21 ideas
| 20962 | Habermas seems to make philosophy more democratic [Habermas, by Bowie] |
| Full Idea: Habermas is concerned to avoid the traumas of modern German history by making democracy an integral part of philosophy. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by Andrew Bowie - Introduction to German Philosophy Conc 'Habermas' | |
| A reaction: Hence Habermas's emphasis on communication as central to language, which is central to philosophy. Modern philosophy departments are amazingly hierarchical. |
| 15670 | The aim of 'post-metaphysical' philosophy is to interpret the sciences [Habermas, by Finlayson] |
| Full Idea: For Habermas, the task of what he calls 'post-metaphysical' philosophy is to be a stand-in and interpreter for the specialized sciences. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by James Gordon Finlayson - Habermas Ch.5:65 |
| 15665 | We can do social philosophy by studying coordinated action through language use [Habermas, by Finlayson] |
| Full Idea: Habermas claims to have embarked upon a new way of doing social philosophy, one that begins from an analysis of language use and that locates the rational basis of the coordination of action in speech. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by James Gordon Finlayson - Habermas Ch.3:28 |
| 20573 | Rather than instrumental reason, Habermas emphasises its communicative role [Habermas, by Oksala] |
| Full Idea: Instead of Enlightenment instrumental rationality (criticised by Adorno and Horkheimer), Habermas emphasizes 'communicative rationality', which makes critical discussion and mutual understanding possible. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by Johanna Oksala - Political Philosophy: all that matters Ch.6 | |
| A reaction: There was a good reason not to smoke cigarettes, before we found out what it is. In one sense, reasons are in the world. This is interesting, but I feel analytic vertigo, as the lovely concept of 'rationality' becomes blurred and diffused. |
| 20961 | What is considered a priori changes as language changes [Habermas, by Bowie] |
| Full Idea: Habermas claims that what is regarded as a priori changes with history. This is because the linguistic structures on which judgements depend are themselves part of history, not prior to it. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by Andrew Bowie - Introduction to German Philosophy Conc 'Habermas' | |
| A reaction: This is an interesting style of argument generally only found in continental philosophers, because they see the problem as historical rather than timeless. Compare Idea 20595, which sees analyticity historically. |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles. | |
| From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro' | |
| A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture? |
| 15667 | To understand a statement is to know what would make it acceptable [Habermas] |
| Full Idea: We understand the meaning of a speech act when we know what would make it acceptable. | |
| From: Jürgen Habermas (The Theory of Communicative Action [1981], I:297), quoted by James Gordon Finlayson - Habermas Ch.3:37 | |
| A reaction: Finlayson glosses this as requiring the reasons which would justify the speech act. |
| 15668 | Meaning is not fixed by a relation to the external world, but a relation to other speakers [Habermas, by Finlayson] |
| Full Idea: On Habermas's view, meanings are not determined by the speaker's relation to the external world, but by his relation to his interlocutors; meaning is essentially intersubjective. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by James Gordon Finlayson - Habermas Ch.3:38 | |
| A reaction: This view is not the same as Grice's, but it is clearly much closer to Grice than to (say) the Frege/Davidson emphasis on truth-conditions. I'm not sure if I would know how to begin arbitrating between the two views! |
| 15666 | To understand language is to know how to use it to reach shared understandings [Habermas] |
| Full Idea: One simply would not know what it is to understand the meaning of a linguistic expression if one did not know how one could make use of it in order to reach understanding with someone about something. | |
| From: Jürgen Habermas (On the Pragmatics of Communications [1998], p.228), quoted by James Gordon Finlayson - Habermas Ch.3:34 | |
| A reaction: Not offered as a 'theory of meaning', and certainly plausible. Compare a hammer, though: a proper understanding is that it is used to exert a sharp force, but you can take in its structure and nature before you spot its usage. |
| 15677 | Moral right is linked to validity and truth, so morality is a matter of knowledge, not an expression of values [Habermas, by Finlayson] |
| Full Idea: According to discourse ethics moral rightness is internally linked to validity and is analogous to truth: ..thus Habermas takes himself to have shown that morality is a matter of knowledge, rather than the expression of contingently held values. | |
| From: report of Jürgen Habermas (Moral Consciousness and Communicative Action [1990]) by James Gordon Finlayson - Habermas Ch.7:102 | |
| A reaction: I can immediately hear Nietzsche asking why you place such a high value on knowledge. Personally I don't assume that values must be 'contingent'. The Aristotelian tradition sees necessary values in facts about human nature. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 15672 | Actions norms are only valid if everyone possibly affected is involved in the discourse [Habermas] |
| Full Idea: Only those action norms are valid to which all possibly affected persons could agree as participants in rational discourse. | |
| From: Jürgen Habermas (Between Facts and Norms [1996], p.107), quoted by James Gordon Finlayson - Habermas Ch.6:79 | |
| A reaction: This remark stands somewhere between Kant and Rawls. The Holocaust stands behind Habermas's philosophy. The thought, I suppose, is that it would never have happened if everybody had been fully involved in the original discourse about it. |
| 15671 | Move from individual willing of a general law, to willing norms agreed with other people [Habermas] |
| Full Idea: The emphasis shifts from what each can will without contradiction to be a general law, to what all can will in agreement to be a universal norm. | |
| From: Jürgen Habermas (Moral Consciousness and Communicative Action [1990], p.67), quoted by James Gordon Finlayson - Habermas Ch.5:69 | |
| A reaction: This strikes me as being very close to Scanlon's contractualism. As expressed here, it sounds more vulnerable than Kant's full universality to the problem of Nazis agreeing odious universal norms. Habermas calls it 'discourse ethics'. |
| 15669 | People endorse equality, universality and inclusiveness, just by their communicative practices [Habermas, by Finlayson] |
| Full Idea: The ideal of equality, universality, and inclusiveness are inscribed in the communicative practices of the lifeworld, and agents, merely by virtue of communicating, conform to them. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by James Gordon Finlayson - Habermas Ch.4:60 | |
| A reaction: This summary of Habermas's social views strikes me as thoroughly Kantian. It is something like the ideals of the Kingdom of Ends, necessarily implemented in a liberal society. Habermas emphasises the social, where Kant starts from the liberal. |
| 23416 | Political involvement is needed, to challenge existing practices [Habermas, by Kymlicka] |
| Full Idea: Habermas thinks political deliberation is required precisely because in its absence people will tend to accept existing practices as given, and thereby perpetuate false needs. | |
| From: report of Jürgen Habermas (The Theory of Communicative Action [1981]) by Will Kymlicka - Community 'need' | |
| A reaction: If the dream is healthy and intelligent progress, it is not clear where that should come from. The problem with state involvement in the authority and power of the state. Locals are often prejudiced, so the intermediate level may be best. |