5953
|
For the Cyrenaics experience was not enough to give certainty about reality [Aristippus young, by Plutarch]
|
|
Full Idea:
The Cyrenaics, placing all experience within themselves, thought such evidence was insufficient warrant for certainty about reality, and withdrew as in a siege from the world, admitting that objects 'appear', but refusing to pronounce the word 'are'.
|
|
From:
report of Aristippus the younger (fragments/reports [c.335 BCE]) by Plutarch - 74: Reply to Colotes §1120
|
|
A reaction:
This seems to be the most extreme position found in ancient thought. It accompanies their extreme hedonism, based on the reality of experience and lack of interest in anything external. A bit daft, really.
|
20327
|
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
|
|
Full Idea:
In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
|
|
From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
|
|
A reaction:
Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
|
20326
|
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
|
|
Full Idea:
In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
|
|
From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
|
|
A reaction:
As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
|
20330
|
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
|
|
Full Idea:
The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
|
|
From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
|
|
A reaction:
Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
|
3026
|
Actions are influenced by circumstances, so Cyrenaics say felons should be reformed, not hated [Aristippus young, by Diog. Laertius]
|
|
Full Idea:
Cyrenaics say errors should be pardoned, because men do not err intentionally but are influenced by circumstances; one should not hate a person, but only teach him better.
|
|
From:
report of Aristippus the younger (fragments/reports [c.335 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.7.9
|
|
A reaction:
A very appealing suggestion, and rather wonderful for its time. There is still implied agreement about what is 'error', and what counts as 'better'.
|
3024
|
Cyrenaics teach that honour, justice and shame are all based on custom and fashion [Aristippus young, by Diog. Laertius]
|
|
Full Idea:
The Cyrenaics taught that there was nothing naturally and intrinsically just, or honourable, or disgraceful; but that things were considered so because of law and fashion.
|
|
From:
report of Aristippus the younger (fragments/reports [c.335 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.7.8
|
|
A reaction:
As we would say now, values and virtues are 'cultural constructs'. This obviously contains a lot of truth, but I don't think our opposition of genocide is just 'fashion'.
|