14 ideas
| 20475 | Maybe modal sentences cannot be true or false [Casullo] |
| Full Idea: Some people claim that modal sentences do not express truths or falsehoods. | |
| From: Albert Casullo (A Priori Knowledge [2002], 3.2) | |
| A reaction: I can only imagine this coming from a narrow hardline empiricist. It seems to me obvious that we make true or false statements about what is possible or impossible. |
| 20476 | If the necessary is a priori, so is the contingent, because the same evidence is involved [Casullo] |
| Full Idea: If one can only know a priori that a proposition is necessary, then one can know only a priori that a proposition is contingent. The evidence relevant to determining the latter is the same as that relevant to determining the former. | |
| From: Albert Casullo (A Priori Knowledge [2002], 3.2) | |
| A reaction: This seems a telling point, but I suppose it is obvious. If you see that the cat is on the mat, nothing in the situation tells you whether this is contingent or necessary. We assume it is contingent, but that may be an a priori assumption. |
| 20471 | Epistemic a priori conditions concern either the source, defeasibility or strength [Casullo] |
| Full Idea: There are three suggested epistemic conditions on a priori knowledge: the first regards the source of justification, the second regards the defeasibility of justification, and the third appeals to the strength of justification. | |
| From: Albert Casullo (A Priori Knowledge [2002], 2) | |
| A reaction: [compressed] He says these are all inspired by Kant. The non-epistemic suggested condition involve necessity or analyticity. The source would have to be entirely mental; the defeasibly could not be experiential; the strength would be certainty. |
| 20477 | The main claim of defenders of the a priori is that some justifications are non-experiential [Casullo] |
| Full Idea: The leading claim of proponents of the a priori is that sources of justification are of two significantly different types: experiential and nonexperiential. Initially this difference is marked at the phenomenological level. | |
| From: Albert Casullo (A Priori Knowledge [2002], 5) | |
| A reaction: He cites Plantinga and Bealer for the phenomenological starting point (that some knowledge just seems rationally obvious, certain, and perhaps necessary). |
| 20472 | Analysis of the a priori by necessity or analyticity addresses the proposition, not the justification [Casullo] |
| Full Idea: There is reason to view non-epistemic analyses of a priori knowledge (in terms of necessity or analyticity) with suspicion. The a priori concerns justification. Analysis by necessity or analyticity concerns the proposition rather than the justification. | |
| From: Albert Casullo (A Priori Knowledge [2002], 2.1) | |
| A reaction: [compressed] The fact that the a priori is entirely a mode of justification, rather than a type of truth, is the modern view, influenced by Kripke. Given that assumption, this is a good objection. |
| 3913 | Maybe imagination is the source of a priori justification [Casullo] |
| Full Idea: Some maintain that experiments in imagination are the source of a priori justification. | |
| From: Albert Casullo (A priori/A posteriori [1992], p.1) | |
| A reaction: What else could assessments of possibility and necessity be based on except imagination? |
| 20474 | 'Overriding' defeaters rule it out, and 'undermining' defeaters weaken in [Casullo] |
| Full Idea: A justified belief that a proposition is not true is an 'overriding' defeater, ...and the belief that a justification is inadequate or defective is an 'undermining' defeater. | |
| From: Albert Casullo (A Priori Knowledge [2002], n 40) | |
| A reaction: Sounds more like a sliding scale than a binary option. Quite useful, though. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 1513 | The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus] |
| Full Idea: The Egyptians were the first to claim that the soul of a human being is immortal, and that each time the body dies the soul enters another creature just as it is being born. | |
| From: Herodotus (The Histories [c.435 BCE], 2.123.2) |