11 ideas
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles. | |
| From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro' | |
| A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture? |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 7602 | In the Bible God changes his mind (repenting of creating humanity, in the Flood) [Armstrong,K] |
| Full Idea: In the Bible God changes his mind, as when he repents of having made man and decides to destroy the human race in the Flood. | |
| From: Karen Armstrong (A History of God [1993], Ch.1) | |
| A reaction: It becomes apparent that the most startling feature of Christian fundamentalism is its uncritical reading of the Bible, in which passages are wilfully lifted from context, and inconvenient inconsistencies are ruthlessly ignored. |
| 7605 | Monotheism introduced intolerance into religious thinking [Armstrong,K] |
| Full Idea: We have become so used to the intolerance of monotheism that we may not appreciate that its hostility towards other gods was a new religious attitude; paganism was an essentially tolerant faith. | |
| From: Karen Armstrong (A History of God [1993], Ch.2) | |
| A reaction: The comedian Dave Allen always signed off with "may your god go with you". To me the most striking feature of monotheists is frequently their barely controlled aggression, beneath a mask of strained compassion. |
| 7599 | Around 800 BCE teachers superseded gods in India [Armstrong,K] |
| Full Idea: Around the eighth century BCE the gods ceased to be very important in India, and would be superseded by the religious teacher, who would be considered higher than the gods. | |
| From: Karen Armstrong (A History of God [1993], Ch.1) | |
| A reaction: At least there has been one culture that gave an appropriate status to teachers. It seems astonishing in that age that human beings could have higher status than gods - way before the European 'humanists'. |
| 7597 | There is virtually no sign of monotheism in the Pentateuch [Armstrong,K] |
| Full Idea: It is very difficult to find a single monotheistic statement in the whole of the Pentateuch, and even the Ten Commandments take the existence of other gods for granted ("There shall be no strange gods for you before my face"). | |
| From: Karen Armstrong (A History of God [1993], Ch.1) | |
| A reaction: The transition from polytheism to monotheism is very strange. First God is 'jealous' of other gods, then supremely above them, and eventually totally exclusive. It's like watching the rise of Stalin. |
| 7606 | The idea that Jesus was God was only settled in the fourth century [Armstrong,K] |
| Full Idea: Jesus himself certainly never claimed to be God, and the doctrine that Jesus had been God in human form was not finalised until the fourth century. | |
| From: Karen Armstrong (A History of God [1993], Ch.3) | |
| A reaction: It was this final view which seems to have provoked Muhammed into developing a religion with the slogan "there is only one God". In Christianity an initially promising set of teachings grew into a prolonged irrational hysteria. |
| 7596 | Faith is not just belief in propositions, but also putting trust in them [Armstrong,K] |
| Full Idea: There is a distinction between belief in a set of propositions and a faith which enables us to put our trust in them. | |
| From: Karen Armstrong (A History of God [1993], Intro) | |
| A reaction: This is interestingly distinct from the usual idea that faith is putting belief in propositions which are not sufficiently rationally justified. How many philosophers actually have faith in the propositions they say they believe? |