Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Alexander Baumgarten and Julia Driver

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10 ideas

14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
     Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles.
     From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro'
     A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture?
20. Action / B. Preliminaries of Action / 1. Intention to Act / a. Nature of intentions
Motives produce intentions, which lead to actions [Driver]
     Full Idea: Motives will cause persons for form intentions; it is intentions which more directly guide actions.
     From: Julia Driver (The Virtues and Human Nature [1996], 3)
     A reaction: This is invites the question of whether there is a sharp distinction between the motive and the action. Detectives look for motives, but law courts look for intentions.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy]
     Full Idea: Baumgarten founded aesthetics in the year 1750.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2
     A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy]
     Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged.
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy]
     Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them.
23. Ethics / C. Virtue Theory / 1. Virtue Theory / a. Nature of virtue
Good intentions are not necessary for virtue [Driver]
     Full Idea: I deny the claim that good intentions are necessary for virtue.
     From: Julia Driver (The Virtues and Human Nature [1996], 3)
     A reaction: Presumably one could continually do the right thing, because it was your duty or your job, without actually being well motivated for it.
Virtue should be defined by consequences, not by states of mind [Driver]
     Full Idea: The behavioural aspects of virtue are more important than its phenomenology, because virtue is best defined along consequentialist lines.
     From: Julia Driver (The Virtues and Human Nature [1996], Intro)
     A reaction: This is the thesis of her paper. Quite persuasive. Consequences are, of course, important in all moral theories (even Kant's). She doesn't rely on human nature. The social virtues vary according to the circumstances, such as gossiping in wartime.
Virtues are character traits or dispositions which produce good consequences for others [Driver]
     Full Idea: A moral virtue is a character trait (a disposition or cluster of dispositions) which, generally speaking, produces good consequences for others.
     From: Julia Driver (The Virtues and Human Nature [1996], 3)
     A reaction: There are self-directed virtues, such as keeping fit and healthy. There are virtues for ways to receive the kindness of others. That said, I like this idea.
Control of pregnancy and knowledge of paternity have downgraded chastity [Driver]
     Full Idea: Women now have more control over becoming pregnant. Men can now be more certain of paternity, without the constraint of female chastity. Hence chastity is no longer considered a moral virtue.
     From: Julia Driver (The Virtues and Human Nature [1996], 5)
     A reaction: A persuasive argument that virtues are defined by their consequences (to which I add my example of gossiping in wartime). Different social situations and crises promote or relegate the status of certain virtues (such as food hoarding).
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
If generosity systematically turned recipients into parasites, it wouldn't be a virtue [Driver]
     Full Idea: If generosity towards the needy in the long run produced [social] parasites, and if generosity did this systematically, then it would not be a moral virtue.
     From: Julia Driver (The Virtues and Human Nature [1996], 5)
     A reaction: A very persuasive example. Hume has similar views - that we encourage those emotions which have good social outcomes.