22070
|
Irony is consciousness of abundant chaos [Schlegel,F]
|
|
Full Idea:
Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos.
|
|
From:
Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81
|
|
A reaction:
[1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony.
|
22069
|
Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
|
|
Full Idea:
Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts.
|
|
From:
Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism
|
|
A reaction:
[1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea.
|
18948
|
There is an object for every set of properties (some of which exist, and others don't) [Parsons,T, by Sawyer]
|
|
Full Idea:
According to Terence Parsons, there is an object corresponding to every set of properties. To some of those sets of properties there corresponds an object that exists, and to others there corresponds an object that does not exist (a nonexistent object).
|
|
From:
report of Terence Parsons (Nonexistent Objects [1980]) by Sarah Sawyer - Empty Names 5
|
|
A reaction:
This I take to be the main source of the modern revival of Meinong's notorious view of objects (attacked by Russell). I always find the thought 'a round square is square' to be true, and in need of a truthmaker. But must a round square be non-triangular?
|
22068
|
Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
|
|
Full Idea:
There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry.
|
|
From:
Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78
|
|
A reaction:
I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system).
|