5 ideas
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles. | |
| From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro' | |
| A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture? |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |
| 22022 | Beauty motivates morality, by harmonising feeling and reason [Schiller, by Pinkard] |
| Full Idea: On Schiller's view, only beauty could shape or evince the necessary harmony between sensibility and reason (between inclination and duty) which provides the crucial motivation for the moral life. | |
| From: report of Friedrich Schiller (works [1794]) by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: Maybe. Reason should probably be drawn towards feelings which seem inspiring. |
| 7675 | Schiller speaks obsessively of freedom throughout his works [Schiller, by Berlin] |
| Full Idea: Schiller constantly speaks of spiritual freedom: freedom of reason, the kingdom of freedom, our free self, inner freedom, freedom of mind, moral freedom, the free intelligence - a very favourite phrase - holy freedom, the impregnable citadel of freedom. | |
| From: report of Friedrich Schiller (works [1794]) by Isaiah Berlin - The Roots of Romanticism | |
| A reaction: Kant's philosophy and his Kingdom of Ends are an obvious source for this, but I trace the sentiment back to 'Freeborn John' Lilburne during the English Civil War. The English, thanks to Voltaire, embodied freedom in the Enlightenment. |