Combining Philosophers

All the ideas for Hastings Rashdall, Anil Seth and W Wimsatt/W Beardsley

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18 ideas

15. Nature of Minds / A. Nature of Mind / 8. Brain
Single neurons can carry out complex functions [Seth]
     Full Idea: It is increasingly apparent that even single neurons are capable of carrying out highly complex functions all by themselves.
     From: Anil Seth (Being You [2021], I.1 n)
     A reaction: Bang goes the simple connectionist account of consciousness.
The cerbellum has a huge number of neurons, but little involvement in consciousness [Seth]
     Full Idea: The cerebellum [at the back] has about four times as many neurons as the rest of the brain put together, but seems barely involved in consciousness.
     From: Anil Seth (Being You [2021], I.2)
     A reaction: I wonder if it also has four times as many connections?
15. Nature of Minds / B. Features of Minds / 1. Consciousness / e. Cause of consciousness
Maybe a system is conscious if the whole generates more information than its parts [Seth]
     Full Idea: The main claim of Tononi's 'integrated information theory' is that a system is conscious to the extent that its whole generates more information than its parts.
     From: Anil Seth (Being You [2021], I.3)
     A reaction: Seth seems to present this as an 'interesting' proposal. I find it unlikely that consciousness could be explain in terms of information, or that a machine constructed on this principle would thus become conscious. (Databases pass this test).
16. Persons / B. Nature of the Self / 2. Ethical Self
Morality requires a minimum commitment to the self [Rashdall]
     Full Idea: A bare minimum of metaphysical belief about the self is found to be absolutely presupposed in the very idea of morality.
     From: Hastings Rashdall (Theory of Good and Evil [1907], II.III.I.4)
     A reaction: This may not be true of virtue theory, where we could have a whole creature which lacked any sense of personhood, but yet had clear virtues and vices in its social functioning. Even if choices are central to morality, that might not need a self.
16. Persons / C. Self-Awareness / 2. Knowing the Self
The self is embodied, perspectival, volitional, narrative and social [Seth, by PG]
     Full Idea: The elements of a self are 1) embodied - related directly to the body, 2) perspectival - having a viewpoint, 3) volitional - being an agent, 4) narrative - aware of past and future, and 5) social - as others perceive me.
     From: report of Anil Seth (Being You [2021], III.8) by PG - Db (ideas)
     A reaction: [summarised] Seth says there are distinctive emotions associated with each of these aspects of the self. This list is very helpful, as a discouragement for anyone who wants to pick one of these as the sole true nature of the self.
18. Thought / B. Mechanics of Thought / 6. Artificial Thought / a. Artificial Intelligence
Modern AI is mostly machine-based pattern recognition [Seth]
     Full Idea: Much of today's AI is best described as sophisticated machine-based pattern recognition.
     From: Anil Seth (Being You [2021], IV.13)
     A reaction: Personally I wouldn't want to underestimate the extent to which human intelligence is also pattern recognition (across time as well as in space).
20. Action / B. Preliminaries of Action / 2. Willed Action / a. Will to Act
Volition is felt as doing what you want, with possible alternatives, and a source from within [Seth]
     Full Idea: The experience of volition is defined by 1) the feeling that I am doing what I want to do, 2) that I could have done otherwise, and 3) that voluntary actions seem to come from within.
     From: Anil Seth (Being You [2021], III.11)
     A reaction: Note that these can all be cited without reference to their feeling 'free'.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
     Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help.
     From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3
     A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work.
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
     Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys).
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
     Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point.
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
     Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I)
     A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft.
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
     Full Idea: The intentional fallacy is a romantic one.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II)
     A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour.
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
     Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance.
     From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV)
     A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / d. Biological ethics
Human exceptionalism plagues biology, and most other human thinking [Seth]
     Full Idea: Human exceptionalism has repeatedly plagued biology, and has darkened the history of human thought everywhere.
     From: Anil Seth (Being You [2021], I.2)
     A reaction: I increasingly agree with this, as much in philosophy as in biology. We really need to get used to our place in evolution.
22. Metaethics / B. Value / 1. Nature of Value / e. Means and ends
All moral judgements ultimately concern the value of ends [Rashdall]
     Full Idea: All moral judgements are ultimately judgements as to the value of ends.
     From: Hastings Rashdall (Theory of Good and Evil [1907], VII.I)
     A reaction: I am increasingly struck by this, especially when observing that it is the great gap in Kant's theory. For some odd reason, he gives being rational the highest possible value. Why? Nietzsche is good on this. 'Eudaimonia' seems a good start, to me.
23. Ethics / E. Utilitarianism / 6. Ideal Utilitarianism
Ideal Utilitarianism is teleological but non-hedonistic; the aim is an ideal end, which includes pleasure [Rashdall]
     Full Idea: My view, called Ideal Utilitarianism, combines the utilitarian principle that Ethics must be teleological with a non-hedonistic view of ethical ends; actions are right or wrong as they produce an ideal end, which includes, but is not limited to, pleasure.
     From: Hastings Rashdall (Theory of Good and Evil [1907], VII.I)
     A reaction: I certainly think that if you are going to be a consequentialist, then it is ridiculous to limit the end to pleasure, as it is an 'open question' as to whether we judge pleasures or pains to be good or bad. I am fond of beauty, goodness and truth, myself.
28. God / B. Proving God / 2. Proofs of Reason / c. Moral Argument
Conduct is only reasonable or unreasonable if the world is governed by reason [Rashdall]
     Full Idea: Absolutely reasonable or unreasonable conduct could not exist in a world which was not itself the product of reason or governed by its dictates.
     From: Hastings Rashdall (Theory of Good and Evil [1907], II.III.I.4)
Absolute moral ideals can't exist in human minds or material things, so their acceptance implies a greater Mind [Rashdall, by PG]
     Full Idea: An absolute moral ideal cannot exist in material things, or in the minds of individual people, so belief in it requires belief in a Mind which contains the ideal and is its source.
     From: report of Hastings Rashdall (Theory of Good and Evil [1907], II.III.I.4) by PG - Db (ideas)