Combining Philosophers

All the ideas for Iris Marion Young, Richard Price and Benedetto Croce

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4 ideas

21. Aesthetics / B. Nature of Art / 4. Art as Expression
The experience of expression and communication are intermingled in art [Croce]
     Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled.
     From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood
     A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Historical interpretation aims to recapture the author's view of the work [Croce]
     Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production.
     From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II
     A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
The forefather of modern intuitionism is Richard Price [Price,R, by Dancy,J]
     Full Idea: The forefather of modern intuitionism is Richard Price.
     From: report of Richard Price (works [1760]) by Jonathan Dancy - Intuitionism
24. Political Theory / D. Ideologies / 12. Feminism
As a young girl assumes her status as feminine, she acts in a more fragile immobile way [Young,IM]
     Full Idea: The young girl acquires many subject habits of feminine body comportment - walking, tilting her head, standing and sitting like a girl, and so on ….The more a girl assumes her status as feminine, the more she takes herself to be fragile and immobile.
     From: Iris Marion Young (On Female Body Experience [2005], p.43), quoted by Kevin Aho - Existentialism: an introduction 3 'Aspects'
     A reaction: This strikes me as true of young women, but it largely wears off as they get older, at least among modern women. A whole book could be written about women and smiling.