6 ideas
| 14644 | If my conception of pain derives from me, it is a contradiction to speak of another's pain [Malcolm] |
| Full Idea: If I obtain my conception of pain from pain that I experience, then it will be a part of my conception of pain that I am the only being that can experience it. For me it will be contradiction to speak of another's pain. | |
| From: Norman Malcolm (Wittgenstein's 'Philosophical Investigations' [1954]), quoted by Alvin Plantinga - De Re and De Dicto p.44 | |
| A reaction: This obviously has the private language argument in the background. It seems to point towards a behaviourist view, that I derive pain from external behaviour in the first instance. So how do I connect the behaviour to the feeling? |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |
| 1422 | God's existence is either necessary or impossible, and no one has shown that the concept of God is contradictory [Malcolm] |
| Full Idea: God's existence is either impossible or necessary. It can be the former only if the concept of such a being is self-contradictory or in some way logically absurd. Assuming that this is not so, it follows that He necessarily exists. | |
| From: Norman Malcolm (Anselm's Argument [1959], §2) | |
| A reaction: The concept of God suggests paradoxes of omniscience, omnipotence and free will, so self-contradiction seems possible. How should we respond if the argument suggests God is necessary, but evidence suggests God is highly unlikely? |
| 1513 | The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus] |
| Full Idea: The Egyptians were the first to claim that the soul of a human being is immortal, and that each time the body dies the soul enters another creature just as it is being born. | |
| From: Herodotus (The Histories [c.435 BCE], 2.123.2) |