5 ideas
| 21912 | Fichte, Schelling and Hegel rejected transcendental idealism [Lewis,PB] |
| Full Idea: Fichte, Schelling and Hegel were united in their opposition to Kant's Transcendental Idealism. | |
| From: Peter B. Lewis (Schopenhauer [2012], 3) | |
| A reaction: That is, they preferred genuine idealism, to the mere idealist attitude Kant felt that we are forced to adopt. |
| 21911 | Fichte, Hegel and Schelling developed versions of Absolute Idealism [Lewis,PB] |
| Full Idea: At the University of Jena, Fichte, Hegel and Schelling critically developed aspects of Kant's philosophy, each in his own way, thereby giving rise to the movement known as Absolute Idealism, see reality as universal God-like self-consciousness. | |
| From: Peter B. Lewis (Schopenhauer [2012], 2) | |
| A reaction: Is asking how anyone can possibly have believed such a bizarre and ridiculous idea a) uneducated, b) stupid, c) unimaginative, or d) very sensible? It sounds awfully like Spinoza's concept of God. Also Anaxagoras. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |
| 6005 | Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley] |
| Full Idea: Hermarchus said that animal killing is justified by considerations of human safety and nourishment and by animals' inability to form contractual relations of justice with us. | |
| From: report of Hermarchus (fragments/reports [c.270 BCE]) by David A. Sedley - Hermarchus | |
| A reaction: Could the last argument be used to justify torturing animals? Or could we eat a human who was too brain-damaged to form contracts? |