38 ideas
| 22338 | An unexamined life can be virtuous [Murdoch] |
| Full Idea: An unexamined life can be virtuous. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Nice. A firm rejection of the intellectualist view of virtue, to which most Greeks subscribed. Jesus would have liked this one. |
| 22337 | Philosophy must keep returning to the beginning [Murdoch] |
| Full Idea: Philosophy has in a sense to keep trying to return to the beginning. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: This is a sign that philosophy is not like other subjects, and indicates that although the puzzles are not solved, they won't go away. Also that, unlike most other subjects, the pre-suppositions are not part of the subject. |
| 23563 | Philosophy moves continually between elaborate theories and the obvious facts [Murdoch] |
| Full Idea: There is a two-way movement in philosophy, a movement towards the building of elaborate theories, and a move back again towards the consideration of simple and obvious facts. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Nice. Without the theories there is no philosophy, but without continual reference back to the obvious facts the theories are worthless. |
| 6675 | The heart has its reasons of which reason knows nothing [Pascal] |
| Full Idea: The heart has its reasons of which reason knows nothing. | |
| From: Blaise Pascal (Pensées [1662], 423 (277)) | |
| A reaction: This romantic remark has passed into folklore. I am essentially against it, but the role of intuition and instinct are undeniable in both reasoning and ethics. I don't feel inclined, though, to let my heart overrule my reason concerning what exists. |
| 10121 | Contradiction is not a sign of falsity, nor lack of contradiction a sign of truth [Pascal] |
| Full Idea: Contradiction is not a sign of falsity, nor the lack of contradiction a sign of truth. | |
| From: Blaise Pascal (works [1660]), quoted by A.George / D.J.Velleman - Philosophies of Mathematics Ch.6 | |
| A reaction: [Quoted in Auden and Kronenberger's Book of Aphorisms] Presumably we would now say that contradiction is a purely formal, syntactic notion, and not a semantic one. If you hit a contradiction, something has certainly gone wrong. |
| 22011 | The first principles of truth are not rational, but are known by the heart [Pascal] |
| Full Idea: We know the truth not only through our reason but also through our heart. It is through that latter that we know first principles, and reason, which has nothing to do with it, tries in vain to refute them. | |
| From: Blaise Pascal (Pensées [1662], 110 p.58), quoted by Terry Pinkard - German Philosophy 1760-1860 04 n4 | |
| A reaction: This resembles the rationalist defence of fundamental a priori principles, needed as a foundation for knowledge. But the a priori insights are not a feature of the 'natural light' of reason, and are presumably inexplicable (of the 'heart'). |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| Full Idea: We know of perfection as we look upon what is imperfect. | |
| From: Iris Murdoch (Metaphysics as a Guide to Morals [1992], 13) | |
| A reaction: This is in the context of a discussion of the ontological argument for God's existence, but I seize on it as a nice expression of the idealisation capacity of our minds. The alternative is that perfection is innate idea, since we aren't seeing it. |
| 6681 | We only want to know things so that we can talk about them [Pascal] |
| Full Idea: We usually only want to know something so that we can talk about it. | |
| From: Blaise Pascal (Pensées [1662], 77 (152)) | |
| A reaction: This may be right, but I wouldn't underestimate it as a worthy end (though Pascal, as usual, calls it 'vanity'). Good talk might even be the highest human good (how many people like, more than anything, chatting in pubs?), and good talk is knowledgeable. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| Full Idea: The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], i) | |
| A reaction: It is significant that literature belongs more clearly to a nation or community than does most music or painting. You learn about Russians from their literature, but not much from their music. |
| 6676 | Painting makes us admire things of which we do not admire the originals [Pascal] |
| Full Idea: How vain painting is, exciting admiration by its resemblance to things of which we do not admire the originals. | |
| From: Blaise Pascal (Pensées [1662], 40 (134)) | |
| A reaction: A lesser sort of painting simply depicts things we admire, such as a nice stretch of landscape. For Pascal it is vanity, but it could be defended as the highest achievement of art, if the purpose of artists is to make us see beauty where we had missed it. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| Full Idea: The appreciation of beauty in art or nature is not only the easiest available spiritual exercise; it is also a completely adequate entry into (and not just analogy of) the good life, since it checks selfishness in the interest of seeing the real. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Not keen on 'spiritual' exercises, but I very much like 'seeing the real' as a promotion of the good life. The hard bit is to know what reality you are seeing in a work of art. [p.84] Her example is the sudden sight of a hovering kestrel. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 6680 | It is a funny sort of justice whose limits are marked by a river [Pascal] |
| Full Idea: It is a funny sort of justice whose limits are marked by a river; true on this side of the Pyrenees, false on the other. | |
| From: Blaise Pascal (Pensées [1662], 60 (294)) | |
| A reaction: Pascal gives nice concise summaries of our intuitions. Legal justice may be all we can actually get, but everyone knows that what happens to someone could be 'fair' on one side of a river, and very 'unfair' on the other. |
| 6677 | Imagination creates beauty, justice and happiness, which is the supreme good [Pascal] |
| Full Idea: Imagination decides everything: it creates beauty, justice and happiness, which is the world's supreme good. | |
| From: Blaise Pascal (Pensées [1662], 44 (82)) | |
| A reaction: Compare Fogelin's remark in Idea 6555. I see Pascal's point, but these ideals are also responses to facts about the world, such as human potential and human desire and successful natural functions. |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 22339 | Love is a central concept in morals [Murdoch] |
| Full Idea: Love is a central concept in morals. ....[p.30] The central concept of morality is 'the individual' thought of as knowable by love, thought of in the light of the command 'Be ye therefore perfect'. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: This seems to be a critique of the chillier aspects of utilitarianism and Kantian duty. Love doesn't seem essential to Aristotle's concept of virtue either, and Murdoch's tradition seems to be Christian. I'm undecided about this idea. |
| 22348 | Ordinary human love is good evidence of transcendent goodness [Murdoch] |
| Full Idea: Is not ordinary human love ...striking evidence of a transcendental principle of good? | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Sorry to be mean, but I would say not. Love is tied up with sexual desire, and with family and tribal loyalty, and can be observed in quite humble animals. (Love, I should quickly add, is a very good thing indeed. Really). |
| 6678 | We live for the past or future, and so are never happy in the present [Pascal] |
| Full Idea: Our thoughts are wholly concerned with the past or the future, never with the present, which is never our end; thus we never actually live, but hope to live, and since we are always planning to be happy, it is inevitable that we should never be so. | |
| From: Blaise Pascal (Pensées [1662], 47 (172)) | |
| A reaction: A very nice expression of the importance of 'living for the moment' as a route to happiness. Personally I am occasionally startled by the thought 'Good heavens, I seem to be happy!', but it usually passes quickly. How do you plan for the present? |
| 22343 | If I attend properly I will have no choices [Murdoch] |
| Full Idea: If I attend properly I will have no choices, and this is the ultimate condition to be aimed at. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: I take it this is an expression of what we now call Particularism. It is not just that every moral situation is subtly morally different, but that the particulars of the situation will lead directly to moral choices (in a 'healthy' agent). |
| 22349 | Art trains us in the love of virtue [Murdoch] |
| Full Idea: The enjoyment of art is a training in the love of virtue. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: Very Aristotelian to talk of 'training'. Unfortunately it is children who have the greatest need for training, but most art is aimed at mature adults. Can you be too old to be trained by art, even if you enjoy it? |
| 22340 | It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch] |
| Full Idea: It is the historical, individual, nature of the virtues as actually exemplified which makes it difficult to learn goodness from another person. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: A penetrating remark, which strikes me as true. When confronted with a virtuous person you might want to acquire their virtue, just as you might want them to teach you algebra, but their virtues are too bound up with their individuality. |
| 22350 | Only trivial virtues can be possessed on their own [Murdoch] |
| Full Idea: It would be impossible to have only one virtue, unless it were a very trivial one such as thrift. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: A nicely nuanced commitment to the unity of virtue. You might exhibit courage alone in a brute animal way, but the sort of courage we all admire is part of more extended virtues. |
| 22346 | Moral reflection and experience gradually reveals unity in the moral world [Murdoch] |
| Full Idea: Reflection rightly tends to unify the moral world, and increasing moral sophistication reveals increasing unity. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: As an example she suggests asking what is the best type of courage. Connections to other virtues will emerge. That is a persuasive example. We all have strong views on what type of courage is the most admirable. |
| 20765 | Man is a brave naked will, separate from a background of values and realities [Murdoch] |
| Full Idea: Existentialists no longer see man against a background of values, of realities, which transcend him. We picture man as a brave naked will. | |
| From: Iris Murdoch (Against Dryness: a polemical sketch [1983], p.46), quoted by Kevin Aho - Existentialism: an introduction 7 'Subjectivism' | |
| A reaction: It is one thing to deny the values, and another to deny the realities. This piece is a 'polemic', and reads more like an exhortation than a truth. Many of us are, at best, cowardly naked wills. |
| 20732 | If man considers himself as lost and imprisoned in the universe, he will be terrified [Pascal] |
| Full Idea: Let man consider what he is in comparison with what exists; let him regard himself as lost, and from this little dungeon the universe, let him learn to take the earth and himself at their proper value. Anyone considering this will be terrified at himself. | |
| From: Blaise Pascal (Pensées [1662], p.199), quoted by Kevin Aho - Existentialism: an introduction Pref 'What? | |
| A reaction: [p.199 of Penguin edn] Cited by Aho as a forerunner of existentialism. Montaigne probably influenced Pascal. Interesting that this is to be a self-inflicted existential crisis (for some purpose, probably Christian). |
| 22342 | Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch] |
| Full Idea: What may be called the Kantian wing and the Surrealist wing of existentialism may be distinguished by the degree of their interest in reasons for action, which diminishes to nothing at the Surrealist end. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Presumably for all existentialists moral decisions are the most important aspect of life, since they define what you are, but the Surrealist wing seem to be nihilists about that, so they barely count as existentialists. For them life is sleepwalking. |
| 22351 | Only a philosopher might think choices create values [Murdoch] |
| Full Idea: The ordinary person does not, unless corrupted by philosophy, believe that he creates values by his choices. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: This looks like a swipe at Nietzsche, more than anyone. Sartre and co talk less about values, other than authenticity. Philosophy can definitely be corrupting. |
| 6682 | Majority opinion is visible and authoritative, although not very clever [Pascal] |
| Full Idea: Majority opinion is the best way because it can be seen, and is strong enough to command obedience, but it is the opinion of those who are least clever. | |
| From: Blaise Pascal (Pensées [1662], 85 (878)) | |
| A reaction: A nice statement of the classic dilemma faced by highly educated people over democracy. Plato preferred the clever, Aristotle agreed with Pascal, and with me. Politics must make the best of it, not pursue some ideal. Education is the one feeble hope. |
| 6679 | It is not good to be too free [Pascal] |
| Full Idea: It is not good to be too free. | |
| From: Blaise Pascal (Pensées [1662], 57 (379)) | |
| A reaction: All Americans, please take note. I agree with this, because I agree with Aristotle that man is essentially a social animal (Idea 5133), and living in a community is a matter of compromise. Extreme libertarianism contradicts our natures, and causes misery. |
| 22345 | Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch] |
| Full Idea: God was (or is) a single perfect transcendent non-representable and necessarily real object of attention. ....Moral philosophy should attempt to retain a central concept which has all these characteristics. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: This is a combination of middle Platonism (which sees the Form of the Good as the mind of God) and G.E. Moore's indefinable ideal of goodness. Murdoch connects this suggestion with the centrality of love in moral philosophy. I disagree. |
| 7455 | Pascal knows you can't force belief, but you can make it much more probable [Pascal, by Hacking] |
| Full Idea: Pascal knows that one cannot decide to believe in God, but he thinks one can act so that one will very probably come to believe in God, by following a life of 'holy water and sacraments'. | |
| From: report of Blaise Pascal (Pensées [1662], 418 (233)) by Ian Hacking - The Emergence of Probability Ch.8 | |
| A reaction: This meets the most obvious and simple objection to Pascal's idea, and Pascal may well be right. I'm not sure I could resist belief after ten years in a monastery. |
| 7457 | Pascal is right, but relies on the unsupported claim of a half as the chance of God's existence [Hacking on Pascal] |
| Full Idea: Pascal's argument is valid, but it is presented with a monstrous premise of equal chance. We have no good reason for picking a half as the chance of God's existence. | |
| From: comment on Blaise Pascal (Pensées [1662], 418 (233)) by Ian Hacking - The Emergence of Probability Ch.8 | |
| A reaction: That strikes me as the last word on this rather bizarre argument. |
| 7456 | The libertine would lose a life of enjoyable sin if he chose the cloisters [Hacking on Pascal] |
| Full Idea: The libertine is giving up something if he chooses to adopt a pious form of life. He likes sin. If God is not, the worldly life is preferable to the cloistered one. | |
| From: comment on Blaise Pascal (Pensées [1662], 418 (233)) by Ian Hacking - The Emergence of Probability Ch.8 | |
| A reaction: This is a very good objection to Pascal, who seems to think you really have nothing at all to lose. I certainly don't intend to become a monk, because the chances of success seem incredibly remote from where I am sitting. |
| 6684 | If you win the wager on God's existence you win everything, if you lose you lose nothing [Pascal] |
| Full Idea: How will you wager if a coin is spun on 'Either God is or he is not'? ...If you win you win everything, if you lose you lose nothing. | |
| From: Blaise Pascal (Pensées [1662], 418 (233)) | |
| A reaction: 'Sooner safe than sorry' is a principle best used with caution. Do you really 'lose nothing' by believing a falsehood for the whole of your life? What God would reward belief on such a principles as this? |
| 1513 | The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus] |
| Full Idea: The Egyptians were the first to claim that the soul of a human being is immortal, and that each time the body dies the soul enters another creature just as it is being born. | |
| From: Herodotus (The Histories [c.435 BCE], 2.123.2) |