Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Jan Westerhoff and W Wimsatt/W Beardsley

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21 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
We negate predicates but do not negate names [Westerhoff]
     Full Idea: We negate predicates but do not negate names.
     From: Jan Westerhoff (Ontological Categories [2005], §88)
     A reaction: This is a point for anyone like Ramsey who wants to collapse the distinction between particulars and universals, or singular terms and their predicates.
7. Existence / E. Categories / 1. Categories
How far down before we are too specialised to have a category? [Westerhoff]
     Full Idea: How far down are we allowed to go before the categories become too special to qualify as ontological categories?
     From: Jan Westerhoff (Ontological Categories [2005], Intro)
     A reaction: A very nice question, because we can't deny a category to a set with only one member, otherwise the last surviving dodo would not have been a dodo.
Maybe objects in the same category have the same criteria of identity [Westerhoff]
     Full Idea: There is an idea that objects belonging to the same category have the same criteria of identity. This view was first explicitly endorsed by Frege (1884), and was later systematized by Dummett (1981).
     From: Jan Westerhoff (Ontological Categories [2005], Intro)
     A reaction: This approach is based on identity between equivalence classes. Westerhoff says it means, implausibly, that the resulting categories cannot share properties.
Categories are base-sets which are used to construct states of affairs [Westerhoff]
     Full Idea: My fundamental idea is that 'form-sets' are intersubstitutable constituents of states of affairs with the same form, and 'base-sets' are special form-sets which can be used to construct other form-sets. Ontological categories are the base-sets.
     From: Jan Westerhoff (Ontological Categories [2005], Intro)
     A reaction: The spirit of this is, of course, to try to achieve the kind of rigour that is expected in contemporary professional philosophy, by aiming for some sort of axiom-system that is related to a well established precise discipline like set theory. Maybe.
Categories can be ordered by both containment and generality [Westerhoff]
     Full Idea: Categories are usually not assumed to be ordered by containment, but also be generality.
     From: Jan Westerhoff (Ontological Categories [2005], §02)
     A reaction: I much prefer generality, which is responsive to the full picture, whereas containment seems to appeal too much to the orderly and formalised mind. Containments overlap, so we can't dream of a perfectly neat system.
Categories are held to explain why some substitutions give falsehood, and others meaninglessness [Westerhoff]
     Full Idea: It is usually assumed of ontological categories that they can explain why certain substitutions make a statement false ('prime' for 'odd'), while others make it meaningless ('sweet' for 'odd', of numbers).
     From: Jan Westerhoff (Ontological Categories [2005], §05)
     A reaction: So there is a strong link between big ontological questions, and Ryle's famous identification of the 'category mistake'. The phenomenon of the category mistake is undeniable, and should make us sympathetic to the idea of categories.
Categories systematize our intuitions about generality, substitutability, and identity [Westerhoff]
     Full Idea: Systems of ontological categories are systematizations of our intuitions about generality, intersubstitutability, and identity.
     From: Jan Westerhoff (Ontological Categories [2005], §23)
     A reaction: I think we might be able to concede this without conceding the relativism about categories which Westerhoff espouses. I would claim that our 'intuitions' are pretty accurate about the joints of nature, and hence accurate about these criteria.
Categories as generalities don't give a criterion for a low-level cut-off point [Westerhoff]
     Full Idea: Categories in terms of generality, dependence and containment are unsatisfactory because of the 'cut-off point problem': they don't give an account of how far down the order we can go and be sure we are still dealing with categories.
     From: Jan Westerhoff (Ontological Categories [2005], §27)
     A reaction: I don't see why this should be a devastating objection to any theory. I have a very clear notion of a human being, but a very hazy notion of how far back towards its conception a human being extends.
7. Existence / E. Categories / 2. Categorisation
The aim is that everything should belong in some ontological category or other [Westerhoff]
     Full Idea: It seems to be one of the central points of constructing systems of ontological categories that everything can be placed in some category or other.
     From: Jan Westerhoff (Ontological Categories [2005], §49)
     A reaction: After initial resistance to this, I suppose I have to give in. The phoenix (a unique mythological bird) is called a 'phoenix', though it might just be called 'John' (cf. God). If there were another phoenix, we would know how to categorise it.
7. Existence / E. Categories / 3. Proposed Categories
All systems have properties and relations, and most have individuals, abstracta, sets and events [Westerhoff]
     Full Idea: Surveyed ontological systems show overlaps: properties and relations turn up in every system; individuals form part of five systems; abstracta, collections/sets and events are in four; facts are in two.
     From: Jan Westerhoff (Ontological Categories [2005], §02)
     A reaction: Westerhoff is a hero for doing such a useful survey. Of course, Quine challenges properties, and relations are commonly given a reductive analysis. Individuals can be challenged, and abstracta reduced. Sets are fictions. Events or facts? Etc.
7. Existence / E. Categories / 5. Category Anti-Realism
Ontological categories are like formal axioms, not unique and with necessary membership [Westerhoff]
     Full Idea: I deny the absolutism of a unique system of ontological categories and the essentialist view of membership in ontological categories as necessary features. ...I regard ontological categories as similar to axioms of formalized theories.
     From: Jan Westerhoff (Ontological Categories [2005], Intro)
     A reaction: The point is that modern axioms are not fundamental self-evident truths, but an economic set of basic statements from which some system can be derived. There may be no unique set of axioms for a formal system.
Categories merely systematise, and are not intrinsic to objects [Westerhoff]
     Full Idea: My conclusion is that categories are relativistic, used for systematization, and that it is not an intrinsic feature of an object to belong to a category, and that there is no fundamental distinction between individuals and properties.
     From: Jan Westerhoff (Ontological Categories [2005], Intro)
     A reaction: [compressed] He calls his second conclusion 'anti-essentialist', but I think we can still get an account of (explanatory) essence while agreeing with his relativised view of categories. Wiggins might be his main opponent.
A thing's ontological category depends on what else exists, so it is contingent [Westerhoff]
     Full Idea: What ontological category a thing belongs to is not dependent on its inner nature, but dependent on what other things there are in the world, and this is a contingent matter.
     From: Jan Westerhoff (Ontological Categories [2005], §89)
     A reaction: This is aimed at those, like Wiggins, who claim that category is essential to a thing, and there is no possible world in which that things could belong to another category. Sounds good, till you try to come up with examples.
9. Objects / D. Essence of Objects / 5. Essence as Kind
Essential kinds may be too specific to provide ontological categories [Westerhoff]
     Full Idea: Essential kinds can be very specific, and arguably too specific for the purposes of ontological categories.
     From: Jan Westerhoff (Ontological Categories [2005], §27)
     A reaction: Interesting. There doesn't seem to be any precise guideline as to how specific an essential kind might be. In scientific essentialism, each of the isotopes of tin has a distinct essence, but why should they not be categories
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
     Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles.
     From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro'
     A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture?
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
     Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help.
     From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3
     A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work.
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
     Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys).
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
     Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point.
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
     Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft.
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
     Full Idea: The intentional fallacy is a romantic one.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II)
     A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour.
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
     Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV)
     A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc.