Combining Philosophers

All the ideas for Herodotus, Daniel Jacobson and Craig Bourne

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23 ideas

1. Philosophy / D. Nature of Philosophy / 8. Humour
Jokes can sometimes be funny because they are offensive [Jacobson,D]
     Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove.
2. Reason / B. Laws of Thought / 2. Sufficient Reason
Is Sufficient Reason self-refuting (no reason to accept it!), or is it a legitimate explanatory tool? [Bourne]
     Full Idea: Mackie (1983) dismisses the Principle of Sufficient Reason quickly, arguing that it is self-refuting: there is no sufficient reason to accept it. However, a principle is not invalidated by not applying to itself; it can be a powerful heuristic tool.
     From: Craig Bourne (A Future for Presentism [2006], 6.VI)
     A reaction: If God was entirely rational, and created everything, that would be a sufficient reason to accept the principle. You would never, though, get to the reason why God was entirely rational. Something will always elude the principle.
3. Truth / H. Deflationary Truth / 1. Redundant Truth
The redundancy theory conflates metalinguistic bivalence with object-language excluded middle [Bourne]
     Full Idea: The problem with the redundancy theory of truth is that it conflates the metalinguistic notion of bivalence with a theorem of the object language, namely the law of excluded middle.
     From: Craig Bourne (A Future for Presentism [2006], 3.III Pr3)
8. Modes of Existence / A. Relations / 1. Nature of Relations
All relations between spatio-temporal objects are either spatio-temporal, or causal [Bourne]
     Full Idea: If there are any genuine relations at all between spatio-temporal objects, then they are all either spatio-temporal or causal.
     From: Craig Bourne (A Future for Presentism [2006], 3.III Pr4)
     A reaction: This sounds too easy, but I have wracked my brains for counterexamples and failed to find any. How about qualitative relations?
It is a necessary condition for the existence of relations that both of the relata exist [Bourne]
     Full Idea: It is widely held, and I think correctly so, that a necessary condition for the existence of relations is that both of the relata exist.
     From: Craig Bourne (A Future for Presentism [2006], 3.III Pr4)
     A reaction: This is either trivial or false. Relations in the actual world self-evidently relate components of it. But I seem able to revere Sherlock Holmes, and speculate about relations between possible entities.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
We don't often respond to events in art as if they were real events [Jacobson,D]
     Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection')
     A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Audiences can be too moral [Jacobson,D]
     Full Idea: An audience can be overly moralistic.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: People can be too moral in real life as well. Goody Two Shoes.
'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D]
     Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro)
     A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant.
Moral defects of art can be among its aesthetic virtues [Jacobson,D]
     Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro)
     A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption.
Immoral art encourages immoral emotions [Jacobson,D]
     Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence.
Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D]
     Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate')
     A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral.
We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D]
     Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is')
     A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism]
27. Natural Reality / B. Modern Physics / 1. Relativity / a. Special relativity
The idea of simultaneity in Special Relativity is full of verificationist assumptions [Bourne]
     Full Idea: Special Relativity, with its definition of simultaneity, is shot through with verificationist assumptions.
     From: Craig Bourne (A Future for Presentism [2006], 6.IIc)
     A reaction: [He credits Sklar with this] I love hearing such points made, because all my instincts have rebelled against Einstein's story, even after I have been repeatedly told how stupid I am, and how I should study more maths etc.
Relativity denies simultaneity, so it needs past, present and future (unlike Presentism) [Bourne]
     Full Idea: Special Relativity denies absolute simultaneity, and therefore requires a past and a future, as well as a present. The Presentist, however, only requires the present.
     From: Craig Bourne (A Future for Presentism [2006], 6.VII)
     A reaction: It is nice to accuse Relativity of ontological extravagence. When it 'requires' past and future, that may not be a massive commitment, since the whole theory is fairly operationalist, according to Putnam.
27. Natural Reality / D. Time / 1. Nature of Time / a. Absolute time
Special Relativity allows an absolute past, future, elsewhere and simultaneity [Bourne]
     Full Idea: There is in special relativity a notion of 'absolute past', and of 'absolute future', and of 'absolute elsewhere', and of 'absolute simultaneity' (of events occurring at their space-time conjunction).
