Combining Philosophers

All the ideas for Herodotus, Lamargue,P/Olson,SH and Herman Cappelen

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6 ideas

2. Reason / E. Argument / 7. Thought Experiments

20183	So-called 'though experiments' are just philosophers observing features of the world [Cappelen]
	Full Idea: What are called 'thought experiments' in philosophy are in effect just philosophers drawing our attention to interesting features of the world.
	From: Herman Cappelen (Philosophy without Intuitions [2012], 11.3)
	A reaction: Thought experiments are said to rely (perhaps excessively) on 'intuition', but Cappelen says intuition is irrelevant, because we are merely making judgements. It think they ARE experiments, if one feature varies while the rest is held steady.

12. Knowledge Sources / E. Direct Knowledge / 2. Intuition

20182	The word 'intuitive' often plays not role at all in arguments, and can be removed [Cappelen]
	Full Idea: Careful study of uses of 'intuitive' will reveal that it often plays no significant argumentative role, and that removal will improve overall argumentative transparency.
	From: Herman Cappelen (Philosophy without Intuitions [2012], 04.1)
	A reaction: This is a key part of Cappelen's argument that 'intuition' is a rather empty concept, and that philosophers do not really rely on it. In effect, he is consigning it to mere rhetoric. He gives lots of examples in support.

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics

20327	Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
	Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
	From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
	A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.

21. Aesthetics / B. Nature of Art / 1. Defining Art

20326	Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
	Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
	From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
	A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.

21. Aesthetics / B. Nature of Art / 7. Ontology of Art

20330	The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
	Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
	From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
	A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.

29. Religion / D. Religious Issues / 2. Immortality / a. Immortality

1513	The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus]
	Full Idea: The Egyptians were the first to claim that the soul of a human being is immortal, and that each time the body dies the soul enters another creature just as it is being born.
	From: Herodotus (The Histories [c.435 BCE], 2.123.2)