12 ideas
| 22179 | Explanatory facts also predict, and predictive facts also explain [Hempel, by Okasha] |
| Full Idea: Hempel said every scientific explanation is potentially a prediction - it would have predicted the phenomenon in question, had it not already been known. But also the information used to make a prediction is potentially an explanation. | |
| From: report of Carl Hempel (Aspects of Scientific Explanation [1965]) by Samir Okasha - Philosophy of Science: Very Short Intro (2nd ed) 3 | |
| A reaction: Sounds too neatly glib to be quite true. If you explain a single event there is nothing to predict. You might predict accurately from a repetitive pattern, with no understanding at all of the pattern. |
| 21507 | Scientific explanation aims at a unifying account of underlying structures and processes [Hempel] |
| Full Idea: What theoretical scientific explanation aims at is an objective kind of insight that is achieved by a systematic unification, by exhibiting the phenomena as manifestations of common underlying structures and processes that conform to testable principles. | |
| From: Carl Hempel (Philosophy of Natural Science [1967], p.83), quoted by Laurence Bonjour - The Structure of Empirical Knowledge 5.3 | |
| A reaction: This is a pretty good statement of scientific essentialism, and structures and processes are what I take Aristotle to have had in mind when he sought 'what it is to be that thing'. Structures and processes give stability and powers. |
| 6755 | For Hempel, explanations are deductive-nomological or probabilistic-statistical [Hempel, by Bird] |
| Full Idea: Hempel proposes that explanations involve covering laws and antecedent conditions; this view (the 'covering law' view) has two versions, the deductive-nomological model and the probabilistic-statistical model of explanation. | |
| From: report of Carl Hempel (Aspects of Scientific Explanation [1965]) by Alexander Bird - Philosophy of Science Ch.2 | |
| A reaction: The obvious problem with this approach, it seem to me, is that the laws themselves need explanation, and I don't see how a law can be foundational unless there is a divine law-giver. Are the laws arbitrary and axiomatic? |
| 17083 | The covering-law model is for scientific explanation; historical explanation is quite different [Hempel] |
| Full Idea: To put forward the covering-law models of scientific explanation is not to deny that there are other contexts in which we speak of explanation. ….That it does not fit explaining the rules of Hanoverian succession is to miss the intent of our model. | |
| From: Carl Hempel (Aspects of Scientific Explanation [1965], p. 412-3), quoted by David-Hillel Ruben - Explaining Explanation Ch 1 | |
| A reaction: Important to get that clear. It then requires a clear demarcation between science and the rest, and it had better not rule out biology because it is having a love affair with physics. |
| 13052 | Hempel rejects causation as part of explanation [Hempel, by Salmon] |
| Full Idea: Hempel explicitly rejects the idea that causality plays any essential explanatory role. | |
| From: report of Carl Hempel (Aspects of Scientific Explanation [1965], p.352) by Wesley Salmon - Four Decades of Scientific Explanation 1.1 | |
| A reaction: Hempel champions the 'covering-law' model of explanation. It strikes me that Hempel is so utterly wrong about this that his views aren't even a candidate for correctness, but then for a long time his views were orthodoxy. |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles. | |
| From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro' | |
| A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture? |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |