38 ideas
| 22338 | An unexamined life can be virtuous [Murdoch] |
| Full Idea: An unexamined life can be virtuous. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Nice. A firm rejection of the intellectualist view of virtue, to which most Greeks subscribed. Jesus would have liked this one. |
| 22337 | Philosophy must keep returning to the beginning [Murdoch] |
| Full Idea: Philosophy has in a sense to keep trying to return to the beginning. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: This is a sign that philosophy is not like other subjects, and indicates that although the puzzles are not solved, they won't go away. Also that, unlike most other subjects, the pre-suppositions are not part of the subject. |
| 23563 | Philosophy moves continually between elaborate theories and the obvious facts [Murdoch] |
| Full Idea: There is a two-way movement in philosophy, a movement towards the building of elaborate theories, and a move back again towards the consideration of simple and obvious facts. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Nice. Without the theories there is no philosophy, but without continual reference back to the obvious facts the theories are worthless. |
| 9921 | 'True' is only occasionally useful, as in 'everything Fermat believed was true' [Burgess/Rosen] |
| Full Idea: In the disquotational view of truth, what saves truth from being wholly redundant and so wholly useless, is mainly that it provides an ability to state generalisations like 'Everything Fermat believed was true'. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], I.A.2.c) | |
| A reaction: Sounds like the thin end of the wedge. Presumably we can infer that the first thing Fermat believed on his last Christmas Day was true. |
| 9924 | Modal logic gives an account of metalogical possibility, not metaphysical possibility [Burgess/Rosen] |
| Full Idea: If you want a logic of metaphysical possibility, the existing literature was originally developed to supply a logic of metalogical possibility, and still reflects its origins. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.B.3.b) | |
| A reaction: This is a warning shot (which I don't fully understand) to people like me, who were beginning to think they could fill their ontology with possibilia, which could then be incorporated into the wider account of logical thinking. Ah well... |
| 9933 | The paradoxes are only a problem for Frege; Cantor didn't assume every condition determines a set [Burgess/Rosen] |
| Full Idea: The paradoxes only seem to arise in connection with Frege's logical notion of extension or class, not Cantor's mathematical notion of set. Cantor never assumed that every condition determines a set. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], III.C.1.b) | |
| A reaction: This makes the whole issue a parochial episode in the history of philosophy, not a central question. Cantor favoured some sort of abstractionism (see Kit Fine on the subject). |
| 9928 | Mereology implies that acceptance of entities entails acceptance of conglomerates [Burgess/Rosen] |
| Full Idea: Mereology has ontological implications. The acceptance of some initial entities involves the acceptance of many further entities, arbitrary wholes having the entities as parts. It must accept conglomerates. Geometric points imply geometric regions. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.C.1.b) | |
| A reaction: Presumably without the wholes being entailed by the parts, there is no subject called 'mereology'. But if the conglomeration is unrestricted, there is not much left to be said. 'Restricted' composition (by nature?) sounds a nice line. |
| 9926 | A relation is either a set of sets of sets, or a set of sets [Burgess/Rosen] |
| Full Idea: While in general a relation is taken to be a set of ordered pairs <u, v> = {{u}, {u, v}}, and hence a set of sets of sets, in special cases a relation can be represented by a set of sets. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.C.1.a) | |
| A reaction: [See book for their examples, which are <, symmetric, and arbitrary] The fact that a relation (or anything else) can be represented in a certain way should never ever be taken to mean that you now know what the thing IS. |
| 9932 | The paradoxes no longer seem crucial in critiques of set theory [Burgess/Rosen] |
| Full Idea: Recent commentators have de-emphasised the set paradoxes because they play no prominent part in motivating the most articulate and active opponents of set theory, such as Kronecker (constructivism) or Brouwer (intuitionism), or Weyl (predicativism). | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], III.C.1.b) | |
| A reaction: This seems to be a sad illustration of the way most analytical philosophers have to limp along behind the logicians and mathematicians, arguing furiously about problems that have largely been abandoned. |
| 9923 | We should talk about possible existence, rather than actual existence, of numbers [Burgess/Rosen] |
| Full Idea: The modal strategy for numbers is to replace assumptions about the actual existence of numbers by assumptions about the possible existence of numbers | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.B.3.a) | |
| A reaction: This seems to be quite a good way of dealing with very large numbers and infinities. It is not clear whether 5 is so regularly actualised that we must consider it as permanent, or whether it is just a prominent permanent possibility. |
| 9925 | Structuralism and nominalism are normally rivals, but might work together [Burgess/Rosen] |
| Full Idea: Usually structuralism and nominalism are considered rivals. But structuralism can also be the first step in a strategy of nominalist reconstrual or paraphrase. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.C.0) | |
| A reaction: Hellman and later Chihara seem to be the main proponents of nominalist structuralism. My sympathies lie with this strategy. Are there objects at the nodes of the structure, or is the structure itself platonic? Mill offers a route. |
| 9934 | Number words became nouns around the time of Plato [Burgess/Rosen] |
| Full Idea: The transition from using number words purely as adjectives to using them extensively as nouns has been traced to 'around the time of Plato'. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], III.C.2.a) | |
| A reaction: [The cite Kneale and Kneale VI,§2 for this] It is just too tempting to think that in fact Plato (and early Platonists) were totally responsible for this shift, since the whole reification of numbers seems to be inherently platonist. |
| 9918 | Abstract/concrete is a distinction of kind, not degree [Burgess/Rosen] |
| Full Idea: The distinction of abstract and concrete is one of kind and not degree. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], I.A.1.a) | |
| A reaction: I think I must agree with this. If there is a borderline, it would be in particulars that seem to have an abstract aspect to them. A horse involves the abstraction of being a horse, and it involves be one horse. |
| 9929 | Much of what science says about concrete entities is 'abstraction-laden' [Burgess/Rosen] |
| Full Idea: Much of what science says about concrete entities is 'abstraction-laden'. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], III.A.1.d) | |
| A reaction: Not just science. In ordinary conversation we continually refer to particulars using so-called 'universal' predicates and object-terms, which are presumably abstractions. 'I've just seen an elephant'. |
| 9927 | Mathematics has ascended to higher and higher levels of abstraction [Burgess/Rosen] |
| Full Idea: In mathematics, since the beginning of the nineteenth century, there has been an ascent to higher and higher levels of abstraction. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.C.1.b) | |
| A reaction: I am interested in clarifying what this means, which might involve the common sense and psychological view of the matter, as well as some sort of formal definition in terms of equivalence (or whatever). |
| 9930 | Abstraction is on a scale, of sets, to attributes, to type-formulas, to token-formulas [Burgess/Rosen] |
| Full Idea: There is a scale of abstractness that leads downwards from sets through attributes to formulas as abstract types and on to formulas as abstract tokens. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], III.B.2.c) | |
| A reaction: Presumably the 'abstract tokens' at the bottom must have some interpretation, to support the system. Presumably one can keep going upwards, through sets of sets of sets. |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| Full Idea: We know of perfection as we look upon what is imperfect. | |
| From: Iris Murdoch (Metaphysics as a Guide to Morals [1992], 13) | |
| A reaction: This is in the context of a discussion of the ontological argument for God's existence, but I seize on it as a nice expression of the idealisation capacity of our minds. The alternative is that perfection is innate idea, since we aren't seeing it. |
| 9919 | The old debate classified representations as abstract, not entities [Burgess/Rosen] |
| Full Idea: The original debate was over abstract ideas; thus it was mental (or linguistic) representations that were classified as abstract or otherwise, and not the entities represented. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], I.A.1.b) | |
| A reaction: This seems to beg the question of whether there are any such entities. It is equally plausible to talk of the entities that are 'constructed', rather than 'represented'. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| Full Idea: The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], i) | |
| A reaction: It is significant that literature belongs more clearly to a nation or community than does most music or painting. You learn about Russians from their literature, but not much from their music. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| Full Idea: The appreciation of beauty in art or nature is not only the easiest available spiritual exercise; it is also a completely adequate entry into (and not just analogy of) the good life, since it checks selfishness in the interest of seeing the real. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Not keen on 'spiritual' exercises, but I very much like 'seeing the real' as a promotion of the good life. The hard bit is to know what reality you are seeing in a work of art. [p.84] Her example is the sudden sight of a hovering kestrel. |
| 22339 | Love is a central concept in morals [Murdoch] |
| Full Idea: Love is a central concept in morals. ....[p.30] The central concept of morality is 'the individual' thought of as knowable by love, thought of in the light of the command 'Be ye therefore perfect'. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: This seems to be a critique of the chillier aspects of utilitarianism and Kantian duty. Love doesn't seem essential to Aristotle's concept of virtue either, and Murdoch's tradition seems to be Christian. I'm undecided about this idea. |
| 22348 | Ordinary human love is good evidence of transcendent goodness [Murdoch] |
| Full Idea: Is not ordinary human love ...striking evidence of a transcendental principle of good? | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Sorry to be mean, but I would say not. Love is tied up with sexual desire, and with family and tribal loyalty, and can be observed in quite humble animals. (Love, I should quickly add, is a very good thing indeed. Really). |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 22343 | If I attend properly I will have no choices [Murdoch] |
