14 ideas
| 22189 | Why abandon a theory if you don't have a better one? [Gorham] |
| Full Idea: There is no sense in abandoning a successful theory if you have nothing to replace it with. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 2) | |
| A reaction: This is also a problem for infererence to the best explanation. What to do if your best explanation is not very good? The simple message is do not rush to dump a theory when faced with an anomaly. |
| 22190 | If a theory is more informative it is less probable [Gorham] |
| Full Idea: Popper's theory implies that more informative theories seem to be less probable. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 3) | |
| A reaction: [On p.75 Gorham replies to this objection] The point is that to be more testable they must be more detailed. He's not wrong. Theories are meant to be general, so they sweep up the details. But they need precise generalities and specifics. |
| 22192 | Is Newton simpler with universal simultaneity, or Einstein simpler without absolute time? [Gorham] |
| Full Idea: Is Newton's theory simpler than Einstein's, since there is only one relation of simultaneity in absolute time, or is Einstein's simpler because it dispenses with absolute time altogether? | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: A nice question, to which a good scientist might be willing to offer an answer. Since simultaneity is crucial but the existence of time is not, I would vote for Newton as the simpler. |
| 22194 | Structural Realism says mathematical structures persist after theory rejection [Gorham] |
| Full Idea: Structural Realists say that modern science achieves a true or 'truer' account of the world only with respect to its mathematical structure rather than its intrinsic qualities or nature. The structure carries over to new theories. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: At first glance I am unconvinced that when an old theory is replaced it neverthess contains some sort of 'mathematical structure' which endures and is worth preserving. No doubt Worrall, French and co have examples. |
| 22195 | Structural Realists must show the mathematics is both crucial and separate [Gorham] |
| Full Idea: Structural Realists must show that it is the mathematical aspects of the theories, not their content, that account for their success ….and that their structure and content can be clearly separated. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: Their approach certainly seems to rely on mathematical types of science, so it presumably fits biology, geology and even astronomy less well. |
| 22197 | Theories aren't just for organising present experience if they concern the past or future [Gorham] |
| Full Idea: The strangeness of interpreting theories as mere tools for organising present experience is brought out clearly in sciences like cosmology and paleontology, which largely concern events in the remote past or future. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: Not conclusive. An anti-realist has to interpret those sciences in terms of the current observations that are available. |
| 22196 | For most scientists their concepts are not just useful, but are meant to be true and accurate [Gorham] |
| Full Idea: The main difficulty with instrumentalism is its implausible account ot the meaning of theoretical claims and concepts. Most scientists take them to be straightforward attempts to describe the world. Most say they are useful because they are accurate. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: Instrumentalism is seen as a Pragmatist view, and Dewey is cited. |
| 22193 | Consilience makes the component sciences more likely [Gorham] |
| Full Idea: The more unification and integration is found among the modern sciences, the less likely it seems it will have all been a dream. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: I believe this strongly. Ancient theories which were complex, wide ranging and false do not impress me. This is part of my coherence view of justification. |
| 6316 | We translate in a way that makes the largest possible number of statements true [Wilson,NL] |
| Full Idea: We select as designatum that individual which will make the largest possible number of statements true. | |
| From: N.L. Wilson (Substances without Substrata [1959]), quoted by Willard Quine - Word and Object II.§13 n | |
| A reaction: From the Quine's reference, it sounds as if Wilson was the originator of the well-known principle of charity, later taken up by Davidson. If so, he should be famous, because it strikes me as a piece of fundamental and important wisdom. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22198 | Aristotelian physics has circular celestial motion and linear earthly motion [Gorham] |
| Full Idea: Aristotelian physics assumed that celestial motion is naturally circular and eternal while terrestrial motion is naturally toward the center of the earth and final. | |
| From: Geoffrey Gorham (Philosophy of Science [2009], 4) | |
| A reaction: The overthrow of this by Galileo and then Newton may have been the most dramatic revolution of the new science. It opened up the possibility of universal laws of physics. |