     From: Craig Bourne (A Future for Presentism [2006], 5.III)
     A reaction: [My summary of his paragraph] I am inclined to agree with Bourne that there is enough here to build some sort of notion of 'present' that will support the doctrine of Presentism.
27. Natural Reality / D. Time / 1. Nature of Time / g. Growing block
No-Futurists believe in past and present, but not future, and say the world grows as facts increase [Bourne]
     Full Idea: 'No-Futurists' believe in the real existence of the past and present but not the future, and hold that the world grows as more and more facts come into existence.
     From: Craig Bourne (A Future for Presentism [2006], 6.IIb)
     A reaction: [He cites Broad 1923 and Tooley 1997] My sympathies are with Presentism, but there seems not denying that past events fix truths in a way that future events don't. The unchangeability of past events seems to make them factual.
27. Natural Reality / D. Time / 1. Nature of Time / h. Presentism
How can presentists talk of 'earlier than', and distinguish past from future? [Bourne]
     Full Idea: Presentists have a difficulty with how they can help themselves to the notion of 'earlier than' without having to invoke real relata, and how presentism can distinguish the past from the future.
     From: Craig Bourne (A Future for Presentism [2006], 2.IV)
     A reaction: The obvious response is to infer the past from the present (fossils), and infer the future from the present (ticking bomb). But what is it that is being inferred, if the past and future are denied a priori? Tricky!
Presentism seems to deny causation, because the cause and the effect can never coexist [Bourne]
     Full Idea: It seems that presentism cannot accommodate causation at all. In a true instance of 'c causes e', it seems to follow that both c and e exist, and it is widely accepted that c is earlier than e. But for presentists that means c and e can't coexist.
     From: Craig Bourne (A Future for Presentism [2006], 4)
     A reaction: A nice problem. Obviously if the flying ball smashed the window, we are left with only the effect existing - otherwise we could intercept the ball and prevent the disaster. To say this cause and this effect coexist would be even dafter than the problem.
Since presentists treat the presentness of events as basic, simultaneity should be define by that means [Bourne]
     Full Idea: Since for presentism there is an ontologically significant and basic sense in which events are present, we should expect a definition of simultaneity in terms of presentness, rather than the other way round.
     From: Craig Bourne (A Future for Presentism [2006], 6.IV)
     A reaction: Love it. I don't see how you can even articulate questions about simultaneity if you don't already have a notion of presentness. What are the relata you are enquiring about?
27. Natural Reality / D. Time / 2. Passage of Time / d. Time series
Time is tensed or tenseless; the latter says all times and objects are real, and there is no passage of time [Bourne]
     Full Idea: Theories of time are in two broad categories, the tenseless and the tensed theories. In tenseless theories, all times are equally real, as are all objects located at them, and there is no passage of time from future to present to past. It's the B-series.
     From: Craig Bourne (A Future for Presentism [2006], Intro IIa)
     A reaction: It might solve a few of the problems, but is highly counterintuitive. Presumably it makes the passage of time an illusion, and gives no account of how events 'happen', or of their direction, and it leaves causation out on a limb. I'm afraid not.
B-series objects relate to each other; A-series objects relate to the present [Bourne]
     Full Idea: Objects in the B-series are earlier than, later than, or simultaneous with each other, whereas objects in the A-series are earlier than, later than or simultaneous with the present.
     From: Craig Bourne (A Future for Presentism [2006], Intro IIb)
     A reaction: Must we choose? Two past events relate to each other, but there is a further relation when 'now' falls between the events. If I must choose, I suppose I go for the A-series view. The B-series is a subsequent feat of imagination. McTaggart agreed.
27. Natural Reality / D. Time / 2. Passage of Time / e. Tensed (A) series
Time flows, past is fixed, future is open, future is feared but not past, we remember past, we plan future [Bourne]
     Full Idea: We say that time 'flows', that the past is 'fixed' but the future is 'open'; we only dread the future, but not the past; we remember the past but not the future; we plan for the future but not the past.
     From: Craig Bourne (A Future for Presentism [2006], Intro III)
     A reaction: These seem pretty overwhelming reasons for accepting an asymmetry between the past and the future. If you reject that, you seem to be mired in a multitude of contradictions. Your error theory is going to be massive.
29. Religion / D. Religious Issues / 2. Immortality / a. Immortality
The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus]
     Full Idea: The Egyptians were the first to claim that the soul of a human being is immortal, and that each time the body dies the soul enters another creature just as it is being born.
     From: Herodotus (The Histories [c.435 BCE], 2.123.2)