14 ideas
| 22070 | Irony is consciousness of abundant chaos [Schlegel,F] |
| Full Idea: Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos. | |
| From: Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81 | |
| A reaction: [1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony. |
| 22069 | Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F] |
| Full Idea: Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts. | |
| From: Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism | |
| A reaction: [1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea. |
| 16643 | Accidents always remain suited to a subject [Bonaventura] |
| Full Idea: An accident's aptitudinal relationship to a subject is essential, and this is never taken away from accidents….for it is true to say that they are suited to a subject. | |
| From: Bonaventura (Commentary on Sentences [1252], IV.12.1.1.1c) | |
| A reaction: This is the compromise view that allows accidents to be separated, for Transubstantiation, while acknowledging that we identify them with their subjects. |
| 4483 | If abstract terms are sets of tropes, 'being a unicorn' and 'being a griffin' turn out identical [Loux] |
| Full Idea: If trope theorists say abstract singular terms name sets of tropes, what is the referent of 'is a unicorn'? The only candidate is the null set (with no members), but there is just one null set, so 'being a unicorn' and 'being a griffin' will be identical. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.86) | |
| A reaction: Not crucial, I would think, given that a unicorn is just a horse with a horn. Hume explains how we do that, combining ideas which arose from actual tropes. |
| 4481 | Austere nominalists insist that the realist's universals lack the requisite independent identifiability [Loux] |
| Full Idea: Austere nominalists insist that the realist's universals lack the requisite independent identifiability. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.60) | |
| A reaction: Plato's view seems to be that we don't identify universals independently. We ascend The Line, or think about the shadows in The Cave, and infer the universals from an array of particulars (by dialectic). |
| 4477 | Universals come in hierarchies of generality [Loux] |
| Full Idea: Universals come in hierarchies of generality. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.24) | |
| A reaction: If it is possible to state facts about universals, this obviously encourages a rather Platonic approach to them, as existent things with properties. But maybe the hierarchies are conventional, not natural. |
| 4482 | Austere nominalism has to take a host of things (like being red, or human) as primitive [Loux] |
| Full Idea: In return for a one-category ontology (with particulars but no universals), the austere nominalist is forced to take a whole host of things (like being red, or triangular, or human) as unanalysable or primitive. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.68) | |
| A reaction: I see that 'red' might have to be primitive, but being human can just be a collection of particulars. It is no ontologically worse to call them 'primitive' than to say they exist. |
| 4478 | Nominalism needs to account for abstract singular terms like 'circularity'. [Loux] |
| Full Idea: Nominalists have been very concerned to provide an account of the role of abstract singular terms (such as 'circularity'). | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.34) | |
| A reaction: Whether this is a big problem depends on our view of abstraction. If it only consists of selecting one property of an object and reifying it, then we can give a nominalist account of properties, and the problem is solved. |
| 4480 | Times and places are identified by objects, so cannot be used in a theory of object-identity [Loux] |
| Full Idea: Any account of the identity of material objects which turns on the identity of places and times must face the objection that the identity of places and times depends, in turn, on the identities of the objects located at them. | |
| From: Michael J. Loux (Metaphysics: contemporary introduction [1998], p.56) | |
| A reaction: This may be a benign circle, in which we concede that there are two basic interdependent concepts of objects and space-time. If you want to define identity - in terms of what? |
| 16696 | Successive things reduce to permanent things [Bonaventura] |
| Full Idea: Everything successive reduces to something permanent. | |
| From: Bonaventura (Commentary on Sentences [1252], II.2.1.1.3 ad 5), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 18.2 | |
| A reaction: Avicenna first took successive entities seriously, but Bonaventure and Aquinas seem to have rejected them, or given reductive accounts of them. It resembles modern actualists versus modal realists. |
| 22068 | Poetry is transcendental when it connects the ideal to the real [Schlegel,F] |
| Full Idea: There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry. | |
| From: Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78 | |
| A reaction: I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system). |
| 22030 | For poets free choice is supreme [Schlegel,F] |
| Full Idea: Romantic poetry recognises as its first commandment that the free choice [Wilkür] of the poet can tolerate no law above itself. | |
| From: Friedrich Schlegel (works [1798], Frag 116 p.32), quoted by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: This leads to Shelley's 'poets are the unacknowledged legislators of the race'. We should also take it as a response to Kant's categorical imperative, which leads to the Gauguin Problem (wickedness justified by the art it leads to). |
| 22071 | True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F] |
| Full Idea: True irony is the irony of love. It arises from the feeling of finitude and one's own limitation, and the apparent contradiction of these feelings with the concept of infinity inherent in all true love. | |
| From: Friedrich Schlegel (works [1798], Vol.10 p.357), quoted by Ernst Behler - Early German Romanticism | |
| A reaction: [c.1827] This is more about idealist philosophy and its yearning for the Absolute than it is about the actual nature of love. Love is the door to the Absolute. The irony is our inability to pass through it. |
| 22029 | Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard] |
| Full Idea: Irony is thus the appropriate stance to feeling that is both inescapably committed and inescapably detached at the same time. | |
| From: report of Friedrich Schlegel (works [1798]) by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: This is the epitome of romanticism, which carries over into the dilemmas of existentialism. Striking the right balance between caring and not caring seems to me to be the main focus of modern British people. |