14 ideas
| 19718 | Indefeasibility does not imply infallibility [Grundmann] |
| Full Idea: Infallibility does not follow from indefeasibility. | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'Significance') | |
| A reaction: If very little evidence exists then this could clearly be the case. It is especially true of historical and archaeological evidence. |
| 19717 | Can a defeater itself be defeated? [Grundmann] |
| Full Idea: Can the original justification of a belief be regained through a successful defeat of a defeater? | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'Defeater-Defs') | |
| A reaction: [Jäger 2005 addresses this] I would have thought the answer is yes. I aspire to coherent justifications, so I don't see justifications as a chain of defeat and counter-defeat, but as collective groups of support and challenge. |
| 19716 | Simple reliabilism can't cope with defeaters of reliably produced beliefs [Grundmann] |
| Full Idea: An unmodified reliabilism does not accommodate defeaters, and surely there can be defeaters against reliably produced beliefs? | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'Defeaters') | |
| A reaction: [He cites Bonjour 1980] Reliabilism has plenty of problems anyway, since a generally reliable process can obviously occasionally produce a bad result. 20:20 vision is not perfect vision. Internalist seem to like defeaters. |
| 19715 | You can 'rebut' previous beliefs, 'undercut' the power of evidence, or 'reason-defeat' the truth [Grundmann] |
| Full Idea: There are 'rebutting' defeaters against the truth of a previously justified belief, 'undercutting' defeaters against the power of the evidence, and 'reason-defeating' defeaters against the truth of the reason for the belief. | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'How') | |
| A reaction: That is (I think) that you can defeat the background, the likelihood, or the truth. He cites Pollock 1986, and implies that these are standard distinctions about defeaters. |
| 19713 | Defeasibility theory needs to exclude defeaters which are true but misleading [Grundmann] |
| Full Idea: Advocates of the defeasibility theory have tried to exclude true pieces of information that are misleading defeaters. | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'What') | |
| A reaction: He gives as an example the genuine news of a claim that the suspect has a twin. |
| 19714 | Knowledge requires that there are no facts which would defeat its justification [Grundmann] |
| Full Idea: The 'defeasibility theory' of knowledge claims that knowledge is only present if there are no facts that - if they were known - would be genuine defeaters of the relevant justification. | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'What') | |
| A reaction: Something not right here. A genuine defeater would ensure the proposition was false, so it would simply fail the truth test. So we need a 'defeater' for a truth, which must therefore by definition be misleading. Many qualifications have to be invoked. |
| 19719 | 'Moderate' foundationalism has basic justification which is defeasible [Grundmann] |
| Full Idea: Theories that combine basic justification with the defeasibility of this justification are referred to as 'moderate' foundationalism. | |
| From: Thomas Grundmann (Defeasibility Theory [2011], 'Significance') | |
| A reaction: I could be more sympathetic to this sort of foundationalism. But it begins to sound more like Neurath's boat (see Quine) than like Descartes' metaphor of building foundations. |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
| A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
| A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
| A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
| A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
| 9287 | Bruno said that ancient Egyptian magic was the true religion [Bruno, by Yates] |
| Full Idea: Giordano Bruno maintained that the magical Egyptian religion of the world was not only the most ancient but also the only true religion, which both Judaism and Christianity had obscured and corrupted. | |
| From: report of Giordano Bruno (works [1590]) by Frances A. Yates - Giordano Bruno and Hermetic Tradition Ch.1 | |
| A reaction: His beliefs were based on the Hermetic writings. No wonder he was burned at the stake. Atheists now lay flowers at his memorial in Rome. The sixteenth century was when the hunt for alternatives to established religion began. |