17 ideas
22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
8228 | Being is revealed at the point between waking and sleep [Anon (Cent)] |
Full Idea: At the point of sleep when sleep has not yet come and external wakefulness vanishes, at this point being is revealed. | |
From: Anon (Cent) (Centring [c.500 BCE], 50) | |
A reaction: One for Heidegger. The problem with eastern philosophy is that no one expects that this revelation could be put into words, so we cannot compare our revelations of being, or pass them on to others. Which means they can't be criticised. |
8232 | Neglect your self, and feel the consciousness of each other being [Anon (Cent)] |
Full Idea: Feel the consciousness of each person as your own consciousness. So, leaving aside concern for self, become each being. | |
From: Anon (Cent) (Centring [c.500 BCE], 83) | |
A reaction: Good. The western scepticism about other minds puts up a barrier to this sort of thought. The best of Zen is when it encourages the use of imagination to explore what is real. But imagination struggles to distinguish what is true. |
8230 | Just as you have the impulse to do something, stop [Anon (Cent)] |
Full Idea: Just as you have the impulse to do something, stop. | |
From: Anon (Cent) (Centring [c.500 BCE], 64) | |
A reaction: Nice. You might train your own will like a dog in this way. It is a counterexample to the simplistic idea that all you need is a belief and a desire, and you have got an action. But (pace Searle, Ideas 3817 + 3818) this does not prove free will. |
22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
22702 | Audiences can be too moral [Jacobson,D] |
Full Idea: An audience can be overly moralistic. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
A reaction: People can be too moral in real life as well. Goody Two Shoes. |
22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
22700 | Immoral art encourages immoral emotions [Jacobson,D] |
Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
8234 | Bondage and liberation are relative terms, which only frighten those already terrified of the universe [Anon (Cent)] |
Full Idea: Since in truth, bondage and freedom are relative, these words are only for those terrified with the universe. The universe is a reflection of minds. As you see many suns in water from one sun, so see bondage and liberation. | |
From: Anon (Cent) (Centring [c.500 BCE], 110) | |
A reaction: Since most easterners have experienced permanent social repression, their philosophies all encourage them not to worry about it. No wonder marxism, proved popular, when it suggested you could actually change things. |
6005 | Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley] |
Full Idea: Hermarchus said that animal killing is justified by considerations of human safety and nourishment and by animals' inability to form contractual relations of justice with us. | |
From: report of Hermarchus (fragments/reports [c.270 BCE]) by David A. Sedley - Hermarchus | |
A reaction: Could the last argument be used to justify torturing animals? Or could we eat a human who was too brain-damaged to form contracts? |
8227 | Feel your whole body saturated with cosmic essence [Anon (Cent)] |
Full Idea: Feel your substance, bones, flesh, blood, saturated with cosmic essence. | |
From: Anon (Cent) (Centring [c.500 BCE], 23) | |
A reaction: I find this unsatisfactory. Being a sad victim of materialistic western scientific culture, I don't think 'cosmic essence' exists. I could imagine myself full of the stuff, and that might feel good, but I could also imagine I had won the lottery. |
8231 | Abandon attachment to body, and feel the joy of being everywhere [Anon (Cent)] |
Full Idea: Toss attachment for body aside, realising I am everywhere. One who is everywhere is joyous. | |
From: Anon (Cent) (Centring [c.500 BCE], 79) | |
A reaction: I really don't think it is wisdom to spend your time imagining things which are not true. I might imagine that some gorgeous film star is in love with me, but I don't recommend it. Live according to nature. We are physical beings. |
8229 | The serenity in blue sky beyond clouds [Anon (Cent)] |
Full Idea: Simply by looking into blue sky beyond clouds - the serenity. | |
From: Anon (Cent) (Centring [c.500 BCE], 59) | |
A reaction: Philip Larkin finds the same experience looking through high windows. If we articulate the experience, it seems to combine humility and detachment. The sky makes us insignificant, but the mind can project into the sky. |
8233 | Imagine fire burning up your whole body, but not you [Anon (Cent)] |
Full Idea: Focus on fire rising through your form from the toes up until the body burns to ashes, but not you. | |
From: Anon (Cent) (Centring [c.500 BCE], 28) | |
A reaction: Try very hard to persuade yourself that you are immortal, even if you are not. Hm. Zen Buddhism actually contains very little commitment to what is true or false. It explores interesting beliefs like children playing with toys. Very post-modern. |