5 ideas
| 6587 | It is always wrong to believe things on insufficient evidence [Clifford] |
| Full Idea: It is wrong always, everywhere, and for anyone, to believe anything upon insufficient evidence. | |
| From: William K. Clifford (works [1870]), quoted by Robert Fogelin - Walking the Tightrope of Reason Ch.4 | |
| A reaction: This is a famous remark, but is in danger of being tautological unless one gives some account of what 'insufficient' means. If Clifford means the evidence must be conclusive, this is nonsense. 'Never believe if there is no evidence' is better. |
| 20443 | The aesthetic attitude is nothing more than paying close attention [Dickie, by Giovannelli] |
| Full Idea: Once analysed, Dickie claimed, the so-called aesthetic attitude is not special at all, but is rather just a matter of close attention and focus on the subject. | |
| From: report of George Dickie (The Myth of the Aesthetic Attitude [1964]) by Alessandro Giovannelli - Some contemporary developments (aesthetics) 1 | |
| A reaction: Sounds wrong. If a paint specialist gives close attention to a painting, they do not necessarily have an aesthetic view of it. You need to know the aim of the activity, just as when you watch a game. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 8114 | The institutional theory says only a competent expert can decree something to be an art work [Dickie, by Gardner] |
| Full Idea: Dickie's institutional theory of art says that something is a work of art if and only if it has had that status conferred on it by a competent member of the artworld. | |
| From: report of George Dickie (Introduction to Aesthetics [1997], Ch.8) by Sebastian Gardner - Aesthetics 3.1 | |
| A reaction: The idea that a single 'competent' person can do this sounds daft, and probably circular. A consensus in the artworld sounds more plausible, but this still leaves the revolutionary genius, who - in retrospect - produced unrecognised 'art'. |
| 6005 | Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley] |
| Full Idea: Hermarchus said that animal killing is justified by considerations of human safety and nourishment and by animals' inability to form contractual relations of justice with us. | |
| From: report of Hermarchus (fragments/reports [c.270 BCE]) by David A. Sedley - Hermarchus | |
| A reaction: Could the last argument be used to justify torturing animals? Or could we eat a human who was too brain-damaged to form contracts? |