| Full Idea: If I attend properly I will have no choices, and this is the ultimate condition to be aimed at. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: I take it this is an expression of what we now call Particularism. It is not just that every moral situation is subtly morally different, but that the particulars of the situation will lead directly to moral choices (in a 'healthy' agent). |
| 22340 | It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch] |
| Full Idea: It is the historical, individual, nature of the virtues as actually exemplified which makes it difficult to learn goodness from another person. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: A penetrating remark, which strikes me as true. When confronted with a virtuous person you might want to acquire their virtue, just as you might want them to teach you algebra, but their virtues are too bound up with their individuality. |
| 22349 | Art trains us in the love of virtue [Murdoch] |
| Full Idea: The enjoyment of art is a training in the love of virtue. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: Very Aristotelian to talk of 'training'. Unfortunately it is children who have the greatest need for training, but most art is aimed at mature adults. Can you be too old to be trained by art, even if you enjoy it? |
| 22346 | Moral reflection and experience gradually reveals unity in the moral world [Murdoch] |
| Full Idea: Reflection rightly tends to unify the moral world, and increasing moral sophistication reveals increasing unity. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: As an example she suggests asking what is the best type of courage. Connections to other virtues will emerge. That is a persuasive example. We all have strong views on what type of courage is the most admirable. |
| 22350 | Only trivial virtues can be possessed on their own [Murdoch] |
| Full Idea: It would be impossible to have only one virtue, unless it were a very trivial one such as thrift. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: A nicely nuanced commitment to the unity of virtue. You might exhibit courage alone in a brute animal way, but the sort of courage we all admire is part of more extended virtues. |
| 20765 | Man is a brave naked will, separate from a background of values and realities [Murdoch] |
| Full Idea: Existentialists no longer see man against a background of values, of realities, which transcend him. We picture man as a brave naked will. | |
| From: Iris Murdoch (Against Dryness: a polemical sketch [1983], p.46), quoted by Kevin Aho - Existentialism: an introduction 7 'Subjectivism' | |
| A reaction: It is one thing to deny the values, and another to deny the realities. This piece is a 'polemic', and reads more like an exhortation than a truth. Many of us are, at best, cowardly naked wills. |
| 22351 | Only a philosopher might think choices create values [Murdoch] |
| Full Idea: The ordinary person does not, unless corrupted by philosophy, believe that he creates values by his choices. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: This looks like a swipe at Nietzsche, more than anyone. Sartre and co talk less about values, other than authenticity. Philosophy can definitely be corrupting. |
| 22342 | Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch] |
| Full Idea: What may be called the Kantian wing and the Surrealist wing of existentialism may be distinguished by the degree of their interest in reasons for action, which diminishes to nothing at the Surrealist end. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Presumably for all existentialists moral decisions are the most important aspect of life, since they define what you are, but the Surrealist wing seem to be nihilists about that, so they barely count as existentialists. For them life is sleepwalking. |
| 6005 | Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley] |
| Full Idea: Hermarchus said that animal killing is justified by considerations of human safety and nourishment and by animals' inability to form contractual relations of justice with us. | |
| From: report of Hermarchus (fragments/reports [c.270 BCE]) by David A. Sedley - Hermarchus | |
| A reaction: Could the last argument be used to justify torturing animals? Or could we eat a human who was too brain-damaged to form contracts? |
| 9922 | If space is really just a force-field, then it is a physical entity [Burgess/Rosen] |
| Full Idea: According to many philosophical commentators, a force-field must be considered to be a physical entity, and as the distinction between space and the force-field may be considered to be merely verbal, space itself may be considered to be a physical entity. | |
| From: JP Burgess / G Rosen (A Subject with No Object [1997], II.A.1) | |
| A reaction: The ontology becomes a bit odd if we cheerfully accept that space is physical, but then we can't give the same account of time. I'm not sure how time could be physical. What's it made of? |
| 22345 | Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch] |
| Full Idea: God was (or is) a single perfect transcendent non-representable and necessarily real object of attention. ....Moral philosophy should attempt to retain a central concept which has all these characteristics. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: This is a combination of middle Platonism (which sees the Form of the Good as the mind of God) and G.E. Moore's indefinable ideal of goodness. Murdoch connects this suggestion with the centrality of love in moral philosophy. I disagree. |