7 ideas
| 15970 | People generalise because it is easier to understand, and that is mistaken for deep philosophy [Feynman] |
| Full Idea: The topic of the laws of nature has a tendency to become too philosophical because it becomes too general, and a person talks in such generalities, that everybody can understand him. It is then considered to be some deep philosophy. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], 1) | |
| A reaction: Feynman was famously anti-philosophical, but this is a good challenge. I like philosophy because I want to know broad general truths about my world, but I may just be gravitating towards what is easier. The challenge is to get true generalities. |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles. | |
| From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro' | |
| A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture? |
| 20422 | The experience of expression and communication are intermingled in art [Croce] |
| Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled. | |
| From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood | |
| A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel. |
| 7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
| Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production. | |
| From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II | |
| A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement. |
| 9410 | Physical Laws are rhythms and patterns in nature, revealed by analysis [Feynman] |
| Full Idea: There is a rhythm and a pattern between the phenomena of nature which is not apparent to the eye, but only to the eye of analysis; and it is these rhythms and patterns which we call Physical Laws. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], Ch.1) |
| 18530 | Nobody understands quantum mechanics [Feynman] |
| Full Idea: I think I can safely say the nobody understands quantum mechanics. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], 6) | |
| A reaction: It is really important that philosophers grasp this point! |
| 17707 | We should regard space as made up of many tiny pieces [Feynman, by Mares] |
| Full Idea: Feynman claims that we should regard space as made up of many tiny pieces, which have positive length, width and depth. | |
| From: report of Richard P. Feynman (The Character of Physical Law [1965], p.166) by Edwin D. Mares - A Priori 06.7 | |
| A reaction: The idea seems to be these are the minimum bits of space in which something can happen. |