7401
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Heat and colour don't exist, so cannot mislead about the external world [Galileo, by Tuck]
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Full Idea:
Galileo argued that there is no such thing as heat (and hence also as colour) in the external world, so there is no reason to conclude from colour-blindness that we cannot know the truth about the world.
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From:
report of Galileo Galilei (Il Saggiatore ('The Assayer') [1623]) by Richard Tuck - Hobbes Ch.1
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A reaction:
This key idea, taken up by Gassendi, Descartes and Locke, seems to me to be one of the most important (and, in retrospect, rather obvious) facts ever worked out by the human mind. Why does anyone still doubt it?
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5454
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Tastes, odours and colours only reside in consciousness, and would disappear with creatures [Galileo]
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Full Idea:
I think tastes, odours, colours, and so on are mere names as far as the objects are concerned, and only reside in consciousness. Hence if the living creature were removed, all these qualities would be wiped away and annihilated.
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From:
Galileo Galilei (Il Saggiatore ('The Assayer') [1623]), quoted by Brian Ellis - The Philosophy of Nature: new essentialism Ch.3
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A reaction:
A nice bold assertion of the primary/secondary distinction from the first great scientist. I agree, and to disagree (and hence side with Berkeley and Hume) is to head for metaphsical and epistemological confusion.
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16560
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Galileo introduced geometrico-mechanical explanation, based on Archimedes [Galileo, by Machamer/Darden/Craver]
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Full Idea:
The modern idea of explaining with mechanisms became current in the 17th century when Galileo articulated a geometrico-mechanical form of explanation based on Archimedes' simple machines. This became the 'mechanical philosophy'.
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From:
report of Galileo Galilei (Il Saggiatore ('The Assayer') [1623]) by Machamer,P/Darden,L/Craver,C - Thinking About Mechanisms 5.2
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A reaction:
So is Archimedes the source? I would say that mechanical explanation is just commonsense, and is predominant in all human thinking, even in tiny infants.
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8119
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Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy]
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Full Idea:
According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present).
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From:
report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3
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A reaction:
This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked.
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19673
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Galileo mathematised movement, and revealed its invariable component - acceleration [Galileo, by Meillassoux]
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Full Idea:
Galileo conceives of movement in mathematical terms. ...In doing so, he uncovered, beyond the variations of position and speed, the mathematical invariant of movement - that is to say, acceleration.
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From:
report of Galileo Galilei (Two Chief World Systems [1632]) by Quentin Meillassoux - After Finitude; the necessity of contingency 5
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A reaction:
That is a very nice advert for the mathematical physics which replaced the Aristotelian substantial forms. ...And yet, is acceleration some deep fact about nature, or a concept which is only needed if you insist on being mathematical?
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