20 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 8440 | Maybe an event's time of occurrence is essential to it [Bennett] |
| Full Idea: It has been argued that an event's time of occurrence is essential to it. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.221) | |
| A reaction: [He cites Lawrence Lombard] This sound initially implausible, particularly if a rival event happened, say, .1 of a second later than the actual event. It might depend on one's view about determinism. Interesting. |
| 8439 | Maybe each event has only one possible causal history [Bennett] |
| Full Idea: Perhaps it is impossible that an event should have had a causal history different from the one that it actually had. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.220) | |
| A reaction: [He cites van Inwagen for this] The idea is analagous to baptismal accounts of reference. Individuate an event by its history. It might depend (as Davidson implies) on how you describe the event. |
| 8978 | Events are made of other things, and are not fundamental to ontology [Bennett] |
| Full Idea: Events are not basic items in the universe; they should not be included in any fundamental ontology...all the truths about them are entailed by and explained and made true by truths that do not involve the event concept. | |
| From: Jonathan Bennett (Events and Their Names [1988], p.12), quoted by Peter Simons - Events 3.1 | |
| A reaction: Given the variable time spans of events, their ability to coincide, their ability to contain no motion, their blatantly conventional component, and their recalcitrance to individuation, I say Bennett is right. |
| 16740 | A power is not a cause, but an aptitude for a cause [Zabarella] |
| Full Idea: A power is not the cause of an operation, but only the cause's aptitude for operating. | |
| From: Jacob Zabarella (De rebus naturalibus [1590], De fac anim 4:col 692), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 23.5 | |
| A reaction: His example is the power of running, which is actually caused by the soul (or whatever), which generates the power. A power is a very superficial thing. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 16571 | Prime matter is exceptionally obscure [Zabarella] |
| Full Idea: Nothing in the natural world seems to be more obscure and difficult to grasp than the prime matter of things. | |
| From: Jacob Zabarella (De rebus naturalibus [1590], I.1 col 133), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 2.1 | |
| A reaction: This spells the beginning of the end for 'prime matter', since a late scholastic is doubting it, even before the scientists got to work. Most modern Aristotelians slide quietly past prime matter, as unhelpful. |
| 8441 | Delaying a fire doesn't cause it, but hastening it might [Bennett] |
| Full Idea: Although you cannot cause a fire by delaying something's burning, you can cause a fire by hastening something's burning. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.223) | |
| A reaction: A very nice observation which brings out all sorts of problems about identifying causes. Bennett is criticising the counterfactual account. It is part of the problem of pre-emption, where causes are queueing up to produce a given effect. |
| 8436 | Either cause and effect are subsumed under a conditional because of properties, or it is counterfactual [Bennett] |
| Full Idea: We must choose between subsumption and counterfactual analyses of causal statements. The former means that cause and effect have some properties that enables them to be subsumed under a conditional. The latter is just 'if no-c then no-e'. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.217) | |
| A reaction: I have an immediate preference for the former account, which seems to potentially connect it with physics and features of the world which make one thing lead to another. The counterfactual account seems very thin, and is more like mere semantics. |
| 8435 | Causes are between events ('the explosion') or between facts/states of affairs ('a bomb dropped') [Bennett] |
| Full Idea: Theories of causation are split between event and fact/state of affairs theories. The first have the form 'the explosion caused the fire' (perfect nominals) and the second have the form 'the fire started because a bomb dropped' (sentential clauses). | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987]) | |
| A reaction: Surely events must have priority? The form which uses facts is drifting off into explanation, and is much more likely to involve subjective human elements and interpretations. Events are closer to the physics, and the mechanics of what happens. |
| 10364 | Facts are about the world, not in it, so they can't cause anything [Bennett] |
| Full Idea: Facts are not the sort of item that can cause anything. A fact is a true proposition (they say); it is not something in the world but is rather something about the world. | |
| From: Jonathan Bennett (Events and Their Names [1988], p.22), quoted by Jonathan Schaffer - The Metaphysics of Causation 1.1 | |
| A reaction: Compare 10361. Good argument, but maybe 'fact' is ambiguous. See Idea 10365. Events are said to be more concrete, and so can do the job, but their individuation also seems to depend on a description (as Davidson has pointed out). |
| 8437 | The full counterfactual story asserts a series of events, because counterfactuals are not transitive [Bennett] |
| Full Idea: The refinement of a simple counterfactual analysis is to say that cause and effect depend on a series of events. This must be asserted because counterfactual conditionals are well known not to be transitive. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987]) | |
| A reaction: This fills out the theory, but offers another target for critics. If the glue that binds the series is not in the counterfactuals, is it just in the mind of the speaker? How do you decide what's in the series? Cf. deciding offside in football (soccer!). |
| 8438 | A counterfactual about an event implies something about the event's essence [Bennett] |
| Full Idea: Any counterfactual about a particular event implies or presupposes something about the event's essence. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.219) | |
| A reaction: This is where the counterfactual theory suddenly becomes more interesting, instead of just being a rather bare account of the logical structure of causation. (Bennett offers some discussion of possible essential implications). |
| 8592 | Empty space is measurable in ways in which empty time necessarily is not [Bennett, by Shoemaker] |
| Full Idea: Because of the multidimensionality of space and unidimensionality of time, empty space is measurable in ways in which empty time necessarily is not. | |
| From: report of Jonathan Bennett (Kant's Analytic [1966], p.175) by Sydney Shoemaker - Time Without Change p.49 n4 | |
| A reaction: An interesting observation, which could have been used by Samuel Clarke in his attempts to prove absolute space to Leibniz. The point does not prove absolute space, of course, but it seems to make a difference. |