'm baffled.... |
| 18423 | All indexicals can be expressed non-indexically [Cappelen/Dever] |
| Full Idea: Whatever can be expressed indexically could be expressed by non-indexical means. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 08.1) | |
| A reaction: This is the best summary of the thesis of their book. Indexicality in non-essential. |
| 18406 | The basic Kaplan view is that there is truth-conditional content, and contextual character [Cappelen/Dever] |
| Full Idea: In what we label 'Basic Kaplanianism', each of the sentences 'Smith is happy' and 'I am happy', as uttered by Smith, has two levels of meaning. The 'content' is a truth-conditional representation. The 'character' is a function from contexts to contents. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 01.6) | |
| A reaction: They give this as a minimal and plausible account of the situation, without reading huge significance into the indexical. I'm inclined to see the situation in terms of the underlying proposition containing both ingredients. |
| 18411 | It is proposed that a huge range of linguistic items are context-sensitive [Cappelen/Dever] |
| Full Idea: An enormous amount has been written about whether 'all', 'know', 'might', 'delicious', 'good', 'if, then', 'and', 'red', 'just', 'justified', 'probable', 'local', 'ready', and 'left-right' are context-sensitive. | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 02.3) | |
| A reaction: The clearest way to approach these things is ask what the (informal) domain of quantification is for that particular context. The domain can shift in the course of a sentence. |
| 18420 | We deny that action involves some special class of beliefs [Cappelen/Dever] |
| Full Idea: Maybe there is a class of beliefs that plays a special role in the explanation of action. We have argued against the existence of such a class (or at least any interesting such class). | |
| From: Cappelen,H/Dever,Josh (The Inessential Indexical [2013], 06.2) | |
| A reaction: The main class which has been proposed is the one that involves indexical beliefs. I agree with this idea. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |